Sentences with phrase «small number of paintings»

Perhaps more important to the artist's market is the small number of paintings that appear at auction.

Longtime dealer Michael Findlay, a director of Acquavella Galleries, recalls a recent appointment with an established artist who's not represented by his gallery: «She had selected a small number of paintings and gave me a piece of paper with the titles.

Not exact matches

Finance has consistently been one of the biggest talking points from early on with Latimer painting Killian as the big money candidate and championing his larger number of small donations.

The program tries to find shortcuts to store an image in the smallest number of bits — the more complex the piece, the longer the string of digits used to store the painting on the hard drive, offering a more objective measure that human judgement.

I have a much smaller bookshelf with the same notched adjustable shelving inside, and I painted it a number of years ago.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

These studies, most examining only a small number of teachers and employing qualitative methods, paint a picture of the barriers and benefits of using digital primary sources by social studies teachers.

The paint can be termed in average street - driven condition with a number of small paint chips.

One night this past February, artist Alex Katz held a small, informal gathering at his SoHo studio, displaying a number of recent paintings.

Also, there is an extremely small number of painters here in San Diego, that I've met anyway, who are serious «modern» perceptual painters — lots of plein - air type painters who have a more regional focus but very few people painting more contemporary realism from life.

Interspersed between the larger paintings, a number of smaller works act like punctuation marks.

There were just five George McNeil paintings in Perlow's tiny space this winter, but even this small number made me wishfor a full - on museum exhibition of this underknown artist.

The Whole painting thing is held together by a very small number of good painters.»

I went to the shop and realised that there were hundreds of brushes and so the painting would have been very big — in fact, it wouldn't have fitted in my studio — so then a pragmatic decision was to try to distil the number of brushes I was using to a smaller number.

These include a number of Chamberlain's series of small sculptures entitled Penthouse, 1969, watercolour and resin on paper; Stuffed Dog, 1970, in urethane foam with cord and paint — and Socket, 1978, in painted aluminium.

The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).

Studio is one of several large paintings of Hackett's workspace, and it's joined by a number of smaller canvases.

We will be showing a number of small paintings from the series When The Flowing Tide Comes In at The Gate Archway, London N19, a very lovely cafe which has recently reopened on the island at Archway.

For Hirst's first exhibition in Los Angeles, the Regens Project gallery presented a collection of «Visual Candy» paintings, with a number of small «Natural History» pieces.

Gerhard Richter's new project, «4900 Colours,» comprises 196 square panels of 25 coloured squares that can be reconfigured in a number of variations, from one large - scale piece to multiple, smaller paintings.

However, in the late 1960s and early 1970s Lostutter produced a number of small watercolors and drawings of female subjects where he began to explore many of the elements seen in his later paintings.

The Lisson was then a small place, on the scale of a London house, with a number of white - painted rooms and an additional space built at the back out of unpainted breeze blocks.

The latter contributes a number of scrappy, colorful collage works; Gahl has a small painting of flowers and a larger canvas that incorporates an enlarged image of a house painter that the artist has scavenged from his own childhood drawings.

Number 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip techNumber 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technumber of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technique.

For «Recent British Painting», I began with a small number of artists I'd worked with before at the Hayward Gallery and elsewhere (Phoebe Unwin, Milena Dragicevic, Cullinan Richards, Edwin Burdis, Alexis Teplin) and built the show around them until it made sense, at least to me.

In Total Dismay, Gillette will transformed Gregorio Escalante Gallery into a literal «art landfill,» where patrons will have to traipse through piles of Gillette's signed and numbered prints in order to view never - before - seen, large - scale paintings and smaller works.

One of the best - known accounts of an early Rauschenberg painting undergoing episodes of change involves Untitled [small black painting](1953, fig. 3), a work that belonged to John Cage (1912 — 1992) for more than thirty years and shares a number of similarities with the painting under discussion here.

