Announcing an exhibition of new
small format paintings by Hank Pitcher, iconographic painter of the California Coast.
Medium - size yet imposing collages by Josh Smith contrast with the subdued elegance of Monique van Genderen
small format paintings, whose abstract shapes respond to Jean - Pascal Flavien drawings.
Not exact matches
The exhibition brings together approximately fourteen of the artist's
small -
format, painstakingly meticulous
paintings — nearly the total of three year's effort — and is accompanied by a 66 - page publication.
After Mitchell moved to France, she adapted two - and sometimes three - panel
formats, because her studio spaces, first in Paris, and then even in Vétheuil, were always too
small for her vision and for the newly required scale for serious
painting.
The Museum's
small -
format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale
paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different
painting mode.
While I had been
painting smaller formats and sticking to acrylics while still in school; I find interesting that my current financial situation has made this
painting regime almost a requirement if a want to
paint at all!
This exhibition consists of twenty extremely detailed,
small -
format, abstract
paintings executed between 1989 and 1992.
The
smaller format of the
paintings assists this particular and resonant oddness, as formal nuances and gestures proceed and recede from focus as the
paintings are viewed from different distances.
Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical
format, but he also works on a
smaller scale on paper, continually experimenting with
small groups of
paintings, acrylics on paper, collage, studies for larger
paintings or prints, groups of etchings, silkscreen prints and woodcuts.
Opening reception: Wednesday, May 4, 6 - 8 p.m. Andrea Rosen Gallery presents their second exhibition of works by Katy Moran May 5 — June 11, 2011 These new works evocatively deepen and expand Moran's exploration of the sensation of
painting, and although they remain in their characteristically
small format, it is remarkable how the
paintings reflect a dynamic push and pull between boundaries that feel at once immeasurable and yet profoundly essential.
Expand your
painting practice to a larger
format while retaining the excitement and freshness of spontaneous
small - scale work in this intensive
painting workshop.
The Museum's
small -
format, highly - detailed
painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil
paintings that fill the exhibition space.
Continuing his exploration of the Welsh coast and countryside, landscape painter Peter Kettle will show a collection of recent
paintings introducing a new development in his use of colour, some large - scale and others in a
smaller format.
Parallel to these large -
format paintings in which Martin also integrated his art therapeutic work with HIV - infected patients, the painter produced
small -
format coloured canvases.
Four of these works mark a return to large
format painting — arguably Hanson's most daring and accomplished works to date — while each of the
smaller oils packs the wallop of a big canvas.
«The
paintings are
small format works with a figure or figures, usually partially cropped.
Multi-panel
paintings in oil and
smaller paintings on canvas and aluminum
formats explore the tundra fragmented into puddles and bits of ice with
small cascades flowing over the rocks, reminders of accelerated seasonal changes melting ice fields and sea ice.
Q: Many of your
paintings are in a tiny six inch square
format: how and why do you like to work so
small?
It makes no difference whether we are face - to - face with one of his large
format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which
small drilled craters disclose many apparently archeological layers of
paint, or find ourselves in one of his site - specific, all - over
paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.
Utilizing found objects to create an otherworldly yet traditionally based
format, the image of a large female figure and its
smaller companions are done in the style of traditional Indian
painting, while delicate fabrics interweave amongst images that swirl and stream within and outside the two wooden panels — thus making it engaging and contemplative to look at.
The «Cosm» sculptures are surrounded by a series of
small paintings whose vertical
format echoes the figurative character of the sculptures, placing the two distinct types of object in dialogue.
Ribbeck's
small -
format abstract
paintings are usually rendered on MDF with acrylic
paint and ballpoint pen, the
While at CPPC, Rivas organized numerous exhibitions including a presentation of
small -
format colonial
paintings that toured four cities in Venezuela from 2002 to 2006 titled Devoción Privada (Private Devotion).
In contact with nature he made several
small oil
paintings that he turned into large -
format works in his studio back in New York.
If the drawings present us with a lucid visual reverie, rich with symbols and lighter than air, then the
paintings evoke stronger moods packing a concentrated potency within their relatively
small formats.
At the Well brings together
small and large
format paintings that expand the artist's unique iconography of eccentric figures, animals, and hybrids within vaguely familiar but imaginary settings.
Sullivan Goss is proud to announce the exhibition of Hank Pitcher's first mural
painting from his new studio, as well as a curated selection of
small and medium
format paintings of the forces and forms of life in Central California.
