Sentences with phrase «small white mark»

When the S8 was dropped on its side, it surprisingly came out looking like nothing happened save for the addition of a small white mark on its top left corner.

Its plumage is generally dark above and pale below, with a small white mark above the eye.

A small white mark on the chest is also often observed.

Some members of the line have small white markings in the chest area.

There may be small white markings on the chest.

my rotti / collie cross beautiful boy was called...... bernard it really suited him the next collie rottie cross was named after bernard his name was bernie i now have a new pup cookerpoo brown with small white markings that we have no idea wot to call him

However, as Prospero was inspecting the damage, he noticed that there were similar but smaller white marks near where the HomePod was placed.

Not exact matches

Kumar has scaled his church efficiently: Members mark their attendance by scanning key cards at each entrance kiosk, where they pick up a small white cup filled with prepackaged Communion wine.

Bob's Red Mill Orca Heritage Beans (affiliate link) are a small, tasty heirloom bean that is gorgeously dappled black and white, and unlike many beautiful beans, Orca Beans hold their lovely markings after cooking.

«Mark Levine ain't Puerto Rican or black,» Vincent Morgan, a former Rangel aide and challenger, said of the recently elected white City Councilman whose Upper West Side district also includes West Harlem and a small section of Washington Heights.

The small white boxes, labeled «a,» «b,» and «c,» mark multiple images from the same background galaxy, one of the farthest, faintest, and smallest galaxies ever seen.

Alex and Ani Birthstone Expandable Wire Bangle Kendra Scott «Ripley» Triangle Stone Bracelet / Clutch (Similar style) Bar III Gold - Tone Lace Bib Necklace / Mark & Maddux Caged Wedge white Kancan Jeans (similar style) / Daytrip top / BKE watch Kendra Scott «Sky Spear» Small Statement Earrings

Proud Proboscis — Ronald «Steady» Barker pays tribute to one of motoring's most magnificent white elephants the 50cv Renault and its successor the 40cv / The Healey Heritage — Malcolm Green traces the development of the big Austin - Healeys from Donald Healey's Riley - powered cars from Warwick to the Mark III 3000 that was built at Abingdon / Back on the Road — Michael Ware reports on some recent restorations by readers of The Automobile / Austin Seven Ulster Rebuild / Batteries — Workshop / Enfield Underslung — Michael Worthington - Williams relates the story of the Adamson cyclecar / Swooping Kestrel — Brian Heath experiences the pleasure of preselector gear changing at the wheel of a 1937 Riley 12/14 Kestrel / Butler's Babies — The American Austin was one of the first attempts to popularise the European small car in the USA Kit Foster tells its story / Commercially Speaking — Panels & Parts

Lane Keeping Assist System: helps to keep the car in the middle of the current lane, by detecting road markings and making small steering adjustments to steer the vehicle within the white lines.

Loo's father marked a pine tree at two hundred yards with a small spot of white paint, then set the bucket down and walked back to his daughter and the guns.

Distinctive because of its white coat and blue or black markings, this rabbit is small in size and usually weighs only 4 pounds.

Origin: Great Britain Utilization: Companion and hunting Registration: AKC Hound Group Size: Small Height: 10 - 12 Inches Weight: 14 - 18 pounds Lifespan: 15 + years Shedding: Yes Colors: Over 51 % white w / black, tan, or red markings

To a small extent the shape of a white marking may be influenced by chance or environment (cloned animals of other species that have white markings will vary slightly even though they are essentially identical twins).

Color markings for Boxers are normally brown to light tan with small white areas on the chest and feet.

As with yellow and black Labs, the chocolate Lab might have a small white spot on the chest, although even this minor marking is undesirable.

The presence of a small white chest patch about the size of a quarter, or a few white hairs on the chest of a King Charles Spaniel are not to be penalized; other white markings are an extremely serious fault.

The legs, belly, sides, head and ears should all be tan, though a small white patch on the chest is allowed, as are dark markings on either side of the head.

While markings are considered undesirable today and must be limited to a small patch on the chest and a touch on the feet, early Bordeaux often had more extensive white markings.

The Labradinger resembles a small Labrador with longer ears and typically in colors of black, chocolate or yellow plus variations with the distinctive white spaniel markings.

The Groenendael variety can have a small white «tie» mark on its neck or chest.

The West Highland White Terrier is a small, game, well - balanced hardy looking terrier, exhibiting good showmanship, possessed with no small amount of self - esteem, strongly built, deep in chest and back ribs, with a straight back and powerful hindquarters on muscular legs, and exhibiting in marked degree a great combination of strength and activity.

The breed's many acceptable coat colors include solid black, red or liver with or without tan markings; white with black blue, liver or red markings and / or ticking (small spotty - looking markings).

The coat in most cases is pure white with no markings admitted other than a small dark patch around the eye, according to the AKC standard.

The two cats look much alike, but Amber is a bit smaller than her brother Inky, and actually has white markings on her tummy.

