Sentences with phrase «small works for this exhibition»

Not exact matches

Having been immediately hailed by European critics as one of his era's greatest painters, Soutine, who was based in France for much of his career, was largely ignored in America until the Museum of Modern Art in New York hosted a small exhibition of his work in 1950.

I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.

RADICALS II At the Brooklyn Museum in April, a smaller exhibition, «We Wanted a Revolution: Black Radical Women, 1965 - 85,» organized by the museum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style catalog.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that extended from floor to ceiling at the Serpentine Gallery.

For her upcoming exhibition at Greengrassi in London in January, Greenbaum plans to show around 200 smaller works, allowing viewers to piece together a sprawling gestural history that aspires not to the epic, but the intimate.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 small works exhibit, Muhlenberg College, pp. 9 works exhibit, Muhlenberg College, pp. 9 - 10.

2015 «A Foot in the Door», Exhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition of Small Works, Washington ArtWorks, Rockville MD Artomatic, Arts Festival, Hyattsville, MD Washington Project for the Arts, ArtNight 2015, Exhibit and Fundraiser Awagami International Print Exhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition, Tokushima, Japan Patricia Ladd Carega Gallery, Sandwich NH, Group Exhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition 10 x 10 Invitational, Print exhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Groexhibition, Pyramid Atlantic Art Center «Transformations» Exhibit at Pyramid Atlantic Art Center Pyramid Atlantic Juried Members Print Exhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition, Second Place Award LA Center for Digital Art, Juried Salon Exhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member GroExhibition Studio Gallery, OpenStudioDC's Screenprint Exhibit Washington Printmakers Gallery, Monthly Member Group Exhibit

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

The first eight issues of The Source will be available for purchase at the NYABF presented alongside a small exhibition of works featured in the zines.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Works central to this exhibition include the theatrical setting A Fashionable Marriage, through which visitors can walk; 40 small paintings comprising Inside the Invisible, seen for the first time in the UK; and The Feast Wagons, an installation of handcarts.

With their lightness, the small works on paper in this exhibition provide us with a more intimate vantage for understanding the artist's work.

2011 ICED Newhouse Center for Contemporary Art / Snug Harbor, Staten Island, NY December 2008 Pigments and Photons Art @ Bay, Staten Island, NY November 2003 Small Works Show SOHO 20 Gallery, New York, NY February 2002 Love & Sex: an international juried exhibition Printmaking Council of New Jersey, Somerville NJ October 1999 Queer Vision Mason Gross School of the Arts, Rutgers University October 1998 HIV Arts Network Special Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997exhibition Printmaking Council of New Jersey, Somerville NJ October 1999 Queer Vision Mason Gross School of the Arts, Rutgers University October 1998 HIV Arts Network Special Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997Exhibition Judson Memorial Church, New York, NY July 1998 Peek: The Artist Exposed Here, New York, NY Nov. 1997 What Now?

, The New School, Sheila Johnson Design Center, New York, NY Small Works, Atlantic Center for the Arts, New Smyrna Beach, FL Rupture, Parsons 25 East Gallery, New York, NY Noir: The New School Arts Festival, The New School, Sheila Johnson Design Center, New York, NY Stone's Throw, College Art Association: MFA Exhibition, Hunter College / Times Square Gallery, New York, NY (two - person eExhibition, Hunter College / Times Square Gallery, New York, NY (two - person exhibitionexhibition)

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Both spaces for temporary exhibitions draw on the permanent collection, as does a small alcove in modern art for work by women.

Following a string of successful exhibitions throughout the 1960s, he settled in the small hamlet of Celleno, Italy, in 1973, where he would live and work for the rest of his life.

This exhibition brings together a small group of large works by Philip Guston, Peter Saul, Robert Colescott, and Carroll Dunham — artists who share an affinity for depicting the figure in a cartoonish, comic style.

This exhibition brings together a small group of large works by artists who share an affinity for depicting the figure in a cartoonish, comic style.

For his exhibition Plegarias, opening Saturday, November 7, 3 — 6 p.m. Lorenzo Hurtado Segovia's work consists of small paintings on wooden panels, paper and canvas which continue the artist's Christian references inspired by ornamentation common to small Catholic chapels and matachín outfits.

On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.

Dean Sobel, Director of the Clyfford Still Museum and curator of the exhibition, said, «Shortly after Allied Works Architecture was selected as the lead designers for the Clyfford Still Museum, I began to notice these small, compelling three - dimensional sculptures that were laying around their offices, with others arriving on the scene over the three - year design and construction process.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp KaisFor Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor the exhibition Women of Venice, curated by Philipp Kaiser.