In New York, the
smaller Parisian
formats were quickly associated with fussy illusionistic spaces, and in an eagerness not to miss the train of Greenberg's seductive theories, too many American painters fell for his Kantian logic of progress in art and the eventual critical endgame of the death of
painting that followed.
Small studies like this one are more painterly and expressive than Katz's large
format paintings, revealing more of the artist's hand in their making.
It's a massive
painting, but the accompanying works on paper serve as a reminder that Diebenkorn was equally engaging in
smaller formats.
2003 «Isla,» Galeria Botello, Hato Rey, Puerto Rico 2001 «Lecciones,» Galeria Botello, Hato Rey, Puerto Rico 2000 Nancy Hoffman Gallery, New York «
Small Format,» Project Space, Nancy Hoffman Gallery, New York 1998 Galeria Botella, Hato Rey, Puerto Rico 1997 Frederic Snitzer Gallery, Coral Gables, Florida 1996 «Survey,» Nassau County Museum of Art, Roslyn Harbor, New York 1995 Nancy Hoffman Gallery, New York 1994 Barbara Okun Gallery Galeria Botella, Puerto Rico Marta Gutierrez Fine Arts, Key Biscayne, Florida Nancy Hoffman Gallery, New York 1992 Nancy Hoffman Gallery, New York 1990 Nancy Hoffman Gallery, New York Mangel Gallery, Philadelphia 1989 Nancy Hoffman Gallery, New York 1988 Nancy Hoffman Gallery, New York Mangel Gallery, Philadelphia 1986 Nancy Hoffman Gallery, New York 1985 Galerie Darthea Speyer, Paris Nancy Hoffman Gallery, New York «
Paintings 1981 - 85,» Minneapolis College of Art and Design, Minnesota «Rafael Ferrer,» Beaver College, Glenside, Pennsylvania «Rafael Ferrer,» Neuberger Museum, State University of New York, Purchase, New York 1984 Nancy Hoffman Gallery, New York 1983 Indiana State University El Museo del Barrio, New York University of Southern Florida 1982 Frumkin & Struve, Chicago Nancy Hoffman Gallery, New York Northern Illinois University, De Kalb «Rafael Ferrer: Impassioned Rhythms,» Laguna Gloria Art Museum, Austin, Texas 1981 Okun - Thomas Gallery, St. Louis 1980 Frumkin & Struve Gallery, Chicago Hamilton Gallery of Contemporary Art, New York 1978 Nancy Hoffman Gallery, New York Institute of Contemporary Art, Boston The New Gallery, Cleveland 1977 Albright - Knox Art Gallery, Buffalo Marianne Deson Gallery Fort Worth Art Museum, Texas Galerie Darthea Speyer, Paris Nancy Hoffman Gallery, New York 1976 Central Michigan University, Mount Pleasant The New Gallery, Cleveland 1975 Instituto de Cultura Puertoriquena, San Juan Nancy Hoffman Gallery, New York 1974 Delaware Art Museum, Wilmington «Isla,» The Museum of Modern Art, New York Nancy Hoffman Gallery, New York Phyllis Kind Gallery, Chicago Phoenix Gallery, San Francisco 1973 Contemporary Arts Center, Cincinnati Miami - Dade Community College Art Gallery, Florida 1972 The Museum of Contemporary Art, University of Pennsylvania, Philadelphia University of Rhode Island Fine Arts Center, Kingston Whitney Museum of American Art, New York 1970 Leo Castelli Gallery, New York «Defected Fountain,» Philadelphia Museum of Art, Pennsylvania Galerie Michery, Amsterdam Galerie M.E. Thelen, Cologne, West Germany University of Hartford Art Gallery, Connecticut 1969 Eastern Connecticut State College, Willimantic Galerie M.E. Thelen, Cologne, West Germany «Three Leaf Pieces,» Castelli Gallery, New York 1966 Pan American Union, Washington, D.C. 1964 University of Puerto Rico, Mayaguez
At the Well, produced to coincide with an exhibition of Neo Rauch's new works at David Zwirner in New York, brings together both
small and large
format paintings that expand the artist's unique iconography of eccentric figures, animals, and hybrids within vaguely familiar but imaginary settings.
In a recently rebuilt garage next to their house, using
paint and collaged fabrics, Professor Barbara Campbell Thomas crafts very
small paintings that seem enormous in the jpeg
format.
