In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven
small line etchings.
Not exact matches
To alter this behaviour, the team built a device made of 11 concentric rings of circuit boards
etched with
small metal -
lined channels that prevent electromagnetic waves reflecting away.
In this
small hard - ground
etching, scratchy and attentive
lines articulate the head of a man in profile, gazing wide - eyed at something beyond the frame.
Its foundation is a field of
etched lines and
small gestures similar to Sublime Light, over which Pousette - Dart laid cloud - like billows of white acrylic and graphite that swirl and coalesce in delicate patterns.