Sentences with phrase «small pieces of canvas»

Working in oil on small pieces of canvas board near the waters and harbors of Manhattan, John Marin (1870 - 1953) was possibly the first American artist to make abstract paintings.

Not exact matches

Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little - known French photographer Constant Alexandre Famin; a pastel completed earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.
I think you ask yourself, «What can I do on a large square canvas, or on a small piece of paper that might be interesting?»
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.
A typical Cordy Ryman lies in a hybridized zone between sculpture and painting; pieces of wood or perhaps canvas may be isolated like small geometric paintings or even extended into the full expanse of the rooms in which they are installed, following a kind of modular accumulation strategy.
Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.
Instead of revising her initial marks in certain areas, Wylie has collaged pieces of canvas over the paint, introducing texture and small flecks of color that together lend the work an organic nature.
Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.
Her choice of unlikely, humble materials — small pieces of bone, worn wood, thin semi-translucent white plastic bags, half - burnt cigarette papers, or the edge of two stapled canvases — that reveal and hide themselves, questions what it might mean to paint with found objects.
The small pieces of paper that blanket the piece curl up and peel away from the canvas, like dead leaves or sunburnt skin.
The two pieces by Julie Torres are both conceptual works about capital - p Painting: «Room with a View» is a small canvas on which super-thick layers of acrylic paint make something that appears, all at once, like a window, a picture inset into photo corners, the back of a stretched canvas.
By gluing thousands small pieces of very delicate paper on the canvas one by one, she almost creates an expression that is close to three - dimensional.
Most of her shiny «mapping» artworks contain small collaged pieces that jut from the canvas.
Large new body of work that SF - based artist prepared for this show consists of a series of smaller pieces on paper as well as medium and large canvases.
In her latest works, Tschabalala Self continues to depict the regal black body — reposing, dancing, making love — to reverberating effect in large works of paint on canvas to which she appends found fabrics and smaller pieces of painted canvas.
White Cube's Jay Jopling lost the bidding of Afrosheen the coveted oil on canvas which was estimated at $ 510.900 - $ 681.200 and finally sold for a record - breaking $ 2.246.481 to a telephone bidder.The piece was part of a small group of works from Charles Saatchi sold to benefit the Saatchi Gallery's Foundation.
My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?
Photographs, canvases, colored paper, small pieces of wood, silicon or metal are arranged in her three - dimensional collage, which describes the reproduction of the former room.
Even transposed to the museum's main gallery, with small, green - toned canvas studies arranged on an overlooking wall to evoke the forest environs in Kassel, the work did not disappoint, communicating the sheer physicality that goes into the accumulation and composition of materials for Ohtake's collage and assemblage pieces.
The new body of work consisted of 30 pieces including small studies, medium and large scale pieces on wood and canvas, as well as a few hand painted multiple prints.
The installation of the 4 - foot - high Abstract, White & Black, 1960, near the entrance makes that clear, and the general similarity the small pieces share with such larger canvases is indisputable.
Fabric Canvas — Take all of your favorite pieces or the ones that are too small and turn them into some lovely wall art for your craft room or any room in your house!
Instead of one large piece, invest in three small canvases or a group of photographs.
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