Sentences with phrase «small number of exhibitions»

Adrian Rosenfeld Gallery will be lit almost exclusively with daylight and present a small number of exhibitions in collaboration with art dealers from around the world.

Not exact matches

In turn, that led to a number of smaller competitors intensifying their efforts to take a piece of the market; during January's Consumer Electronics Show, a variety of e-reader prototypes appeared in booths throughout the exhibition hall, with airy promises that the devices would make their debut sometime in 2010.

In 2010, Duffy died at the age of 76, leaving behind a small number of signed works, many on view within the exhibition.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Their collaborative work has been presented in exhibitions in Australia and internationally, including: Sorry You Missed Me, Royal College of Art, London, 2016; Während der Ausstellung ist das Museum geschlossen, Museum für Neue Kunst, Freiburg, Germany, 2016; MONA FOMA Festival, Salamanca Art Centre, Hobart, 2016; Performing Public Art Festival, Vienna Biennale, Austria, 2015; MAF Edge: Social Capital program curated by Jacqueline Doughty, Melbourne Art Fair, 2014; Festival of Live Art, Arts House, Melbourne, 2014; Site Dedicated to the Active Effacement and Complete Disregard of History, Zentrum für Kunst und Urbanistik, Berlin, 2013; and Ibrahim the Algorithm, Mathematics of Small Numbers group exhibition curated by Anusha Kenny, Footscray Community Art Centre, Melbourne, 2012.

There were just five George McNeil paintings in Perlow's tiny space this winter, but even this small number made me wishfor a full - on museum exhibition of this underknown artist.

Considered in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented by a mainstream gallery in New York.»

Dramatically displayed in a 2nd century AD forum just steps from the Coliseum, the exhibition features a number of Atchugarry's sculptures on both a small and monumental scale.

For Hirst's first exhibition in Los Angeles, the Regens Project gallery presented a collection of «Visual Candy» paintings, with a number of small «Natural History» pieces.

This small but telling retrospective at Tate St Ives is one of a number of Hoyland exhibitions timed to coincide or overlap this summer.

This exhibition reflects just a small number of the gallery relationships that have contributed to this collection.

The exhibition focuses on a number of American painters who, disillusioned with the rapid modernization of U.S. cities and towns, established art communities in six small, pre-industrial societies in the Netherlands between 1880 and the beginning of World War I.

He showed a number of small collages at a two - man exhibition, together with Marc Ratliff, at Judson Gallery.

There are a number of smaller exhibitions, too.

His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»

After the scale of some of the other work in Feral 4 Ryan's work was small, limited to a number of small boxes containing a number of found objects, collections of words, black ink and the bits and pieces of an exhibition space, masking tape threads etc..

It revealed little change in responses to the exhibition: «[I] t is a little melancholy to see such a profusion of budding talent when one society offers a decent living for only a small number of «pure» artists... Whatever their abilities, the young artists themselves are in no doubt about their vocation.

05 Dec 2002 Escaped Animals at IMMA A variety of small animals have recently taken up residence in the grounds at the Irish Museum of Modern Art. 02 Dec 2002 Successful Year at IMMA 2002 Visitor numbers at the Irish Museum of Modern Art have shown a further increase this year and are set to top the 290,000 mark by year end, the highest attendance figure for IMMA since the record - breaking Andy Warhol exhibition of 1997 - 98.

Each year, approximately six major solo exhibitions are organized, along with an irregular number of smaller solo and group exhibitions.

In addition to a number of striking, massively - scaled paintings, the exhibition included smaller works, preparatory sketches and photographs, as well as large - scale drawings and a handful of remarkable small bronze sculptures.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

The exhibition presents works from Birmingham Museums» fine art collection with a small number of works from Shropshire Museums» collection.

Gagosian Gallery, New York, hosts the exhibition James Rosenquist: The Early Pictures 1961 — 1964, in which Rosenquist for the first time displays a small number of his preparatory collages for paintings.

In this comprehensive solo exhibition, Klara Kristalova presents a combination of large - scale and small sculptures, accompanied by a number of sketches, drawings and watercolours.

11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who Paints with Torn Apart Houses», Fast Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA Painting Grads at Mixed Greens», New American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!

Painting Starting in the mid 1980s in an expressionist style, Emin exhibited a number of intimate small - scale watercolours (her 1998 Berlin Watercolour series) in her Turner Prize show in 1999, and also in her 1999 New York exhibition Every Part Of Me's Bleedinof intimate small - scale watercolours (her 1998 Berlin Watercolour series) in her Turner Prize show in 1999, and also in her 1999 New York exhibition Every Part Of Me's BleedinOf Me's Bleeding.

The focus part of the fair features a huge number of exhibitions, talks, performances, outdoor installations and other various projects, with our recommendations including Arcadia Missa showing Hannah Black, 47 Canal with a group show of drawings and small - scale sculptures, VI, VII with Than Hussein Clark, Carlos / Ishikawa showing Lloyd Corporation, Emalin featuring Russian artist Evgeny Antufiev's first project in the UK, Kraupa - Tuskany Ziedler showing Anna Uddenberg, Proyectos Ultravioleta showing video and photography by Regina José Galindo and Union Pacific presents a collaborative sculptural installation by Ben Burgis and Ksenia Pedan.

It offers a calm vista over the waters of the Venetian Lagoon in Northern Italy, dappled by bronzed clouds.One of a small number of limited edition prints available in the exhibition, oil - based ink has been used here to re-create the rich and dramatic palette which characterises Cuming's paintings.

Small Special Exhibitions Gallery Forty - three South Asian miniature paintings representing a number of different artistic traditions and spanning five centuries will...

The exhibition is organized by Michael Thibault, who runs an eponymous gallery in Los Angeles and is the first of a number of small group shows that will be organized in spaces away from his gallery.

For this exhibition, a small number of related paintings are presented in a similar but new configuration from their 2008 exhibition at Steve Turner Contemporary in Los Angeles, under the same title.

The Ferus Gallery was a small exhibition space in L.A. that played a crucial role in developing the careers of a number of contemporary artists.

The first being at Flowers Gallery (NY) in the group exhibition The Independent Eye: Contemporary British Art from the Collection of Samuel and Gabrielle Lurie which featured a small number of works by Hoyland dating from the early 1980s through the early 2000s.

Also in the exhibition are a number of smaller quieter paintings from 2009 as well as six etchings from 2008 which are what led me towards the new large canvases.

CES Contemporary was founded in 2012 by Carl E. Smith, who curated and produced a number of smaller international gallery exhibitions and other artistic events since the early 2000s.

To provide an opportunity and reduce barriers to participate at the 2018 Conference, ECA is offering a small number of subsidised exhibition booths, sponsored by Early Childhood Australia, to support organisations that otherwise would not be able to exhibit at the ECA Conference.