Sentences with phrase «smaller back gallery»

Kruithof's largest body of work in #EVIDENCE is her Screenshot Montages, twenty - eight of which are displayed in a long, 14 - by -2-foot grid in a smaller back gallery.

The exhibition brings together a film, which is installed in the blacked - out space of the main gallery at a scale that fills the viewer's optical range, and new lightboxes, which illuminate the small back gallery with an eerie deep - blue aura.

Not exact matches

I really enjoyed the lobby seating area, as well as the small gallery in the back.

PHOTO GALLERY: Caye Caulker — Belize see photos of Caye Caulker here Caye Caulker is a small, beautiful laid - back island lying within the 185 - mile - long Belizean Barrier Reef.

You can meander around this small town easily from Earthbox, your San Juan Island Hotel, where you'll find boutiques, art galleries, antique stores, and bookstores interspersed with restaurants, cafes, and coffee shops — plenty of opportunity to browse or just kick back.

As it shows in today's photo gallery we headed back over to the East Coast hoping we might find a small wave or two.

with text by Yve - Alain Bois and Rosalind Krauss, in French) Screen, Friedrich Petzel Gallery, New York, USA (curated by Joshua Dechter) Twentieth Century American Sculpture at the White House: Exhibition IV, The Jaqueline Kennedy Garden, The White House, Washington D.C., USA (curated by Marcia Tucker and Hillary Rodham Clinton) Bringing It All Back Home, Gracie Mansion / Fred Dorfman Projects, New York, USA Small Truths: Repetition and the Obsessional in Contemporary Art, John Hansard Gallery, University of Southampton, England (cat.

In the back of the gallery, a more traditional form of landscape imagery is presented on the small panels.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

In a smaller gallery, more sculptures, in wax and gesso, were displayed: Naked women, cast in black, lay on their backs on a long table, like cadavers being delivered to a class of medical students.

The back gallery spaces feature a series of smaller sculptures, both single columns and two part works with panels and stools, plus wall - mounted reliefs.

We've been busy here at Curious Matter ---- an exhibition of work by Arthur Bruso in the gallery, Le Bouquiniste, our small & independent press kiosk is back in town, and a special installation from the Department of Reparative History.

2017 Pearled and Pasted and other new paintings, Fold Gallery, London PIER, Linden Hall Studio, Deal, with Stephen Lewis 2014 Odelay and Wishpool, with Stephen Lewis, Kapil Jariwala, London 2012 Mali Morris: Paintings, Mostyn Gallery, Llandudno Pressure Drop and Hoopla, with Stephen Lewis, Watchtower, Berwick upon Tweed Back to Front, Eagle Gallery, London 2010 Mali Morris: Paintings, The Cut Gallery, Halesworth, Suffolk Mali Morris, Small Works, Royal Academy of Arts, London 2008 Mali Morris: New Paintings, Poussin Gallery, London 2005 and 2007: Robert Steele Gallery Project Room, New York 2005 Mali Morris: Work From Four Decades, Poussin Gallery, London 2002 - 3 Angel Row Gallery, Nottingham, touring show 2000, 2004, and 2005 in Tokyo, Japan

DEAN LEVIN Rendered Memory Painting # 2 & Rendered Memory Painting # 1 (2015) Marianne Boesky Gallery (New York) $ 7,500 ($ 6,000 for smaller one in the back room) In the back room

Instead, we had to descend the stairs near the lobby, walk along the lower - level corridor from the front to the back of the building, ascend the rear stairs, and pass through the smaller gallery called the Drawing Room.

His new paintings are a long way from the cagey underground - comix - meets - Italian - literature - scholarship sensibility manifested in «Twilit Ensembles,» to which he hearkens back with several later series of spookily whimsical captioned charcoal drawings in the gallery's small project space.

Stepping back farther, we have a view of the smaller side gallery with a painting and sculpture by Kevin Finklea on the left, the Evertz painting, the Project Room, my row of paintings, and the pieces by Hsaio and Gomez

Twenty - one large paintings on newspaper, containing hundreds of small images, hung salon - style on the gallery's thirty - foot back wall.

Back in Australia, she continued to exhibit and ran solo shows at Gig Gallery, Artemis Gallery, Global Gallery and dozens of other small to medium galleries in Sydney, Melbourne, Brisbane and regional areas.

But arts - led developments are deep - rooted along this stretch of coast: in Margate, where the kernel for the Turner Contemporary gallery can be traced right back to 1994; in Folkestone, where the Creative Foundation, led by entrepreneur Roger De Haan, was taking hold at the turn of the millennium; and across many smaller coastal towns and villages, from Broadstairs to Dungeness, where artists have settled because of the quality of the light, following the late Derek Jarman, who moved there in the mid-1980s.

