Sentences with phrase «small paint booth»

Not exact matches

I still have 1/3 of my PG, 2/3 of Aubusson, and 1/2 of Antibes... all bought in May from Virginia @ the Southern Intitute of Faux in Jackson, MS. I'm painting mostly endtables, lamps, frames, baskets, smaller scale furniture that will fit in my 5 × 10 booth at an antiques mall.
There were two small phone booths situated beside one of the picnic tables with a small bench and phone inside of them and a vibrant red - painted door, where guests could make free local phone calls within Toronto.
Across from Greenan, Peter Blum's booth reserved a small room for paintings and drawings by David Reed, most of which felt related to the «stroke» paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Repaintings and drawings by David Reed, most of which felt related to the «stroke» paintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David Repaintings from the 70s on view at the Rose Art Museum's recent show Painting Paintings (David RePaintings (David Reed) 1975.
Acquavella's diversified booth looks junky compared with Metro Pictures», but it is more richly various in its offerings, which include a lovely small painting of a plate of oysters and a knife in browns and muted blues made by Georges Braque in 1938, and a gorgeous 1877 painting of a red - haired little girl sitting in her father's lap by Degas.
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).
There, there were a few memorable highlights, such as mirror paintings by Michelangelo Pistoletto from the 1970s and 80s, shown by the Repetto Gallery; striking portraits and still - lifes by Wayne Thiebaud, shown by Allan Stone Projects; small paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering collages, reminiscent of precious stones, shown by Omer Tiroche Gallery.
At the Hole's booth, the gallery had installed several abstract paintings that the street artist known as Katsu had created by attaching a paint applicator to a small computer - guided drone, with the artist able to control its flight and spray paint on the canvas via a trigger.
Mulherin Gallery, from New York's Lower East Side, took one of the new, small paintings to its booth at last December's Untitled Art Fair in Miami, and - almost as improbably as Kleberg's style changed - he got noticed.
The booth projected a clear vision, from the ombré color field paintings by Matti Braun and the small James Turrell light installation.
Our favorites from the booth, these three paintings by John Wesley, happened to be on the smaller side.
Patrick Lakey's flatly lit blend of still life and (nude) self - portraiture, from a series in which he plays dozens of characters from the Marquis de Sade's writings, caught hold of me at The Happy Lion's booth; at Madrid's Travesia Cuatro, Gonzalo Lebrija's intimate communion between himself, wearing a red hooded sweatshirt, and the lone red canvas in a selection of On Kawara «Date Paintings» brought out the latent melancholy in any notation of time; and at Cherry and Martin, Elad Lassry's small - scale conceptual tableaux possessed at once a fierce confidence and an estranging oddness.
For her booth, she built an elevated white platform in a corner to display 24 small paintings by Phillipe Decrauzet, the reds and blacks shifting like a spinning zoetrope, with one canvas - size block of white cube cut out to reveal a bit of the sky outside, peeking in.
Marc Glimcher, the proprietor of Pace, was leaning against the wall of his gallery's booth, which was painted light blue and had a series of small Kiki Smith sculptures of birds and wolves that looked like they were leaping through an azure sky.
As she was showing me around her typically immaculate booth a small painting in one corner caught my eye.
At the Rice University Gallery booth, bargain hunters like ARTnews deputy editor Barbara MacAdam and Houston dealer and artist Wayne Gilbert were snapping up Jane Miller's small paintings of clocks for $ 20, which the artist was signing on the spot.
One booth over, Transmitter, a new Brooklyn gallery created library - like shelves to display small paintings by artists Gilbert Hsiao, Meridith Pingree, and Emmy Mikelson, among others.
After being visually barraged with dozens of large - scale, brightly colored paintings as you enter the fair, Verna's booth of small - scale drawings, many in graphite or pencil - on - paper, is a breath of fresh air.
Two sets of her work are on view in mother's tankstation's booth; the first is a set of large paintings each titled What It Is (a reference to the phrase «what it is, what it was, and what it shall be,» a greeting popularized by the 1960s Black Power movement) made by covering the floor of her small studio with raw linen before covering herself with black ink and walking around to create expressive reinterpretations of both David Hammons and Yves Klein body prints.
Stand - outs at the highly successful and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain sculpture presented by Esther Schipper; Douglas Coupland's installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video installation Kraupa - Tuskany Zeidler and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop; and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze sculptures that reflect on the tension between immateriality and the universal creative space provided by the computer desktop.
A few booths over, another New York gallery, Canada, decided to embrace the eclectic booth principle, allowing Marc Hundley to arrange small paintings, prints, sculptures, and books by his fellow gallery artists within a pseudo-domestic interior modeled after his own studio apartment, replete with a bed, couch, and shabby carpets.
Hauser & Wirth had a strong first day with an eclectic booth at Frieze Masters, selling a small Alexander Calder stabile for $ 600,000; a Dieter Roth cheese painting for more than $ 500,000; a Fausto Melotti sculpture for 300,000 euros, or about $ 335,000; a Francis Picabia painting for $ 220,000; and two Marlene Dumas works on paper for $ 45,000 each.
Eye - catching paintings included Clayton Colvin's probing multilayered works shown by Beta Pictoris (Birmingham, AL), Diana Copperwhite's colorful but lugubrious canvases at 532 Gallery Thomas Jaeckel, the acid - distressed oils of Sara Hoppe from Dresden's M2A gallery, Ethiopian painter Tegene Kunbi's strangely doleful striations of color at Margaret Thatcher Gallery's booth, Chris Trueman's hypnotically undulating grids from Adah Rose Gallery (Kensington, MD), and a brace of small paintings by Jill Baroff, Astrid Bowlby, and Allyson Strafella at Philadelphia's Gallery Joe.
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