Sentences with phrase «small drawings called»

We will be presenting «Piece for Words and Views» as well as another series of small drawings called Archetyp (Archetype) Berlin (2012).

Not exact matches

Rather than charging 2 % of the fund's total capital commitment, Sequoia has told investors the management fee will be 1 % based only on the smaller stages of «called capital» drawn from the investors, one of the people said.

Those in that wing emphasize numbers, the SCBF charges, above faithfulness, are obsessed with bigness, use celebrities to draw a crowd, employ worldly music, destroy small fundamentalist programs for the sake of their «Super-church» and electronic empires, share platforms with nonfundamentalists, say «Whatever will get a crowd I will do it,» and then call the «biblical fundamentalist» a «nit - picker.»

He, however, called on the various stakeholders to draw a distinction between small - scale mining and illegal mining.

Both the tax levy and the total budget are slightly smaller than the city's 2012 spending plan, in part because Gallo's budget calls for drawing $ 686,393 from the city's fund balance to lower tax rates.

The device works by drawing out glucose from the fluid between cells across hair follicles, which are individually accessed via a miniaturized pixel array platform using a small electric current, in a process called electroosmotic extraction.

The more cynical might call it Jason Friedberg And Aaron Seltzer's Euro Art Movie: decrepit drawing rooms straight out of Aleksandr Sokurov's studies of corrupting power, rustic misty landscapes, gloomy bilingual actors who seem to have pulled their accents at random from a bag, a small role for a cast - against - type Robert Pattinson.

This is called microlearning and eFrontPro offers that too, giving you all the tools to break down your course content into smaller units, including small tests and assessments that draw from a pool of re-usable questions, and to give users the option to study on their mobile devices.

Once a framework had been established, committee tasks were to then: (1) «zoom in» and break down specific targeted sections of the draft LPFs into what we called more detailed «mini progressions» for a smaller grade span, often adding some additional «interim steps» (progress indicators) to the mini progressions; (2) use the more detailed and focused mini progressions to design sample instructional modules (with a series of 4 ‐ 6 detailed lessons) illustrating how a teacher in the general education classroom might move students along this smaller grain ‐ sized learning progression using best practices in instruction; and (3) draw from best practices in instruction for students with significant cognitive disabilities to incorporate suggestions to each lesson plan for how to make the academic content more accessible for all students.

The ACTH stimulation test involves obtaining a small blood sample (2 ml — during the same blood draw) followed by the administration of a substance called cosyntropin (Cortrosyn; synthetic ACTH) into your dog's vein, and then another blood draw (2 ml) one hour later.

I like to draw, I like to make puns, I play non-violent video games (no disrespect, they just make me dizzy), and I listen to a lot of music (hip hop, indie stuff all over, electronica, rock n» roll), and I have a small company called Moel.

While the primary draw for visiting Palau is its unspoilt beaches, the former capital city of Koror does have a small collection of what you might call typical attractions.

Created by a small studio called Industry games it's easy to see where they draw their influences from.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

She had a home by then near Venice, and the Center's small rear gallery, its «drawing room,» shows what the catalog to her 1971 show called «defining through absence.»

These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.

Instead, we had to descend the stairs near the lobby, walk along the lower - level corridor from the front to the back of the building, ascend the rear stairs, and pass through the smaller gallery called the Drawing Room.

Then, in our neighborhood, there's a place called the Drawing Room — a very small space that does very good shows.

A 1933 drawing in Abstract Pioneer with squared - off red, yellow and black shapes calls Mondrian's famous grids to mind, and by 1935, Diller was making work, such as a small ink and watercolor drawing in the show, fully under the spell of Mondrian's philosophy of neo-plasticism, albeit with a «muddier palette,» Williams says.

In 1995, Starr's Visit to a Small Planet featured videos, photographs, objects and drawings based loosely on a memory of a Jerry Lewis film called Visit to a Small Planet which evoked many emotional states.

As such, Schnabel explains, these new works «epitomize much of what are the essential characteristics of the smallest and most nascent proposals of how imagery drawing and material could be called a painting.»

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

«This painting called to me — first drawing me into the small room where it hung, then speaking to me of stillness, isolation, and time.

Accompanied by another set of three drawings, also abstract in form yet confessional in character; a small sculpture containing written confessions of people concealed with black ink; and a participatory drawing inviting visitors to write and then erase their own confessions, Sealed Confessions explores, as its title suggests, the act of confession as both a declaration of beliefs, intentions, and emotions and a call for privacy, confidentiality, and truth.

ED McGOWIN's recent exhibition consisted of a small group of sculptures, which he calls «inscapes,» and related drawings.

A small show called «The ABCDs of Sol LeWitt» at the Williams College Museum of Art, near Mass MoCA, zeroes in on that watershed 1960s moment with an archival display of his manuscripts and drawings, including a draft of the Artforum article with the words that put LeWitt's career on the map:

His local library had something called the circulation department, «which would bring in a small group of works, by an artist, maybe Paul Nash,» he remembers, «and there would be several watercolors, some drawings, some books to look at, and a photograph and brief biographical information on the artist.

The small assemblage in the show called «Breathing Machine II» (1968/2011), consisting of a wax face obscured by a wig, butterflies and feathers, sighs and coughs when you draw near.

A painter of what he calls «small sensations,» Berthot has included fourteen paintings and six drawings completed in the last three years, in his current solo exhibition at Betty Cuningham Gallery (October 17 — November 30, 2013).

A neighbor and friend of Leclercq, the painter Judith Gerard, notes in her memoirs that he «called in Schuffenecker, who taught drawing in one of the city's schools and came each day, in return for a small payment, armed with a large box of colours to cover up the holes and glue back flakes of paint.»

One option Hurowitz highlights is a proposal by the investor George Soros to build the green fund by drawing on a small portion of a kind of virtual currency at the International Monetary Fund, called Special Drawing drawing on a small portion of a kind of virtual currency at the International Monetary Fund, called Special Drawing Drawing Rights.

I believe it is called sample selection bias when one looks at only a small subset of the data and attempts to draw conclusions about he validity of the full dataset.

The small and middle - size firm will prosper because they don't charge egregious bills, they don't have to sustain outrageous partner draws and they aren't governed by the graduates of the so - called «elite» law schools.