The patterns which emerge through tearing, pasting and scraping are as much reminiscent of works by Kurt Schwitters or Robert Rauschenberg as they are evocative of Francis Rose's predilection for minor vandalism when surreptitiously removing small samples of particularly attractive wallpapers from French chateaux and English country houses to fashion his very own take on the livre d'or in the 1930s: a scrapbook of wallpaper fragments (acquired by the Whitworth Art Gallery after Rose's 1988 retrospective exhibition at England & Co).

2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.

The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.

In addition to major exhibitions for the Hirshhorn Museum, Fletcher has also organized smaller scholarly exhibitions on the works of Joseph Albers, Alexander Calder, Joseph Cornell, Paul Gauguin, Barbara Hepworth, Henry Moore, Shahzia Sikander and Tim Hawkinson.

The townhouse adjacent to Bourgeois's home now functions as a small exhibition gallery of her work, a temporary residence for visiting scholars and the site of a library and archive.

Now on display at the Peggy Guggenheim Collection in Venice, the work forms the basis for a small but enlightening exhibition, exploring the context in which it was produced and showing something of the effect it had on the contemporary art world.

Guisset opened her own studio in 2009 and the objects on view in the recent exhibition showcased her poetic, yet sophisticated work for a range of producers, from small French companies like Petite Friture, which produced her award - winning light fixture, Vertigo, and Moustache to major firms such as Molteni and Louis Vuitton.

Join us for a panel discussion featuring the artists in the exhibition Inside the Artists» Studios: Small - Scale Views discussing their work and the role creating small - scale models to further their artistic visSmall - Scale Views discussing their work and the role creating small - scale models to further their artistic vissmall - scale models to further their artistic visions.

Deciding to do this group of small - scale work grew out of a desire for intimacy and is a big contrast from my last exhibition, which included some of the largest paintings I've ever made.

The gallery published a small catalogue to go with the show, which includes a previously published essay by Barbara Rose and the provenance, exhibition history, and publication history for each of the works.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

SEEDS Juried Exhibition Location: Westobou Gallery, Augusta Juried by Rachel Reese, associate curator at the Telfair Musuem in Savannah, $ 300 retail and under, limited (14 artists) Westobou Gallery is currently accepting applications from local and regional artists for SEEDS: an annual juried exhibition of small works priced at an affordable $ 30Exhibition Location: Westobou Gallery, Augusta Juried by Rachel Reese, associate curator at the Telfair Musuem in Savannah, $ 300 retail and under, limited (14 artists) Westobou Gallery is currently accepting applications from local and regional artists for SEEDS: an annual juried exhibition of small works priced at an affordable $ 30exhibition of small works priced at an affordable $ 300 or less.

In addition, she intends some of the smaller works, called «Notes,» to complement the exhibition's main pieces, offering the artist — and, by extension, the viewer — a brief rest before and after the exertion of creating (or, for the viewer, absorbing) the larger - scale works.

The artist won the # 25k prize — awarded for the «most distinguished work» in the Royal Academy of Arts Summer Exhibition — for his five - screen film «WESTERN UNION: Small Boats.»

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LondoExhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londoexhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

The exhibition features nearly 80 works — large - scale paintings, smaller paintings made on cigar box lids, mixed - media drawings on paper, monotypes, and prints — brought together for the first time to offer a full exploration of the series through the varied media in which Diebenkorn worked.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

Alongside sculptures - some of them are monumental - the exhibition includes dozens of Minimes: small, A4 - sized woven pieces or compositions, forming a sort of laboratory for her entire work, and expressing her enthusiastic creativity.

Three main initiatives on the front burner: a major exhibition of artists working in Mexico City during San Antonio's Tricentennial Celebration in 2018; a project series of small exhibitions of new work by international emerging or under - recognized artists similar to DMA's Concentrations series; and a new plan and goals for building the collection.

U.S. National Deadline: June 8, 2018 — The National Association of Women Artists, Inc. (NAWA) announces a call for artists for its upcoming «Small Works Summer 2018 Exhibition», to be on display between July 11 - August 8, 2018.

Spanning three spaces in the Gallery, the exhibition includes large - scale paintings commissioned for the Corcoran's Atrium, a focused selection of work from the past nine years, and in the Corcoran's Rotunda through August 28, a dense assemblage of small paintings from the last 25 years.

For his 2016 exhibition at Upfor, Memory Theater, Chowdhury transformed the gallery with colored lighting, sound and a series of scrims, around which he nestled live plants and small works by over a dozen fellow artists.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.