Bandau's show divides a little puzzlingly into recent watercolors and drawings, and
small wall sculptures from the»70s.
On the far wall,
a small wall sculpture, Painted Tubes (1978) finishes out the scene.
Not exact matches
Tarzi has already found tantalizing clues, including several
small sculptured Buddha heads and a
wall that might be part of a monastery.
From monochromatic metal
wall sculptures to two - tone geometric panels made from upcycled wood, you can choose to display our dimensional abstract art in
small groups for a more dramatic impact.
The back gallery spaces feature a series of
smaller sculptures, both single columns and two part works with panels and stools, plus
wall - mounted reliefs.
Smaller than some of Bourgeois's arachnid
sculptures, Spider II clings to the
wall as if frozen, eight legs splayed outward in all directions.
Biographies: Since the early 1980s, Eugene Carchesio has built a reputation for producing
small - scale watercolours, minute
sculptures and expansive geometric patterns for
walls.
The turquoise of swimming pools, the salmon glow of sunsets, waxed enamel surfboards, candy - apple custom cars, stucco
walls and sun - ripened oranges are all reflected in the lush glazes of these
small sculptures.
Perhaps Desmarais» jagged - edged
sculptures are «
small parts» fractured from some invisible «whole,» which the
wall text suggested as a key facet of a «sample,» or maybe her square patches of painted
wall «correct, enhance, or modify» the «routine» of exhibition display techniques.
Characteristically translating existing source material to prompt new readings,
small sculptures in cardboard and gold leaf reclaim old playground designs, cartoons from The New Yorker are reworked in gouache and a found text is adapted into a new
wall painting.
His work has been the topic of several solo exhibitions including Walking on The
Wall, Nahum Tevet
Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet
Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.
A
wall of his
small steel
sculptures features pieces reminiscent of those by Brazilian artists like Lygia Clark or Lygia Pape, whose fantastic retrospective is now on view at the Met Breuer.
Included here are drawings ranging from the»60s to today,
small found - object
sculptures, notebooks, and
wall installations from the»70s and»80s, as well as a group of recent anamorphic
sculptures made between 1990 and 1993.
Indeed, one gallery was peppered with the relatively
small folded three - dimensional paint and steel pieces of Rana Begum and the shiny metal mirror and wood
wall sculptures of Monir Shahroudy Farmanfarmian.
At Pace Gallery on 57th Street, the delicate Calder
sculptures are generously spaced, including one relatively
small one that is given a
wall to itself.
While the expanded gallery space allows visitors to roam around the exhibits, or follow the trail of
sculptures more chronologically around the
wall, it does disadvantage one of the best discoveries — a
small selection of her sketches and collages.
The array of media in this exhibition was rather startling: two videos and a photograph, all rather large (each took up a
wall of its own);
sculptures of bronze and plastic, or bronze alone, most
small, often serially arranged; and works on paper, variously sized, sometimes watercolors, sometimes subtly mixing watercolor and automotive paint.
I just bought a
small sculpture that I'm very excited about from Norm Paris's show, «The
Wall Still Stands,» at the Proposition Gallery.
This exhibition reveals the broad scale of Ross» work from the large, free - standing, colorful metal
sculptures whose simple forms evoke the totemic monuments of an ancient world to the
smaller lyrical
wall reliefs composed of wood veneers that create a visual extravaganza when placed next to one another.»
In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of
sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and
smaller wall pieces,
sculptures as flat as the
wall on which they are placed as though they were paintings.
Another notable work is Matt Freeman's «Hope is / are the Thing (s) with Wings: a late love note to Marian,» a piece made up of five
small, brightly colored porcupine
sculptures that discreetly flank the right
wall as you enter.
There were «under $ 5,000,
small paintings by Ray Parker, Christo collages, and multiples by Jean Arp; under $ 10,000, a unique
wall relief
sculpture from 1969 by Gerald Laing, granite
sculpture by Brazilian Iran do Espiritu Santo, and photographs by Jim Naughton, paintings by Jules Olitski, and Leon Golub.
One of the best moments is an onslaught of
sculpture by three artists made from found objects: Terry Adkins's combinations of musical instruments shine, and Melvin Edwards's
small clenched welded - steel
wall sculptures, made from bits of chain and tools, dominate, raising the troubling history of racial violence despite their beauty.
Victor Ehikhamenor has filled the ground floor with an installation that features canvas - covered
walls coated with painted patterns and shapes, as well as mirrors and
small bronze
sculptures that hang from the ceiling.
Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his
wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and
small - scale relief
sculptures.
Marc Glimcher, the proprietor of Pace, was leaning against the
wall of his gallery's booth, which was painted light blue and had a series of
small Kiki Smith
sculptures of birds and wolves that looked like they were leaping through an azure sky.
«Reciprocals,» Maychack's fourth show at Gregory Lind, comprises 11 assemblages, all from 2017: nine
wall - hanging reliefs, with two
small sculptures mounted on pedestals.
, you are lying on the floor of your place looking up, a
small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal
sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete
wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
Her driftwood assemblage
sculptures, mostly
small sized totemic abstract figures sometimes
wall mounted, are probably better known than her paintings.
On the
walls surrounding the
sculpture were
small - format photos of a flume of smoke circling up, as if from burning incense.
Grubin creates installations,
sculptures, and
small wall works from pigment, paper, reflected color, cast shadows, and negative space.
Durham's work is process - driven sculptural assemblage, which can take the form of a
small wall relief, a human - scale freestanding
sculpture, or a room - size installation.
In 300 objects it follows an artist who didn't so much abandon art as push it slowly, painstakingly and even logically — in
small abstract paintings,
wall pieces and flexible
sculptures — to a place where objects and materials were meant to be handled and viewers became participants, alone or in groups.
Other works include the cast silver
wall sculpture Net II (1999) by Lynda Benglis that resembles a mass of tangled intestines; a new pen and ink drawing by Don Colley; Kiki Smith's Ginzer, an etching made from a post-mortem tracing of the artist's beloved cat; Mel Chin's seemingly innocuous
sculpture The Elementary Object (1993) which is in fact a «pipe» bomb encased in steel (with padlock and key); and Joyce Treiman's
small - scale watercolor depicting a decomposing skull adorned in Roman headgear.
The opener will be «Neoclassicism — a Noble Arrow,» a selection of
sculpture,
wall paintings and
small objects by the late Scottish artist Ian Hamilton Finlay.
It includes prints, collages, cut - outs, reliefs,
small models of
walls, hedges and other garden fragments and gloriously unnatural, life - size
sculptures of trees and shrubs, cast in latex and foliated in flock.
Ajay Kurian went
small, as well, in peculiar new
wall - hung
sculptures that resembled maquettes for dystopian playgrounds at 47 Canal; one featured a Tootsie Roll bunker.
Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round
Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three
Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round
Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's
Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo
Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..
Mr. Curry created a disorienting environment for that
sculpture and
smaller ones by covering the
walls, ceiling and floor with hollow - core cardboard panels bearing grainy, black - and - white photographs of what seem to be his own studio
walls.
It is a
small, dark rectangular
wall sculpture, pulled and pressed by her fingers in polymer clay and adorned with delicate stones and similar bronze spheres.
The biological forms evoked by Greenberg's
wall works and
small sculptures are as familiar as they are discomforting.
In the hall on the first floor of the villa, White Newborn (1993 - 1994) was presented on a Steinway grand piano; four
walls of the building were sparsely and elegantly furnished with several postcard collages; and in the
smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass
sculptures.
Walking in the landscape is the basis of Long's practice but over the past 40 years he has extended his concerns to encompass photographic and text - based work,
sculptures made in stone and wood,
small - scale works using handprints and fingerprints on paper and driftwood, and monumental
wall drawings made using mud and clay.
Since the whole exhibition space is sloped and the surrounding
walls are not vertical, it is arguable that
sculptures could be exhibited either by following the ramp inclination or by keeping them in a perfectly vertical position using a special pedestal or a
small platform.
Incorporating elements of both painting and
sculpture, Chun's Aggregations are assemblages: freestanding and
wall - hung amalgamations of
small, triangular forms wrapped in antique mulberry paper, often tinted with teas or pigment.
, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato,
Small Dead End Courts Around Venice, IT 2008: FREEDOM - American
Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT
Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA
Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and
Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.
Small works and interventions that are telling yet so subtle they are almost unnoticeable are balanced by brilliantly coloured
wall paintings and new large - scale installations and
sculptures set in dialogue with the Hayward's architecture.
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and
Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the
Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ
Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic
sculptures and video projection; CCTV cameras with Raspberry Pi mounts (
small inexpensive CPUs) and speakers;
walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.
Smaller,
wall - hugging
sculptures in the second gallery use the same stretched - cloth format, but here the armatures, though invisible, are studded with carved wooden tool handles that radiate outward like spokes from a wheel or rays from the sun.