Sentences with phrase «small gallery of images»

We've attached a small gallery of images, the trailer itself, and a press release to the bottom of this article.

The non-QWERTY variant wasn't around, but we do get a small gallery of images and... [read full article]

Not exact matches

Prehistorians say the find is exceptional not just because of the number and variety of animal images, but for the sheer size of its four main halls and smaller interconnecting galleries, and the care the cavers took to leave the floor undisturbed.

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Finally, a small photo gallery consists of six images plus captions of instruments used on the score and four shots of postproduction crew from editor Thelma Schoonmaker.

A small collection of supplemental extras feature a clutch of Web links, a photo gallery, desktop images and four bonus video cuts (including a cover of Fleetwood Mac's «Albatross») from a 2004 Kraków show, but the best inclusion is a 22 - minute interview in which the brothers Cavanaugh discuss various parts of their musical inspiration (Live Aid ’85 was a kickstarter) and influences, which include usual suspects like Led Zeppelin, U2, Pink Floyd and Black Sabbath but also, interestingly enough, Dire Straits.

A resident since 1977, his library of digital images has grown to more than 100,000 and his downtown gallery in Village Centre features giclee prints, large and small, on canvas and paper.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

The small images hung in Davies Street on the three walls of the single room gallery welcomes natural light and fills in the space as carefully as the works at the new Grosvenor Hill location.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In the somewhat smaller works of «Safe House,» at the Mary Boone Gallery, Ms. Abney messes with language more, riving relatively normal images of black life.

His just opened show at Mark Moore Gallery includes stunning examples of his large - scale photorealist / abstract images, as well as a new series of small - scale works made with some interesting materials.

«This was probably drawn through a kaleidoscope,» says Claire Iltis, associate director at the gallery, pointing to a small, frayed page on which a prismatic image splinters into triangles, «and the symbols, which appear in many of the books, are invented symbols.

Books - Forewords / Catalogue Essays Reduced Shakespeare Company «Reduced History of Art» project, AAF, 2014 Alan Gouk, New Small Paintings, 2014, HSoA Kelvin Okafor, Albemarle Gallery, 2014 Deborah Azzopardi, Cork Street, 2014 McAlpine Miller «MIRROR MIRROR» 2014 & «Altered Images» 2013, Washington Green Castle Fine Art Jane McAdam Freud «Family Matters», Gazelli Gallery, Mayfair, 2012 Simon Gudgeon, Isis sculpture Serpentine Hyde Park, 2012 Martin Yeoman, Petleys Gallery Mayfair, 2011 Izabella Kay, Cork Street, 2011 Henry Moore at Work Noa Lidor «Doubting Thomas», Madrid Osvaldo Mariscotti, New York Hampstead Artist» Council 50thAnniversary Learn As You Colour Modern Art for Children

An image of this imposing mosaic - clad figure forms a backdrop to the smaller pieces on show in the gallery, and hints at the importance of nature to Saint Phalle's work.

The seemingly interminable self - reflections resonate with the overwhelming body of small images that line the gallery.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.

The gallery walls reveal small, intimate silver gelatin images that are expertly printed powerhouses of artistic excellence.

Twenty - one large paintings on newspaper, containing hundreds of small images, hung salon - style on the gallery's thirty - foot back wall.

In a small corner gallery on the lower floor of 250 Bowery, a slideshow clicks unassumingly through a carousel of family snapshots, projecting washed out images of anonymous people doing mostly normal things.

Installed in conjunction with the more traditional gallery exhibition, 33 °, the murals range from the humorous, an image of tourists wandering aimlessly across an aqua blue expanse, to a sobering, a black fissure opening stark and deep in what we are to assume is an arctic ice sheet, to the iconic, a lonely polar bear drifting on a small iceberg.

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

«Ashes» is a two - part exhibition; the darkened gallery at 3 Duke Street, is filled with McQueen's short film; the on - screen image of a young black man sitting on the prow of a small boat, basking in the glory -LSB-...]

«Ashes» is a two - part exhibition; the darkened gallery at 3 Duke Street, is filled with McQueen's short film; the on - screen image of a young black man sitting on the prow of a small boat, basking in the glory of the sun, while at 11 Duke Street a black marble column stands resplendent, but broken.

