Sentences with phrase «small sketchbook»

SG I did take a small sketchbook and aquarelle crayons on my first trips in the interior.
The drawings in this small sketchbook, measuring 7 1/8 x 5 inches, exude a sense of spaciousness and light.
More than 300 works are illustrated, including small sketches in ballpoint and felt - tipped pen, larger sheets in watercolor and gouache and still others stamped with a dot screen process, as well as pages from over a dozen small sketchbooks and several monumental works on paper.

Not exact matches

Easy to use printable stickers to help save time when giving feedback on smaller pieces of work or sketchbook tasks.
In this month's cover story, Back on Track: Leyland - Thomas No 1, David Burgess-Wise tells the story of Parry Thomas's first Leyland Eight racer, destroyed in a war - time air raid, and the recent re-creation built around a collection of original parts / Steve Welsh reports from this year's Goodwood Revival, the world's biggest historic motor racing event, with highlights including an all - Ferrari Lavant Cup and a tribute to Bruce McLaren / Inspired by a 1956 Motor Sport article, Justin Marozzi takes his Bristol 405 on a 1000 - mile round trip to the Lake District in his article Filton Fashion / We bring together another group of unrestored cars and lead them on a scenic tour round Rutland, Britain's smallest county, for The Oily Rag Run / In Woodrow: Stockport's sporting cyclecar, John Warburton samples the sole surviving example of this unusual light car built by a hat manufacturer in the north of England / Jörg Sierks visits two world - class concours for An Elegant Weekend, held on opposite sides of the English Channel / Edwardians to Ostend — Stefan Marjoram took his sketchbook and camera on an exciting Continental road trip and shares his experiences / In this month's Back on the Road, Michael Ware visits a 1921 Morris Oxford Sports
I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.
Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.
Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little - known French photographer Constant Alexandre Famin; a pastel completed earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material, which includes prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland.
His early sketchbooks construct odd shapes out of small strokes of watercolor or pencil.
There is a series of small, bold works made on sketchbook sheets with a haze of charcoal covered with watercolor or oil.
It doesn't explain the eerie profundity of self - described «super-medium» Vanda Vieira - Schmidt's Weltrettungsprojekt (World Rescue Project), 1995 — , a small edifice comprising more than three hundred thousand drawings created to save humanity from supernatural forces of doom, or The Sketchbook from Auschwitz, ca. 1943, a handheld catalogue of horrors illustrating life at the most infamous of Nazi death camps, rendered by a phantom known only as «MM.»
This exhibition features a large selection of paintings, drawings, small prints, and sketchbook reproductions by Harvey Breverman, Bruce Jackson's photographs, and the entire Federman Series created by Terri - Katz Kasimov.
In tandem with an independently organized retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty - year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the same physicality and unapologetic emotional punch as her bigger, iconic works.
The sketchbook, which measures 10 1/8 x 7 7/8 inches, primarily contains drawings in graphite, though it also includes text and several small gouache paintings.
The practice shots at the golf range become the small, isolated studies in your sketchbook - a mouth, an eye, a nose, various hair studies.
When it opens next month, the Skidmore show will begin with a salon - style hanging of some 30 small studies and sketchbook pages working out color and form, about half of which have never been exhibited.
The small tablets derive their shape from Ramm Fortun's sketchbook, and are inscribed with the artist's chosen symbols for mouth and soul.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.
While exploring the unknown space, namely the foreign urban surrounding, Schlitz uses sketchbooks and small pads.
On view next door in our smaller 22nd Street gallery is a related exhibition of 20 black - and - white ink drawings from a seminal sketchbook made in 1954, shortly after Kelly returned to New York following six years living in Paris.
It joins more than seventy small drawings, large - scale works, and sketchbooks featured in the exhibition which the press release describes as an assemblage of Brown's «iterative reworking of motifs from her wide - reaching arsenal of source material.»
Paper Louise Tiny Fishman Rock presents a selection of sketchbooks, miniature paintings, and small sculptures.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.
This exhibition began with her travel sketchbooks, and maintains in paint the inventiveness and spontaneity of the small pencil sketches.
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