Sentences with phrase «small works hung»
The most compelling arrangement was a collection of small works hung salon style on the back of a floating wall, isolated from the rest of the exhibit.
http://www.artinnewyorkcity.com/ Not exact matches
So I thought, I should probably share my gram measurements for your recipe with others who don't get the hang of cups and ounces: 16g dry yeast or one cube (42g) of fresh yeast) 125g warm water 450 (works for me)-500 g water 85g molasses 62g apple cider vinegar 50g butter 28g dark unsweetened chocolate (seems to be nonexistant in Germany, I used 90 % cocoa) 100g whole wheat flour 375g dark rye flour (I used homeground, so pumpernickl for the Americans, medium rye might pack denser) 385g bread flour (German Type812 didn't have other, should correspond to American AP or light bread flour) 120g bran 10g carraway 3g fennel 1 double shot of espresso (didn't want to buy powder, so no grams here, sorry) half a small shallot, chopped 14g salt
The NCAA tournament is not won on a temporary court built in a football stadium in March but in sweaty gyms where kids who know Michael Jordan only as a small - market team owner work through the tropes of basketball success — hardship, effort, tricked - out Escalades — and adults hang on the decisions of high school juniors.
My current line up of work includes small decorative pots, mini vases, simple wall hangings and beaded necklaces.
What I found to work best, on my nightstand I hang a wetbag (I hung mine on the edge of a small drawer that pulled out, the Rumparooz wet bags are great for this with their loop that snaps, as are the large planet wise or Wahmies wet bags).
Small disagreements seldom last long, and if you hang back you'll often find that kids are capable of working out their own resolution.
An old bookshelf works well for this, as the height of the shelves is often just right for small garments such as our organic cotton clothing to hang between
Cradleboards were used during periods when the infant's mother had to travel or otherwise be mobile for work... The cradleboard could be carried on the mother's back... The cradleboard can also be stood up against a large tree or rock if the infant is small, or hung from a pole (as inside an Iroquois longhouse), or even hung from a sturdy tree branch...
Always proud of her ties to Queens, Ferraro introduced the borough to the rest of the country in her 1984 convention speech, telling how schoolchildren pass by subway stops on their way to school, residents hang flags on Grand Avenue on the Fourth of July and small businesses «take pride in supporting their families through hard work and initiative.»
My mum just ran with it and helped me pick out a tree, buy small presents, hang up lights and cook up a feast which even included roast ham, the whole works.
Mainly I have a behind the door hanger which works well for storing flats / sandals in small spaces, a fairly generic shoe rack by the door for most - worn pairs, and also an Ikea billy bookcase which I use as a display case for high heels.
Simple and versatile, the Ink + Ivy Mandal Pendants work well over an extra long dining table or hanging in a small bistro setting.
I live in S.C. on a small farm with my mom and dad I have two horse like go camping.fishing, horse back riding on the trails and I work for T.V. show call best of America by horseback the I have the money I will become a member to this site hope to be a member next month right now just hang in...
When Im not spending time with my family I enjoy hanging out at clubs, movies, and resturants, I also spend time working on my small business.
Petzold's characters are here, as they frequently are, left to navigate a confused and confusing context after the marquee events of an era or a place.3 During this disturbing scene, on the wall next to Nelly's bed hangs a small print that recalls another recurringly related aspect of Petzold's work, even though these historical surroundings are, for his work, entirely new.
This is differentiated and works well with set and mixed ability classes - a list of target language expressions to use in the classroom (written by a native speaker)- Flashcards / display posters (27) to label classroom items or hang from the ceiling or even make smaller and put into pupil books - A guide to using Pinterest as an educator
You are like an artist with your work hanging in an art gallery or a musician working a small bar.
Unlike many contemporary artists who have made their impression with giant - size works created, perhaps, to fill vast galleries, Tuttle established his presence by thinking small, often in miniature, and then hanging his work very high or very low — or just very Tuttle.
(When I asked the person who hung the show to point out the piece she liked best, her choice was the smallest and least expressive piece — it was clear to me she didn't understand or even like my work.)
Organized by Kunstsammlung Nordrhein - Westfalen and Tate Modern, this retrospective of the work of Anni Albers will take in the full range of the artist's career, from small - scale works to wall hangings and the textiles Albers designed for mass production.
The small images hung in Davies Street on the three walls of the single room gallery welcomes natural light and fills in the space as carefully as the works at the new Grosvenor Hill location.
In the second space, where a single, charred and fractured clay cube is located, similar red works — one small and one large — hang on opposing walls.
