Sentences with phrase «small photograph of the artist»

[1] The only piece that is directly representational is a small photograph of the artist great Uncle who sits in a chair reading The Body Language of Horses.

Not exact matches

It documents her tour of small and rural French towns in the company of a much younger artist (she's 89), named JR, during which they photographed working - class people and posted huge, blown - up images of them on local structures.

Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little - known French photographer Constant Alexandre Famin; a pastel completed earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.

Supplementing the established canon of German artists (Max Beckmann, Käthe Kollwitz, Otto Dix and George Grosz) and the rather smaller one of Allied artists (of whom the best known is the British painter and printmaker C.R.W. Nevinson), Farrell included an unusual selection of prints along with illustrated books and periodicals, posters, trade cards, photographs and textiles; even more unexpected in the context of the museum's prints and drawings galleries are the medals, trench lighters, helmets and gas masks — objects that provide a glimpse of the artifacts of war, which can not be divorced from its arts.

Comprising wide - ranging imagery and materials, including small - scale drawings, screen prints, and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing, and installation.

«Vik, 2 Years Old,» a 2014 photograph by Brazilian - American photographer Vik Muniz — This large - scale photograph (approximately 8 by 6 feet), which entered the collection through the High's 2016 Collectors Evening, is from the artist's «Album» series, for which Muniz builds replicas of familiar moments with small pieces of discarded vernacular snapshots pasted together to form scenes.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

«In her photographs, Gill often presents spaces devoid of people; if figures are included, their identities are usually cloaked, as in the series A small town at the turn of the century, in which the artist asked the townspeople to mask their heads with exotic fruits.

This exhibition will showcase the artist's photographs spanning the last four decades, from 1976 to the present, a small selection of sculpture, and two films.

It is situated on the shore of Lake Geneva, not far from the Forestay Waterfall, which the artist photographed in 1946 as the starting point of his last masterpiece Etant donnés: 1 ° la chute d'eau, 2 ° le gaz d'éclairage... KMD exhibits internationally acknowledged and emerging artists, and publishes hardcover books in small format.

Chuck Close's monumental mosaic - like portrait of fellow artist Cindy Sherman and two nearby self - portraits are composed of countless smaller elements that cohere into recognizable faces at a distance but dissolve into randomly colored and textured elements the closer you get to them, similar to the way photographs are printed in newspapers.

There are also small amounts of visual records (slides, photographs, negatives, etc.) found throughout the artist files.

Madani's pictures are also transformed into stop - motion animations where the artist photographs a freshly created scene over time — wet paint still glistening — resulting in stories of small calamities that are once hilarious, tender, and ghoulish.

Included art objects will be a bulletin board that charts quotations and images of the Biospherans and visionaries of the project, a number of small gouaches from photographs taken by the artist of areas surrounding the Biosphere that have fallen derelict, a video tour of Biosphere2, portraits of the male visionaries (John Allen, Ed Bass, and Buckminster Fuller) of Biosphere2, and a multi-panel stenciled quote from Buckminster Fuller that encapsulates the contradictions inherent in a project that is the product of a single mind imposing its will upon a group:

Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books... «The title of the exhibition refers to a theory that there may be a small percentage of people — for genetic reasons, only women — who have a fourth type of colour receptor on their retinas.

My personal collection of photographs from artists across the globe is dominated by small, black and white, silver prints.

Dozens of artists» small paintings, sculptures, and photographs are for sale — perfect additions to growing art collections.

He works from a building near Bethnal Green, where, since 2006, he has used the ground floor as a small gallery, Between Bridges, where he shows work that interests him, from artists such as the American David Wojnarowicz, or the German artist Isa Genzken, or the photographs from the Center for Land Use Interpretation in California, or the slogans of Jenny Holzer, one of the first artists he admired.

A recent homage is One Swimming Pool (2013) by Dutch artist Elisabeth Tonnard, who re-photographed one of the photographs from Ruscha's Nine Swimming Pools and a Broken Glass (1968) and enlarged it to the size of a small swimming pool, consisting of 3164 pages the same size as the pages in Ruscha's original book.

The photographs that serve as the starting point for the work depict the residents of the small farming village in northwestern Germany where the artist was raised and where his family still lives.

Comprising wide - ranging imagery and materials, such as small - scale drawings, screen prints and the artist's own travel photographs, these compositions vary in their degree of engagement with the processes of painting, drawing, screen printing and installation.

