As evidence of this ambient trend's beginnings, Pollock famously painted the engulfing «Mural» (1943) for Peggy Guggenheim, where he transformed the canvas into a whole wall instead of the usual
small object of contemplation visually and physically dominated by the viewer.
Incredibly, and without the overt drama
of the narrative
of Ugetsu, that is somewhat the sensation I had when I walked from Kiki Smith's exhibition at Pace Gallery in Chelsea, through a narrow passage way into a new
smaller wing that Pace has built under the High Line and found myself, without preparation or expectation, in an exquisite, thrilling, soul - soothing, museum quality exhibition
of craft
objects and artworks, arranged in an inventive, harmonious, and instructive manner for
contemplation.