This may include hanging headphones or installing small speakers that play out into the gallery, but attempt not to interfere with other works.
Tess Jaray RA has chosen to hang the walls of the grand Gallery III with small - scale works to showcase emerging talent
A total of 14 black and white photographic works, framed in white and unmatted, and hung against cream colored walls in the main gallery space, the smaller side room, and the entry area.
Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and suggestive forms of «Paesaggio» (1980), the floating irregular shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»
Music by Rufus Wainwright from a digital video work by Douglas Gordon floods the small oblong space, while a jaunty Jim Lambie sculpture of burnished metal hanging at the far end throws back reflections of the audience.
Named for a genre of North American folk art in which everyday utilitarian objects such as vases are coated with a claylike substance and then embedded with small objects including shells, beads and buttons, Kelley's Memory Ware series consists both of wall - hung works (known as Memory Ware Flats) and freestanding pieces.
Partial panorama of the installation, with work by Emily Berger on the left, Mira Schor on the right, and Sarah Hinckley on either side of the doorway leading to the small gallery where my paintings are hung
Fairly simple work, but a few unexpected shifts in scale help; check out the tiny lamp on a table, and a photograph of a small red and white painting hanging over a red and white bed.
He delighted in large works hung on the wall and smaller ones he held in his hands, and books he admired on his desk or lap.
Five smaller portrait - like works hang in the gallery's northeast corner, each distinct in its personality.
Sometimes there are arresting juxtapositions — a small 1943 still life of a gnarly shell and a pot by Giorgio Morandi, hung between two late Philip Guston paintings which might be taken as still - lifes as much as occurrences in a brooding wasteland — but the sheer number of works sweeps you along too swiftly to take much account of the niceties.
In these playful, environmental works, such as spinach and banana (2013), Estna arranges her paintings in various positions, tilting them against walls, hanging them, and placing them on their sides; she often extends patterns to fabrics heaped on the floor and small spheres placed on pedestals, or drills holes into canvases so that light shines through them.
Laurie had some really subtle, small works on paper hung with barbed wire that looked brilliant alongside these huge colourful canvases.
The Amon Carter Museum of American Art typically strikes a nice balance by including a few works by Texans as part of the national story it tells of 19th — and early 20th - century painting and sculpture in its main collection galleries — Julian Onderdonk hangs with fellow American Impressionists; Jerry Bywaters and Everett Spruce serve as Texan exemplars of Depression - era regionalism — and mounting annual exhibitions of about a half - dozen works in a small gallery set aside for Texas art.
New Work will focus on Chun's most recent and distinctive style, large, wall hung works covered in small, triangular forms brought together by a wave of colour.
Within the theatrics of the new building, the smaller galleries suit the challenges of hanging «active» art well — videos, photos of performances and so on are often at one remove from the original works that they document and are easy to steal past, although Hélio Oiticica's parrots and some prominent Marina Abramović works are strong in their spaces.
The hardwood slabs — tall, slender, leaning pieces or smaller works that hang directly on the wall — have natural edges and fluid grain patterns that seem at odds with the crisp designs Middlebrook imposes upon them.
His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»
Both presenting new canvases and working on a large scale — the smallest painting in the exhibition is 6 feet tall — the two artists» paintings are hung alternating around the gallery space.
In addition to the Beetle Trilogy, the show presents works such as Controller of the Universe, an explosion of tools such as saws, pickaxes and rakes, a piece that expresses the artist's skepticism of blind trust in technological innovation, which time transforms into old - fashioned, obsolete forms; and Hollow / Stuffed: market law, a small replica of a submarine with biodegradable plastic sacks full of salt hanging from the ceiling on steel cables.
On one wall are hang 52 small framed works displayed in a grid.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
The works hung staggered (high, low, in clusters), with artist books in vitrines and small sculptures on pedestals.
These large silk hangings are composed of smaller, diamond - shaped pieces, the opacity and intensity of hue varying from piece to piece, and the work's great size sees the fabric spilling out over the floor.
He seems far less chipper wrapped in the embrace of his wife, Josephine, in a 1933 photo by Louise Dahl - Wolfe, one of dozens of small works in this space, most hung salon - style on a central wall.
When it opens next month, the Skidmore show will begin with a salon - style hanging of some 30 small studies and sketchbook pages working out color and form, about half of which have never been exhibited.
Hanging with the Jonah works is a small painting unlike anything else in the show: it hints at what the story means to Mr. Dawson.
Mercifully, Lew and Locks didn't repeat the uncomfortable install of the 2014 Biennial, where smaller work was often hung salon style in cramped rooms, making it impossible to gain perspective on anything.