Sentences with phrase «small number of artists»

Artist Biography: Chris Dean is one of a small number of artists with a studio practice dedicated to lenticular work.

Bamboo works remained utilitarian in nature until the mid-20th century when a small number of artists left the traditional path and experimented with sculptural forms.

The Guerrilla Girls believe that art is global, boundless, and shouldn't be reduced to a small number of artists who have a popularity contest in the art marketplace.

I am looking to acquire as much work as possible by a small number of artists.

For «Recent British Painting», I began with a small number of artists I'd worked with before at the Hayward Gallery and elsewhere (Phoebe Unwin, Milena Dragicevic, Cullinan Richards, Edwin Burdis, Alexis Teplin) and built the show around them until it made sense, at least to me.

Art can't be reduced to the small number of artists who have won a popularity contest among bigtime dealers, curators and collectors.

We're only doing a small number of artists this time around because we are also teaching them marketing while we do it.

While the top end of the market has been concentrating greater amounts of wealth on a smaller number of artists, both museums and private collectors are «discovering» overlooked postwar masters, including art from Asia, Latin America, Africa and the Middle East.

When I came to Britain I found an extraordinary vitality of artists, an amazing number of artists doing a very wide range of kinds of work, a very small number of contemporary galleries, a tiny number, half a dozen, with a very small numbers of artists represented, and an even smaller number of collectors who were British, and that most of those galleries survived by selling works by British artists to foreigners, either americans or Europeans.

Not exact matches

US platforms such as IndieGoGo, GiveForward and KickStarter have helped artists, musicians and others raise tens of millions of dollars, mostly in small donations from large numbers of individuals, to enable them to make music videos, write books, fund travel and a host of other projects.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

The majority of her interviewees said they listened to well known, top - 10 American hip - hop artists, while a smaller number favored hip - hop performers with messages more critical of mainstream society.

I met Patricia when I joined the Small Publishers Artists and Writers Network (SPAWN) a number of years ago.

Since 2004 he has worked as an artist / designer with various small to mid-size studios on a number of turn - based strategy, racing, and action - adventure games.

Longtime dealer Michael Findlay, a director of Acquavella Galleries, recalls a recent appointment with an established artist who's not represented by his gallery: «She had selected a small number of paintings and gave me a piece of paper with the titles.

«Thus, the art lover who visits Crested Butte will be amazed by the number of opportunities to meet artists, take classes and visit galleries in this small mountain town.»

At 6.56 %, Shopify makes up a surprisingly small number of sites for artists.

Fortunately, a number of galleries offered «Kabinetts» - small shows of a single artist within a larger booth, and a very small minority devoted their booth exclusively (or nearly so) to the work of a single artist.

One night this past February, artist Alex Katz held a small, informal gathering at his SoHo studio, displaying a number of recent paintings.

site specific installation directly on the gallery walls; a further three large scale works and a number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.

This year's Collection on Display presentations will be devoted to a small number of selected artists, affording their sprawling works ample space.

There were just five George McNeil paintings in Perlow's tiny space this winter, but even this small number made me wishfor a full - on museum exhibition of this underknown artist.

A recent Sotheby's auction at Doha, for example, concluded with a total of close to $ 15.2 million (pre-sale estimate of $ 11.1 / 16.1 million) which also featured artists like Donald Judd & Damien Hirst, albeit in small numbers, among the prominent regional artists.

«Exhibit B» has small abstractions in a loose, colorful style familiar enough from any number of artists, from Willem de Kooning to Cecily Brown and Cecily Brown drawings long since.

With an open call, a very small group of people are reviewing a great number of artists» work.

The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).

[2]: 64 - 65 He brought his deep connections with downtown artists with him to his new enterprise, which joined a small number of uptown galleries focused on new American art.

Hume is a twenty - nine year old British painter and one of a small number of provocative young artists who began to exhibit their work in London in the past few years.

Considered in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented by a mainstream gallery in New York.»

Now in its third year, the fair has bumped its number of exhibitors from last year's 125 to 137 international galleries, including 115 in the main section of the fair and 22 younger exhibitors displayed in the Exposure section, in slightly smaller single or two - artist booths.

Depending on the number of registrants, we will be in one large group or artists will be put into small groups to facilitate discussion.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my Facebook friends» comments for «Should we trust anyone under 30?

Drawn from public and private collections, it includes a number of the monumental canvases for which the artist is widely known, as well as smaller works that offer an intimate perspective on her creative process.

The latter contributes a number of scrappy, colorful collage works; Gahl has a small painting of flowers and a larger canvas that incorporates an enlarged image of a house painter that the artist has scavenged from his own childhood drawings.

A small number of women artists got around the tastes of the art market and the restrictions of art institutions to achieve recognition and a degree of celebrity.

Number 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip techNumber 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technumber of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technique.

In this essay Judd surveys a number of New York's most significant museums («The exceedingly impressive Frick Collection is small enough to be seen in a few hours»; «It is The Museum of Modern Art which has shown the power and quality of American Art»), as well as an assessment of notable galleries, singling out Green Gallery, an uptown gallery that showed work by downtown artists.

An early, transformative piece, the present lot is number one from a small edition of two (plus one artist's proof), making it a rare example from a formative period.

Like his nudes, this series increased greatly in scale, as evidenced in his 1963Still Life # 29 — one of the artist's first large - scale still lifes, of which only a small number exist (one example is in the collection of the Whitney Museum of American Art, New York).

Included art objects will be a bulletin board that charts quotations and images of the Biospherans and visionaries of the project, a number of small gouaches from photographs taken by the artist of areas surrounding the Biosphere that have fallen derelict, a video tour of Biosphere2, portraits of the male visionaries (John Allen, Ed Bass, and Buckminster Fuller) of Biosphere2, and a multi-panel stenciled quote from Buckminster Fuller that encapsulates the contradictions inherent in a project that is the product of a single mind imposing its will upon a group:

However, even in a metro area with a population of about six million, the number of artists can feel small and the number of venues to show work has fallen over the past five years to just a handful.

Particular concern is growing around the rapidly inflating prices of a small number of exclusively male artists in their late 20s and early 30s.

Perhaps more important to the artist's market is the small number of paintings that appear at auction.

His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»

Edelheit has also done production design for smaller theaters in New York from 1971 to 1974, a number of own experimental art films in the 1970s, demonstrated in a number of contexts in the U.S. and Europe over the years, such as Hats, Bottles & Bones: A Portrait of Sari Dienes (1977)[7] an artist portrait on Sari Dienes, shown including the Museum of Modern Art and is included in collections at the Anthology Film Archives.

A number of smaller optical devices distributed throughout specially built passageways continue the artist's on - going investigations into the mechanisms of perception and the construction of space.

It revealed little change in responses to the exhibition: «[I] t is a little melancholy to see such a profusion of budding talent when one society offers a decent living for only a small number of «pure» artists... Whatever their abilities, the young artists themselves are in no doubt about their vocation.

Yet even if their numbers remain small, more and more female artists are taking on the subject of the male body.

Last year I spent an inordinate amount of time thinking about a work by US artist Tom Friedman, which consists of a ring of plastic drinking cups, using the smallest number of cups possible to close the ring to form a perfect circle.

The back space also includes a number of drawings by both artists, all small gestures toward presenting an accessible model of art ownership founded on communal support.