Though this period mainly saw the production of abstract works, it also begat a cycle of eight
small -
format paintings of an intimate, private nature, which portrays his young wife Sabine as a Madonna - and - child.
Known for creating
small jewel - like
paintings (unlike most painters from the NY School who worked in large - scale
formats).
Further works on display are from the Cut - ups series, the Colourfield
paintings cut into strips and reassembled into a new logical entity, the Potato pictures, oval forms, profiles, triangles and rectangles overlapping freely and irregularly, and works from the series of
small -
format paintings entitled Anima mundi, alluding to the ancient concept of the world soul.
At the Well, produced to coincide with the 2014 exhibition of Rauch's new works at David Zwirner in New York, brings together
small and large
format paintings that expand the artist's unique iconography of eccentric figures, animals, and hybrids within vaguely familiar but imaginary settings.
Window: One Work: Long — Thin — Contour Leach's
small - scale, s - t - r - e-t-c-h-e-d - horizontal -
format painting Long — Thin — Contour (1996) depicts intricate patterns of curvilinear, coloured lines.
The works presented at Konrad Fischer Galerie —
small format oil
paintings on fibreboard and gouaches were created during the last years of her life.
Ted: I did a little group show in Texas years ago and I specifically made works thinking about sentence
format with different
small paintings acting as stand - ins for verbs, nouns, commas, and quotations.
Elina Merenmies follows in the figurative tradition, with
formats ranging from
small drawings to large scale
paintings.
Exhibitions (Selected) 2017 Manuscript - Letter Home, China Academy of Arts Museum, Hangzhou, China Veneer, Wirksworth Festival, Derbyshire (Co-curated Exhibition) Line and Fold, Paper GALLERY, Manchester 2016 Razzle Dazzle, Transition Gallery, London Only Yours Dear, Gallery No. 1, Repton, Derbyshire (Solo) Drawn for Something Else, Rogue Project Space, Manchester Now for Tomorrow II, Nottingham Castle Museum and Art Gallery, Nottingham Razzle: All That Jazz, Harley Gallery, Wellbeck Estate, Nottinghamshire 2015 In Miniature,
Small Collections Room, Nottingham Contemporary, Nottingham Autocatalytic Future Games, No
Format Gallery, London 2014 (detail), The Usher Gallery, Lincoln About
Painting, Castlefield Gallery, Manchester 2013 Rotation New Court Gallery Repton, Derbyshire (Solo) 2012 Needle's Eye, BayArt Gallery, Cardiff 2011 Contemporary Perspectives on Water Colour, Mall Galleries, London
Small Treasures: Rembrandt, Vermeer, Hals, and Their Contemporaries is the first exhibition to explore this little - known field of small - format 17th - century paintings from the Dutch and Flemish Golden
Small Treasures: Rembrandt, Vermeer, Hals, and Their Contemporaries is the first exhibition to explore this little - known field of
small - format 17th - century paintings from the Dutch and Flemish Golden
small -
format 17th - century
paintings from the Dutch and Flemish Golden Age.
They are
smaller in
format than your
paintings and provide a glimpse of the entire process behind your work.
Elsewhere Costa has deployed coloured polythene bags (rubbish and recycling sacks from different London boroughs) to create geometrical wall pieces akin to Constructivist
paintings; while in a series of
small - scale
paintings, he combines the methods and motifs of embroidery, collage and cartoons Quoting artistic precursors in seemingly degraded materials or
formats, Costa playfully interrogates the «real value» of works of art, addressing the question of how unspectacular or even desultory materials might transmute into an art object and vice versa.
The British Museum has a large horizontal
format painting, Paradise for
Small Birds.
This is the Amsterdam - based artist's third solo exhibition at the gallery and it will feature a new large wall
painting alongside a suite of new,
small -
format acrylic
paintings on linen.
On a
smaller scale, Lennon, Weinberg, Inc.'s recent gallery showing of a group of Joan Mitchell
paintings from the 1950s, including some
small -
format canvases that have only lately come to market for the first time, also served as a reminder of the powerful punch the best abstract
painting still packs, as did numerous works in Michael Rosenfeld Gallery's recent exhibition, Abstract Expressionism: Reloading the Canon.
This is the Brooklyn, New York - based artist's second solo exhibition with the gallery and it will feature a suite of new
small -
format paintings that merge geometric and gestural abstraction.
There was a drawing and a
small painting, but never a study, because the
format wasn't convenient for there to be a study.