The exhibition (above, an installation view) covers other, more intimate responses, including a series of small self - portraits that mostly feature a goofy, slightly Jules Feifferish face applied to images of other artworks or artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph by Hans Haacke.

New York - based artist Park McArthur will exhibit a series of small photographs of various thresholds and corridors, illustrating how architecture and placement can complicate and possibly bar the accessibility of a place.

The artist draws viewers into her works through details within acetone - transfer prints of small photographs takes from the internet and Crosby's own photographs, in addition to magazines and advertisements.

This is a small exhibition with only 14 works but the artist's meditative style means that visitors can spend minutes staring at each of these remarkable abstract photographs.

When Lew, who like Locks is Asian - American, led me to a smaller gallery on the floor, it had already been hung with a number of photographs by the same artist, Deana Lawson, 38, who carefully stages powerful scenes of black domestic life.

A rather jumbled fourth - floor «Campaign for Art: Modern and Contemporary» has a number of individual highlights (Picasso, Pollock, Bacon et al), as well as important new subcollections: small works by the key German artist Joseph Beuys and a whole set of Diane Arbus photographs.

Yet Andy Warhol's Photographs, a small, focused exhibition at the Museum of the Rhode Island School of Design, reaffirms the artist's bracing vitality against the backdrop of his commoditized, commercialized myth.

The compressed velvetiness and devotional air of these small works go against the grain of most postmodernism, yet except for the small patches of grid that indicate the artist's handiwork, they can almost be mistaken for photographs.

The artists have worked in a variety of media, project by project: starting with Plötzlich diese Übersicht (Suddenly This Overview) in 1981, which consists of 150 small clay figures; there are over 100 double - exposure photographs in their flower series; Sichtbare Welt (Visible World) was a seemingly exhaustive archive recording the artists travels around the world, displayed as positive film mounted to lightboxes in a darkened room.

The gallery is showing drawings, paintings and installations by artists such as Paul Noble, Simon Starling and Joseph Beuys, as well as photographs of Long's Land Art, which echoes Moore's preoccupation with found objects - evident in his maquettes made of small pieces of bone, stone, and shells.

While Olowu has included small images by Malick Sidibé from his Vue de Dos series (2002 - 2004), this trademark version of 20th century studio portraiture is updated in 2012 in the huge portraits of Beninese artist Leonce Raphael Agbodjelo, who photographs his «musclemen» against colorful fabric backdrops.

The surviving photographs of these works were all found at that time to be dated 1942, but a small concrete construction in the artist's collection, reminiscent in its more organic form of Henry Moore's pre-war stringed pieces, is dated 1945 and the first Crypt Group exhibition catalogue lists a relief construction by Wells dated 1946.

In its Statements booth, Tracey Williams is exhibiting works from the artist's first show of new work made after the accident — in 2001 — featuring a small video of a woman in a dress pirouetting surrounded by photographs in smashed glass frames and broken ceramic vessels that were repaired with gold seams according to a Japanese tradition, with the fixed pieces held in the highest esteem.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The thirty - five framed photographs in this debut solo exhibition were small and pale, with subjects that don't reveal anything spectacular — and yet the works of Margarete Jakschik, a Polish - born artist who has lived in Germany since 1980, when she was six years old, fascinate at first sight.

His local library had something called the circulation department, «which would bring in a small group of works, by an artist, maybe Paul Nash,» he remembers, «and there would be several watercolors, some drawings, some books to look at, and a photograph and brief biographical information on the artist.

In addition, a small pairing of Rauschenberg's early photographs with drawings by Harrison reveals these artists» facility across media.

The sprawling exhibition covered Akasegawa's entire career, from works he made as a teenager and student, including «Carvings to Take Away the Pain,» small wooden figurines loosely modeled on African sculpture, which the young artist carved from scrap material while suffering from a debilitating stomach ulcer, as well as examples of the manga illustrations, writings and photographs he made following his time in Hi - Red Center.

A small collection of sculptures, photographs, and installations explores the ways in which culture, history, and memory have shaped the artist's identity.

The catalogue also includes reproductions of all paintings and sculpture presented in the exhibition plus a small sampling of key Warhol drawings, prints, and photographs, as well as source photographs for iconic early works and portraits of the artist.

Deep hues of charcoal and blue allude to the colors of the official story; newspapers, photographs, and the small televisions of the artist's childhood in a tumultuous Chile.»

In a view of small boats on water, the artist playfully neglects to continue one of the crafts beyond the photo border, suggesting that the photograph and the painting depict slightly different moments.