Sentences with phrase «small interesting museums»

Visit the last Spanish Fort built the Americas, hiking trails, small interesting museums and lush nature reserves.

Not exact matches

Enclosed in three small historical buildings, It was a cool small museum, especially if you are interested in the french poster art of the late 19th century and included the audio tour in the price.

The Mars Yard is a simulation of the terrain of a small section of Mars with the same soil types and rocks as well as a couple of very interesting rocks that form part of the Museum exhibit.

A magical place with strong positive energy and an interesting small Museum.

We review recent museum exhibitions, gallery shows, photography auctions, photobooks, art fairs and other items of interest to photography collectors large and small.

She saw the find as an opportunity to interest students in paleontology and to provide a small museum of sorts to the community.

There is interesting architecture, small museums, good restaurants and beautiful parks to be enjoyed.

Gulisis Garifuna Museum — Two miles outside of town you'll find the small and interesting Gulisis Garifuna Museum.

It is in close proximity to trendy small restaurants, pubs and interesting shops and museums.

There are many worth seeing the place in this small museum, also provide full guidance and history of Machu Picchu, situated very close to Aguas Calientes but have some interesting artifacts to know.

Although small in extension, it offers plenty of museums, parks and interesting areas where you can witness some of the legacy left by early 20th century architecture.

(Although the small museum is very interesting for 30 minutes or so.)

You will find a small but interesting museum put together, for the most part, by the local tourism office, with the help of generous donations from the local community.

In the gallery, two small sculptures by Smith, one never shown before, are surrounded by works donated by Smith to the museum: a 1949 Pollock, a 1951 Clyfford Still, works by Theodoros Stamos (never shown before) and Ralph Humphrey and a 1949 Mark Rothko, acquired in 1967, which has an interesting history at the museum.

There are still interesting paintings in the small but nice City Museum including a crucifix and fragments of frescoes by Giovanni da Rimini himself.

The Städel may be small compared to many museums with holdings of a similar quality, but it has what Hollein calls «an encyclopaedic spine» and, particularly since the museum agreed permanent loans from the Deutsche Bank Collection in 2008, it tells a very good story about German painting over 700 years — whether you're interested in medieval paradise - garden paintings or large - scale works by Anselm Kiefer.

As we continue to highlight Edgar Degas «multiple interests and subjects we'd like to draw your attention to a small exhibition now on view at the Morgan Library and Museum.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

Here the work is installed in a relatively small windowless gallery space, it could equally occupy an entire corridor wing of the Museum, and as a work in the IMMA Collection, it will be interesting to see how future «users» configure the elements.

However, interest in more recent international developments remained slight, as was shown by the cool reception given to several exhibitions - a small show of works by Monet, Pissarro, Renoir, Sisley, d'Espagnat, Maufra and Moret, held in the Amsterdam artists» society Arti et Amicitiae early in 1900; the large retrospective of Toorop in the Buffa Gallery in February 1904; and the Van Gogh retrospective in summer 1905 organized by Theo Van Gogh's widow in the Stedelijk Museum.

Beginning in the early nineties, McCollum expanded his interests in quantity production to include explorations into the ways regional communities give meaning to local landmarks and geological oddities in establishing community identity, and collaborated with a number of small towns and small historical museums in Europe and throughout the United States, bringing attention to the way local narratives develop around objects peculiar to geographic regions, and drawing comparisons to the way artworks develop meaning in a parallel manner.

Tom Messer was friendly, but it was not an interesting museum to approach for anything because they were always showing all those small, dark paintings from Hilla Rebay, Robert Delaunay, Oskar Kokoschka, Paul Klee, and so on.

In this small but interesting show at London's Museum of London Docklands, we see a contemporary view.

We review recent museum exhibitions, gallery shows, photography auctions, photobooks, art fairs and other items of interest to photography collectors large and small.