Sometimes there are arresting juxtapositions — a small 1943 still life of a gnarly shell and a pot by Giorgio Morandi, hung between two late Philip Guston paintings which might be taken as still - lifes as much as occurrences in a brooding wasteland — but the sheer number of works sweeps you along too swiftly to take much account of the niceties.

The result is an increasingly rich experience on the Museum's ground floor, where visitors can peek into the racks of painting storage to see a growing number of framed works of art, large and small, to complement the works on view in the galleries upstairs.

His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»

«Liminal Squared» by Julie Mehretu at the Marian Goodman Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman Gallery on W 57 Street, she presents a small number of huge, nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure abstraction.

Titled «Anna», Osborne will show a number of new large works alongside a series of smaller scale paintings on linen.Osborne works with deadpan juxtapositions.

Her painting is distinguished by constant changes, experimentation and development and her works cover such subjects as socio - political portraits, primitive masks, underwater scenes, tropical flowers and wild animals, as well as including a number of small collages.

In addition to a number of striking, massively - scaled paintings, the exhibition included smaller works, preparatory sketches and photographs, as well as large - scale drawings and a handful of remarkable small bronze sculptures.

For his first exhibition of paintings in a decade, the artist will feature two large - scale oil on panel works (each measures approximately eight by sixteen feet and seven by twelve feet respectively), six smaller paintings on panel and a number of collage works on paper.

One of very few large - scale oil paintings from the 1980's as well as a number of other smaller works will represent Mary Grigoriadis, an originator of the Pattern and Decoration Movement.

Gagosian Gallery, New York, hosts the exhibition James Rosenquist: The Early Pictures 1961 — 1964, in which Rosenquist for the first time displays a small number of his preparatory collages for paintings.

Between them a large fluttery work by Daniel Hesidence contradicts the compression of its opposite number: Jean Fautrier's small slab of white paint tinted pale red on green.

11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who Paints with Torn Apart Houses», Fast Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA Painting Grads at Mixed Greens», New American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!

For over forty years the artist has painted a limited range of subjects, mostly members of his own family, close friends and a small number of models of long acquaintance.

In addition to his favourite hobby of copying the narrative «action» paintings of Old Masters, he specialized in small - scale detailed works of landscape painting, executed in oils, containing a number of human subjects and typically several features of topographical or other interest, including crowds or military scenes.

Between them a large fluttery work by Daniel Hesidence contradicts the compression of its opposite number: Fautrier's small slab of white paint tinted pale red on green.

Painting Starting in the mid 1980s in an expressionist style, Emin exhibited a number of intimate small - scale watercolours (her 1998 Berlin Watercolour series) in her Turner Prize show in 1999, and also in her 1999 New York exhibition Every Part Of Me's Bleedinof intimate small - scale watercolours (her 1998 Berlin Watercolour series) in her Turner Prize show in 1999, and also in her 1999 New York exhibition Every Part Of Me's BleedinOf Me's Bleeding.

It offers a calm vista over the waters of the Venetian Lagoon in Northern Italy, dappled by bronzed clouds.One of a small number of limited edition prints available in the exhibition, oil - based ink has been used here to re-create the rich and dramatic palette which characterises Cuming's paintings.

There appears to be a small white flash, glitch or blip in a number of your paintings in this series.

Small Special Exhibitions Gallery Forty - three South Asian miniature paintings representing a number of different artistic traditions and spanning five centuries will...

In addition, during this early postwar period, Rosenberg gave financial support (in the form of purchase contracts or small stipends) to a number of needy Cubists, who might otherwise have abandoned painting altogether.

For this exhibition, a small number of related paintings are presented in a similar but new configuration from their 2008 exhibition at Steve Turner Contemporary in Los Angeles, under the same title.

He works every day, constantly returning to a narrow range of subjects: landscapes near his studio in North London and a relatively small number of sitters, whom he will paint weekly.

In his spare time, he produced a number of small - scale abstract paintings in the manner of the dominant New York school of Abstract Expressionism.