Sentences with phrase «small paintings are used»

These small paintings are used along with reference photos taken at the same time to create a larger painting in the studio.

Not exact matches

Before Trend Hunter was even an idea for Gutsche, he received a small - business loan from BDC during college, which he used to start his own house - painting business.
Somehow, using a small paint brush to spread the melted chocolate into the molds reminds us of painting in kindergarten, where there were no mistakes.
With cozy in - room beehive fireplaces, open - air patios, a lively bar and communal seating areas, on - site painting classes, free - use beach cruisers, seasonal poolside yoga, hot tub facilities, a business suite, and dining to - die - for, The Hermosa Inn is an ideal locale for small group getaways, from weddings, intimate family vacations, and bachelorette weekends to golf outings, board meetings, and executive retreats.
Take several of Ikea's storage baskets which are perfect for storing small toys in and make the baskets look more appealing to children by painting them with acrylic paint in a variety of colors and attaching pom poms on the side using yarn in the same shades of the paint.
Smaller flat rocks can be used to replace missing game pieces, paint them for the game you need.
Decorate your fireplace mantel by adding a festive artwork this March by painting a chevron pattern or two shades of green on a small canvas and adding the words you are my pot of gold using white vinyl for some inexpensive art perfect for St. Patrick's Day.
A simple way is to use the Iodine solution for wound treatment and paint a small dot on the skin of the wrist.
I used the smallest version to paint a pair of bedside tables and it was the perfect size to get the job done.
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Once you rubberband is in place, use a paint brush and brush on Mod Podge below it in small sections, adding glitter as you go.
The drawer you see is on a small chest I painted using the harlequin pattern.
The brow precise micro pencil is a marvel, it is super easy to use, you only have to make small rays to imitate those of your eyebrows and blur them with the brush that includes included, never paint your eyebrows was so easy, now with this product in question 1 minute you can have impact eyebrows.
It is NOT NECESSARY to thin the chalk paint, but if you need to, you CAN use a small amount of water to get the desired consistency.
Once your numbers are traced, use craft paint and a small paint brush to paint inside the lines.
After the base and trim were painted I used a small brush to dab darker color into the crevices of the chairs...
It's without a doubt one of our favorite paints, and we use it on everything from small projects like frames to large furniture makeovers.
This can easily be fixed by using a small paint brush and white chalk paint to touch up the inside of each hole.
With white dispersion i am not quite satisfied but with a intensive colour for example i used my self mixed» aqua turqouise, light blue something: — RRB -» and painted with that a small piece it looks very nice.
Once the painting is completely dry, you can go back and add details using the small round brush and a very dark wash (only add a small amount of water to make a really dark wash).
Call Us Please note that this is a used vehicle, some scratches / small dents / and faded paint may not appear in the pictures.
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In addition, I'm very drawn to the pastoral novels of the English genre — the village novel where a small group is used to paint a picture of a larger society.
Pointillism, the term used with respect to the work of Seurat, is the practice of painting patterns of small, distinct dots of pure color next to each other.
You can use twigs or wood (as long as it isn't painted or varnished and hasn't been exposed to pesticides), and you can also use small dog chew toys — but avoid those made of soft plastics and metals.
The standard rooms downstairs are similarly furnished but are smaller, lack bathtubs and could use a coat of paint.
This means in theory that the controller should be able to replicate a paint brush that uses small, delicate strokes as well as act as a sword that uses hard fast swings.
But don't worry if you are not an expert in painting, fortunately Charagumin makes the plastic parts already on the color they should be, so you just have to assemble and paint small details, they even come with a set of eyes so you can use the face looking to where you want to (we did a full tutorial on how to assemble the Puyo Puyo Charagumins over here and a review over here).
The first paintings I made were small watercolors of those images using an imagined color palette, but they never looked convincing.
If you're using regular paints, smaller paper might not make as much sense, especially if your kids tend to be adventurous with paint.