Award winning photos will be featured on the show page and Best In Show winners will have a small portfolio of their work (up to 10 images) featured in our 1650 Spotlight gallery of photographic excellence.All Awards winners will also be featured in our 1650 Gallery newsletter, which is broadcast via email to our mailingallery of photographic excellence.All Awards winners will also be featured in our 1650 Gallery newsletter, which is broadcast via email to our mailinGallery newsletter, which is broadcast via email to our mailing list.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

For his most recent exhibition, which ended last month at David Kordansky Gallery in Los Angeles, he presented found images, like a set of early headshots of the actor Anthony Perkins smiling while holding an armful of milk and juice cartons, as well as a set of charcoal drawings presented alongside small sculptures that looked like bed frames.

Her small, luminously pale pictures of the ocean meeting sand (at 303 Gallery) adroitly play with tension between painterly gesture and illusory image.

Iwona Blazwick, Director of the Whitechapel Gallery, had a more eclectic list of British traditions which she felt still informed the way that artists approached their work: small rooms, rain, cloudy skies, colonialism, civil rights, the Reformation and iconoclasm — a culture of the word not the image.

His work has been included in Open Network, Cirrus Gallery, Los Angeles; A Small Forest, Kunsthalle New, Chicago; BYOB MOCA LA, Museum of Contemporary Art, Los Angeles; Best of Fach & Asendorf Gallery, Museum of Moving Image, New York; Astral Projection Abduction Fantasy, Monstertruck Gallery, Dublin; USB show, Point Ephemere, Paris; QR / ART, Portland Museum of Art, Portland and Streetshow: The Things Between Us, Eyebeam Center for the Arts, New York.

1981 Metropolis, Hamburg, DE Avantgarde / Retrospect, Westfalischer Kunstverein, Munster, DE In a Small Frame, Untersuchungsburo Karin Pabst fur Kunst und Kultur ab 1980, Munich, DE New York / New Wave, P.S. 1, Long Island City, New York, US Messages: Words and Images, Freedman Gallery, Albright College, Reading, Pennsylvania, US Artists» Books, Stedelijk Museum, Amsterdam, NL Il Gergo Inquieto, City of Genova, Genova, IT Westkunst, City of Cologne, Museen der Stadt Koln, DE Summer, Art & Project Gallery, Amsterdam, NL Benzine Magazine (layout), Summer / Fall issue, New York, US New Work, Anthony d'Offay, London, UK Book Show, Zone, Springfield, Massachusetts, US Chase Manhattan Bank Collection, University of Massachusetts, Amherst, Massachusetts, US; Robert Hall Fleming Museum, University of Vermont, Burlington, Vermont, US; David Winton Bell Gallery, Brown University, Providence, Rhode Island, US Soundings, Neuberger Museum, SUNY Purchase, New York, US Mail Art In / Out, Chez Francoise Guinochet, Paris, FR Artists» Books, Frankfurter Kunstverein, Frankfurt, DE No Title.

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

A full - size tapestry replica of Picasso's Guernica, a howl of rage at the bombing of a small Spanish town which has become one of the most famous anti-war images in the world, is coming on loan from the United Nations building in New York for the re-opening exhibition of the Whitechapel Gallery in London.

Her images of sandy beaches and quiet small - town streets are featured in the new exhibition «Tina Barney: Landscapes,» opening today at Paul Kasmin Gallery in New York.

Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory of the Cave Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE: Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an Artwork of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.

A few days ago, we stopped by New Image Art Gallery in Los Angeles to attend the opening of our buddy Yarrow Slaps «Get This Power», his first major solo exhibition.After an exclusive sneak peek in his San Francisco studio, we were excited to discover his most recent body of work which includes large and small

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

From the gallery: In a new body of work, what appear to be non-representational images are variations on small details of Charles M. Schulz's iconic drawings of characters from his Peanuts series.

Yet, on the contrary, the four woven works now on show at the smaller Gagosian Gallery retain a surprisingly painterly impact even as they move some way from the original source, Abstract Painting 724 - 4 (1990): each repeats four times, with kaleidoscopic reflections, the image of one quadrant of the painting.