MPA's history dates back to 1962 with the founding of the Emerson Gallery by a small group of women artists.

Between the water mirror and the back of the building, Piano added a small courtyard to be used as an open - air gallery for sculpture.

Yellow was also the color of Dan Gunn's cinder block walls at the back of Frieze's ghetto for its younger or smaller galleries.

The gallery divides the show into two rooms, mostly based on size, with her monumental graphite drawings in the larger central gallery and a handful of smaller works in the back.

Smaller art galleries often have a niche market as opposed to feeling like you're walking into a college town poster shop with your Bob Marley posters over here, your Einstein posters over here, your bikini posters there, and your sports posters in the back...

And that's why Sex Work's small bright spot is A.I.R Gallery's timeline on the section's back wall, detailing the gallery's historic collaborations with artists like Judith Bernstein and Mary Beth EGallery's timeline on the section's back wall, detailing the gallery's historic collaborations with artists like Judith Bernstein and Mary Beth Egallery's historic collaborations with artists like Judith Bernstein and Mary Beth Edelson.

Solo Exhibitions 2015 Love Me Till My Heart Stops, Marcia Wood Gallery, Atlanta, GA Kingdom Under Glass, Moon Gallery, Berry College, Rome GA 2014 Kingdom Under Glass, Betty Foy Sanders School of Art, Georgia Southern University, Statesboro GA 2013 Grappling Mandala, Marcia Wood Gallery, Atlanta, GA 2010 Nature Porn, Etc... Solomon Projects, Atlanta, GA 2009 Site Specific 09», Islip Museum of Art, Carriage House Gallery, West Islip LI NY 2007 Correspondence: In Relation To Goya, The UA Museum of Art, Kress Gallery, Tucson AZ Forever, Solomon Projects, Atlanta, GA 2006 Pass the Ammunition, Get This Gallery, Atlanta GA 2005 Hell On Wheels, Solomon Projects, Atlanta, GA Hell On Wheels: Paintings, Drawings and Animation by Joseph Peragine, Cheekwood Museum of Art, Nashville TN 2004 Three Small Deaths, New Media Lounge, Palm Beach ICA, FL 2002 Small Deaths, Solomon Projects, Atlanta, GA 1999 Bedtime Stories, Solomon Projects, Atlanta, GA 1998 Brute Neighbors, Gallery at Green Street, Boston, MA 1996 My Big Back Yard, Nancy Solomon Gallery, Atlanta, GA Flea Bitten, Georgia State University Gallery, Atlanta, GA

Way back in Cork Street in 1987, just two years into her career, and two years after Charles Saatchi had also opened his first groundbreaking gallery on Boundary Road, north London, Miro hosted a show by the German artist and political activist Hans Haacke in her small gallery.

From gallery director to emerging artists, here's a small portrait of individualized EAST experiences from those who reside behind the curtain the public so eagerly pulls back each November.

Today, along with more small works — he said he did 50 small paintings in preparation for contributing three to a show opening May 16, 2015 at Silas Marder Gallery — Zacharias is working on a further exploration of the idea that he traces back to a painting he did in 1962.

In the center of this large room the museum has constructed a smaller gallery showing a 3 - monitor installation of Drawing Restraint 7 (in which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpture.

A Lucian Freud sold for a record # 9.3 million in 2007 is thought to be worth in excess of # 18 million; a classic, eye - boggling Bridget Riley that saw a collector bid # 1.2 million through US dealer, Jeffrey Deitch in 2006, has risen more modestly to # 2.5 million; and a small Frank Auerbach landscape, which quadrupled estimates ten years ago selling to New York gallery, Acquavella, for # 433,600, is back just looking to cover costs.

Three smaller side - chapel - like galleries are devoted to a progression of artists with Minimalist leanings: the colored steles of Anne Truitt, the slathered process paintings of Ms. Heilmann and finally a series of big, stuttering black inkjet X's on white linen by Wade Guyton that pledge allegiance to painting while crossing their fingers behind their backs.

On the back wall of the gallery are ten small works all also dated 2015 through which one can trace morphing iterations of motifs.

In Cell Project Space's main gallery space artist Ian Giles has painted the back wall in faded olive green and there are small ceramic bulb - like bowls with aromatherapy oils burning inside them producing tiny streams that float above the first bench in the show.