Using old surfaces will be especially useful if you are a cautious painter or if you are used to using small amounts of pUsing old surfaces will be especially useful if you are a cautious painter or if you are used to using small amounts of pusing small amounts of paint.
It occurred to me recently that I really ought to use a small painting palette now because I'm working with so few colors.
«Peter Allen Hoffmann (b. 1979) used to paint — with a tender touch — small landscapes that were seen to have a lot in common with the work of Milton Avery, Arthur Dove and Marsden Hartley, and to evince an environmentalist's concern for nature.»
The works that Judd had fabricated inhabited a space not then comfortably classifiable as either painting or sculpture and in fact he refused to call them sculpture, pointing out that they were not sculpted but made by small fabricators using industrial processes.
At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.
Smaller, juicier paintings such as «Goldenrods» and «Field of Wildflowers» see Katz using motifs from nature to experiment with the «all - over» approach to composition, whereby no one part of the composition is allowed to prevail over the others.
But the lackluster notes are tempered by cool weirdness: A Mai - Thu Perret rattan sculpture of a donkey; a suite of early - 20th - century drawings by Marguerite Burnat - Provins in which cats or swans play with disembodied human heads; and funky, small sculptures by David Hominal which place discrete objects — one of which looks a whole lot like a used crack pipe — atop painted metal cans.
I went to the shop and realised that there were hundreds of brushes and so the painting would have been very big — in fact, it wouldn't have fitted in my studio — so then a pragmatic decision was to try to distil the number of brushes I was using to a smaller number.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.
Riffing off both the aesthetic and conceptual characteristics of technology, artists in Technologism document technology's advancement in a plethora of ways: Ulla Wiggen's intricate paintings of circuit boards from the mid 1960s, see the development of an aesthetic inspired by the complex intersection of electrical wires, connectors and components, working to manipulate and rewire the physicality of technology; some thirty years later, John F. Simon's Art Appliances series of the 1990s uses the circuitry of small LCD screens to disrupt pictures and patterns, recreating them over; in Matte Rochford's video Progressively Degrading Test Pattern 2013, humble VHS tapes are copied and recopied, in a process of metaphysical reduction; while in Joshua Petherick's new work, one technology is employed to record another soon to be superseded, revealing new visual dimensions and the «ghosts in the machine».
Consigned by the New York gallery Luhring Augustine, the material for sale includes vintage photographs from the 1960s of teenagers shooting up and hooking up and the so - called «Heroin» series from 2014 — abstract oil paintings into which small plastic bags used for drug storage are embedded.
When I started making collages — and they were so small at first — people used to say: «Oh, these would be great as studies for a big painting
The result is paintings, both large - scale and small, which endeavor to show the «feeling» of place using a full range of color and unrestricted brushwork.
Sunlight on flowers, fuck everything else» The texture of these paintings reminds me of some sweets I used to get from my gran as a kid, they were in a bag like crisps and were a dollop of brightly coloured icing sugar squeezed from an icing bag on a small round tasteless biscuit base — anyone remembers what they were called?
There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.
The artist uses the technique of automatic drawing to create the small painting, which is an abstract drawing made in a short period of time and in a spontaneous manner.
I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making small paintings and big paintings like the ones that I had in this year's Summer Exhibition [Across the Wadi, pictured below].
A Connecticut native, Jung works outdoors from life, creating small paintings to be used as reference for larger studio works.
Using a «found» Korean action thriller by director Kim Jee Woon, entitled A Bittersweet Life (2005), Webster works with paint and encaustic wax on large and small - scale film stills (computer - generated screenshots), which have been printed onto synthetic and slippery digital canvas.
In the New York Times, Roberta Smith has described Mira Schor's «small, sharp, quirky paintings» as «thorns in the side of the medium,» while artist Robert Berlind, writing in Art in America, described Schor as «An intimist whose candor is akin to Emily Dickinson's, Schor uses the sparest of means to signal, as the poet put it, «The loneliness / One dare not sound.»
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