Artists: Alma Allen, Darren Bader, Frank Benson, Chris Bradley, Nancy Brooks Brody, Joanne Greenbaum, George Herms, Alice Hutchins, Ma Johnson, Shio Kusaka, Jason Meadows, Miki Mochizuka, William J. O'Brien, Anthony Pearson, Puppies Puppies, Amanda Ross - Ho, Hayley Tompkins, Nick van Woert, Lisa Williamson Exhibition title: Small Sculpture Venue: Shane Campbell Gallery, Chicago, US Date: February 14 — March 14, 2015 Photography: Images courtesy of the artists and Shane Campbell Gallery, Chicago Jason Meadows, Pendant Lamp, 2015 Lisa Williamson, Untitled, 2015 George Herms, Lymphatic Vessel, 2008 Joanne Greenbaum, Untitled, 2015 William J. O'Brien, Untitled, 2015 Shio Kusaka, group 13, 2014 George Herms, Tissue Rose, 2002 Hayley Tompkins, Shadow Clock III, 2009 Anthony Pearson, Untitled (Freestanding Sculpture), 2015 Frank Benson, Untitled (Aztec), 2011 Lisa Williamson, Untitled, 2015 Matt Johnson, -LSB-...]

1997 Carl Hammer Gallery, Chicago, Il, Small Wonders Boulder Museum of Contemporary Art, Boulder, Colo., Art and Provocation: Images from Rebels Joseph Helman Gallery, New York, N.Y., Nu Glu

New York, curated by Anne Ellegood New Prints Winter, 2003, International Print Center, New York, NY 2002 Keine Kleingkeit (Not Really Small), Kunsthalle, Basel, Switzerland (catalogue) 2001 Ball Point Inklings, Geoffrey Young Gallery, Great Barrington, MA 2000 Points, Lines, Planes, Les Filles du Calvaire, Brussels, Belgium (catalogue) Bad Touch, Lump Gallery Projects, Raleigh, North Carolina Studio International, Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK (catalogue) Mapping, Territory, Connections, Galerie Anne de Villepoix, Paris, France Points, Lines, Planes, Les Filles du Calvaire, Paris, France (catalogue) Painting Function, Spaces Gallery, Cleveland, Ohio, curated by Saul Ostrow Joanne Greenbaum, Charlene von Heyl, Amy Sillman, James Van Damme Gallery, Brussels, Belgium Examining Pictures, Armand Hammer Museum, UCLA, Los Angeles, CA curated by Francesco Bonami and Judith Nesbitt 1999 Examining Pictures, Museum of Contemporary Art, Chicago, Illinois, curated by Francesco Bonami and Judith Nesbitt Nacht Bild (After Image), Kunsthalle, Basel, Switzerland curated by Peter Packesch Examining Pictures, Whitechapel Art Gallery, London, UK, curated by Francesco Bonami and Judith Nesbitt 1997 Current Undercurrent, Brooklyn Museum, Brooklyn, New York Painting Now and Forever, Part 1, Matthew Marks Gallery, New York, NY Exploiting the Abstract, Feigen Contemporary, New York, NY 1996 Explosion in a Tool Factory, Hovel, New York, NY Un Oeil Americain, Galerie le Carre, Lilles, France 1995 Wacko, The Workspace Gallery, New York, NY Other Rooms, Ronald Feldman Gallery, New York, NY Natural, Arena Gallery, Brooklyn, New York Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, Brooklyn, NY Pleasant Pebble, The Workspace Gallery, New York, NY 1994 New York Abstract Painting, Salvatore Ala Gallery, New York, NY 1992 Vibology, White Columns, curated by Bill Arning AWARDS AND FELLOWSHIPS 2010 Artist in Residence, CCA Andratx Art Center, Andratx Mallorca, Spain 2009 Joan Mitchell Foundation Grant 2007 Artist in Residence, The Chinati Foundation, Marfa, Texas 2005 Artist in Residence, Greenwich House Pottery, New York, N.Y. 2004 The Pollock - Krasner Foundation, Inc..

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