And these big red paintings, marked in red (with one small white exception) with a kind of insignia or logo pushed at times to the edge of the field or centering it grandly, all on sumptuous brown linen, would appear to be an attempt at finitude, an attempt to bring together the specificity and thrill of the now (as embodied by fashion) and the lush severity and awe of Great Painting.

Each work in Witmer's austere Winterbrook (2015 17) series of six small panels brings out a different relational quality between paint and canvas: black wash opens up the flawed pores of the canvas grain; dense, dry paint marks the presence of the wooden stretcher as in a rubbing; carefully applied, grey and white thinly glazed layers make another panel's surface appear taut and tremulous like drumskin.

The seventh tier is a small handful: Gagosian, Pace, Hauser & Wirth, Zwirner, Matthew Marks, Marian Goodman, White Cube.

Works from the early»50s, such as White Blue Construction (1951) and the gentler, soft paintbrush marks of Banlieue (1953), are both small symphonies of rhythm and color informed by the paintings of Paul Klee and Piet Mondrian.

Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.

Upon a white canvas with black rectangles marking its corners leans another, slightly smaller and deep blue.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

FLAG's north gallery features three small studies from 1959 (York Study, Slip Study, and Falcon Study), each of which is marked by jagged - edge, curvilinear forms — compositions that portend Kelly's later, relief paintings Two Blacks and White, 1993, Black Relief with White, 2005, and White Diagonal Relief, 2006, also on view.

New York, curated by Anne Ellegood New Prints Winter, 2003, International Print Center, New York, NY 2002 Keine Kleingkeit (Not Really Small), Kunsthalle, Basel, Switzerland (catalogue) 2001 Ball Point Inklings, Geoffrey Young Gallery, Great Barrington, MA 2000 Points, Lines, Planes, Les Filles du Calvaire, Brussels, Belgium (catalogue) Bad Touch, Lump Gallery Projects, Raleigh, North Carolina Studio International, Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK (catalogue) Mapping, Territory, Connections, Galerie Anne de Villepoix, Paris, France Points, Lines, Planes, Les Filles du Calvaire, Paris, France (catalogue) Painting Function, Spaces Gallery, Cleveland, Ohio, curated by Saul Ostrow Joanne Greenbaum, Charlene von Heyl, Amy Sillman, James Van Damme Gallery, Brussels, Belgium Examining Pictures, Armand Hammer Museum, UCLA, Los Angeles, CA curated by Francesco Bonami and Judith Nesbitt 1999 Examining Pictures, Museum of Contemporary Art, Chicago, Illinois, curated by Francesco Bonami and Judith Nesbitt Nacht Bild (After Image), Kunsthalle, Basel, Switzerland curated by Peter Packesch Examining Pictures, Whitechapel Art Gallery, London, UK, curated by Francesco Bonami and Judith Nesbitt 1997 Current Undercurrent, Brooklyn Museum, Brooklyn, New York Painting Now and Forever, Part 1, Matthew Marks Gallery, New York, NY Exploiting the Abstract, Feigen Contemporary, New York, NY 1996 Explosion in a Tool Factory, Hovel, New York, NY Un Oeil Americain, Galerie le Carre, Lilles, France 1995 Wacko, The Workspace Gallery, New York, NY Other Rooms, Ronald Feldman Gallery, New York, NY Natural, Arena Gallery, Brooklyn, New York Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, Brooklyn, NY Pleasant Pebble, The Workspace Gallery, New York, NY 1994 New York Abstract Painting, Salvatore Ala Gallery, New York, NY 1992 Vibology, White Columns, curated by Bill Arning AWARDS AND FELLOWSHIPS 2010 Artist in Residence, CCA Andratx Art Center, Andratx Mallorca, Spain 2009 Joan Mitchell Foundation Grant 2007 Artist in Residence, The Chinati Foundation, Marfa, Texas 2005 Artist in Residence, Greenwich House Pottery, New York, N.Y. 2004 The Pollock - Krasner Foundation, Inc..

«More hard - edged and conceptual abstraction is represented by two solo shows: Michael Zahn at Eleven Rivington (May 28 to July 3) is known for monochromatic canvases in synthetic colors that resemble commercial stationery, while Alix Le Méléder at Galerie Zurcher (June 11 to July 23) makes repeating marks in the corners of small white canvases.

The fence marked a severe boundary: on the road side there was a verge of still greenish grass and weeds, decorated with the occasional white styrofoam cup and silver - glinting beer can, the wildflowers of civilization; beyond the fence a swath of small boulders gave way to a field of beige dirt and stone that seemed to stretch forever.

Sonos One: Also left four small, white marks that were not as pronounced as the ones left by the others tested (nor as prominent as the one on my cabinet), but they were still visible.

The White House Office of Management and Budget (OMB) has reportedly requested that EPA clarify whether the «significance» of a connection between smaller waterbodies and larger downstream waters marks a technical or policy issue — echoing questions raised by a coalition of regulated stakeholders, including NAR, who are concerned that the agency may not be adequately weighing the issue as it works to clarify jurisdiction of the Clean Water Act (CWA).