Having trained in academic French painting, so to speak, you make visible references to Western art, especially in your works in the main gallery, while in the smaller gallery toward the back — a beautiful, dimly lit environment — your paintings are ghostly, palimpsest - driven images that compel one to look closely.

Over the years I have seen Lewis Baltz's photographs in small groupings most recently at the Whitney and a little while back in a Chelsea gallery New Topographics themed show.

Finally, a couple smaller sculptures of mirror glass and steel will sit in Greene Naftali's back gallery and function as the model for a «pavilion the artist deems impossible to realize,» according to a release.

Among these innovative abstractions in graphite, ink, and colored pencil are thirty notational drawings assembled in the gallery's small back room.

A small box in the center of the upstairs gallery calls the viewer over with the sound of rocks being raked back and forth across the ground.

Shown on a small monitor in the next gallery, Yoko Ono's film Eye Blink (1966) is silent and almost half a century older, yet the artist's gaze, reflected back to us from what seems an impossibly distant black and white past, remains potent.

In Belief System, the paintings are not hung but rest on low shelves that ring the gallery walls like molding; in the back, a skeletal bookcase hosts small works on paper and artist chapbooks side - by - side.

Selected Solo Exhibitions: 2016 İş Art Izmir Gallery, Izmir 2013 Kugulu Art Gallery, Ankara 2013» In God We Trust», Kare Art Gallery, Istanbul 2011 Gallery Artist, Ankara 2011 «Decomposition», Fusun Inan Art Gallery, Istanbul 2010 «Paraphrase», Teksin Art Gallery, Istanbul Selected Group Exhibitions: 2016 Tokyo International Art Fair, Japan 2015 Limner Gallery, «Small Works», New York, USA 2015 Convitto Ragusa Noto Museum, «International Art Exhibition», Sicily, Italy 2015 Winter Salon, «International Art Exhibition», Strasbourg, France 2015 Holly Gallery, «Modern», Gold Coast, Australia 2015 International Show, Holly Gallery, Australia 2015 «Generations Together», Kas Gallery, Istanbul 2015 «Dinamo II», Swisshotel, Izmir 2015 «Generations Together», Is Art Gallery, Izmir 2015 «Gitme Turnam», Hacettepe University, Ankara 2014 OCAD University Art Recidency, Toronto, Canada 2014 MKM, Istanbul 2013 «Gitme Turnam», Tesvikiye Isık Art Gallery, Istanbul 2013 Scope Basel Art Fair, Switzerland 2013 EgeArt Art Days, Izmir 2012 Pinelo Gallery, Greece 2012 «Brand It», Rh Art Gallery, Istanbul 2012 «WAD World Art Day Exibition», UPSD Art Gallery, Istanbul 2012 «Plastic Arts Exhibition, ODTU 13rd Art Festical, Ankara 2011» 100 Young Faces», International Art Center, Istanbul 2011 «Grand Meeting», Sakarya University, Sakarya 2011 «Stars of Istanbul», UNICEF, Istanbul 2011 «Freedom Back to Square One», MKM.

With a characteristic swerve from the conventional, Lois Dodd's «Pink Scabiosa, Back View» (2013) presented in the Alexandre Gallery entry hall, is a small canvas depicting the back of a floBack View» (2013) presented in the Alexandre Gallery entry hall, is a small canvas depicting the back of a floback of a flower.

, Mo Space Manila; Equator Art Projects Singapore, 2014; Jerwood 20 Years, The Jerwood Gallery, Hastings, 2014; Golden Sections, thewindshow@CPT, London, 2014; Head to Head, Rogue Project Space, Manchester, 2013; Small is Beautiful XXI Who's Afraid of Red Yellow & Blue, Flowers, London, 2013; Theory & Practice of the Small Painting, Equator Art Projects, Singapore 2013; Colour as Material, Finnish Academy of fine Arts, Helsinki, 2013; RA Summer Exhibition, Royal Academy of Arts, London, 2012; Back and Forth, B55 Contemporary Art Gallery, Budapest, 2012; Drawing 2011, Drawing Room, London, 2011.

The gallery's back room features «The China Cabinet,» an array of small paintings of vases, cups, and pitchers.

(Hung high in a narrow, unlit corridor, these thirty - three small square canvases are first visible over the back wall of the gallery in which the «Pavement Karaoke» paintings are installed.)

Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.

Part 1: The Diner at Alan Cristea Gallery Part 2: The Gas Station at Poppy Sebire Scenes of small - town America come to life in Back - Roads Journeys, an exhibition of new work across two venues by British artist Boo Ritson at Alan Cristea Gallery and Poppy Sebire from 13 October.