Sentences with phrase «smaller exhibitions drawn»
Even the museums most successful at attracting them vary their schedules with smaller exhibitions drawn from their permanent collections, focused on single artists, themes, historical moments or whatever idea seems worthy of exploration.
https://www.sfchronicle.com/ Not exact matches
Two new pavilions have broken down barriers to entry for small, niche and newer wines and regions, and are drawing steady traffic on the exhibition floor.
Simultaneous to the painting show at CMCA, Bowdoin is showing six large - scale drawings in a small but powerful exhibition, «John Walker: A Painter Draws.»
It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
In 1994, I picked up a small brochure with a Suprematist cover for a charming exhibition of Orientalist colored drawings at the Leonard Hutton Gallery in New York, Liubov Popova Illustrations for Tales of Wonder, executed in 1920.
The Treatment (2015 — 17) is a series of small ink - and - pencil drawings initially conceived for a group exhibition in 2015.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
In addition to the artist's more refined, contemplative paintings, the exhibition devotes a space to his smaller - scale, sometimes fragmentary drawings.
Her latest works from 2013 were included in a selected exhibition of small works on paper touring internationally — The Drawing Box show launched in Mumbai, India and is now touring to Belfast and Dublin and Ireland followed by Malaysia and Italy in 2014.
Installation view of 86 small drawings (1989 - 2006) in the exhibition IL LEE: Ballpoint Drawings at the Queens Museum of Art, New Yordrawings (1989 - 2006) in the exhibition IL LEE: Ballpoint Drawings at the Queens Museum of Art, New YorDrawings at the Queens Museum of Art, New York, 2007.
The Geoffrey Young Gallery will present «Full Disclosure,» an exhibition of small paintings, drawings and prints from June 26th — July 17th, 2004.
Both spaces for temporary exhibitions draw on the permanent collection, as does a small alcove in modern art for work by women.
For his third solo exhibition at Taylor De Cordoba, Field presents a series of ten small ink drawings (approximately 8 ″ x 10 ″ each).
The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.
«Untitled - Locomotive,» along with other such small ink drawings in the exhibition as «Elizabeth at the Window» and «Seated Woman,» changed everything.
Comprised of selected small ballpoint pen drawings dating from 2001 to 2010, the exhibition features many never before exhibited works and provides a rare opportunity to see IL Lee's vast array of singular approaches.
This small exhibition will also include a limited - edition Ivory Press book, Isamu Noguchi, 18 Drawings and 18 Photographs, as well as a text by Pico Iyer.
And he enriched his schedule with exhibitions of the esoteric and the overlooked, including the exquisitely rendered, sexually explicit homoerotic drawings of Tom of Finland, whose work he first exhibited in 1988, and the small, anonymous Tantric paintings on paper that he showed several times.
This exhibition of drawings and small paintings by Genichiro Inokuma, created between 1955 and 1975, addresses the aspect of the Gallery 2 program that is engaged in presenting historical work with the intention of contextualizing current work.
Looking specifically at Raymond Pettibon's explicit repurposing of found language and references to modern literary texts, Valinsky's gallery talk, «The Fictions of Raymond Pettibon,» will address the artist's repertoire of sources and strategies for writing images and drawing language within a relatively small selection of works on the first floor of the exhibition.
The mirror conversation between Ryan and Olive is perfectly represented in the playful construction of this project in the diptych Please be eager / Please be patient / Please collaborate - The day that me and Daddy talked about the exhibition in Italy and made our paintings, Olive's Studio, Saxmundham, Sunday the 17th of May, 2015 by Olive May Gander + Please be eager / Please be patient / Please collaborate - Olive presenting me with a birthday present of a small brown cardboard box decorated with tape and drawings, containing an emergency art kit consisting of various small pens, pencils, tapes, stickers and glues, Saxmundham, Thursday the 21st of May, 2015 by Ryan Gander.
Included in the exhibition are approximately seventy works, varying in scale from small drawings to room - sized photographic installations to sculptures weighing several tons.
The works on display are: 432Hz (2009 - 2014), a wooden shell that contains honeycombs; Vorkuta (2003), a refrigeration chamber where the temperature of -30 °C contrasts with a chair maintained at a constant +37 °C by an internal thermostat; Mindfall (2004 - 2007), a container which contains a chair and tables, on which 21 electric motors turn on intermittently, one after the other, creating a sort of musical composition; Untitled (2003), a small iron room crossed by blasts of hot and cold air channelled into the space by powerful fans; and Sub (2014), a new work specially created for the exhibition at HangarBicocca, an assembly of aluminium and glass display units which the artist originally designed to exhibit her Inner Disorder (1999 - 2001) series of drawings.
1974 Contemporary Religious Imagery in American Art, Ringling Museum of Art, Sarasota, FL 149th Annual Exhibition, National Academy of Design, New York, NY Art of the Pacific Northwest from the 1930s to the Present, National Collection of Fine Arts, Washington DC American Art in Upstate New York Drawings, Watercolors, and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse, and Utica, Memorial Art Gallery, Herbert F. Johnson Museum of Art, Everson Museum of Art, Munson - Williams - Proctor Institute, Albany Institute of History and Art, Albany, NY
These exhibitions alternate with exhibitions drawn from the Bradley Family Foundation's collection of small sculptures, paintings and works on paper.
This exhibition will draw a line through work that reflects the principles Loos used to define modernity — simplicity, freedom, purity, and the rejection of superfluous decoration — by exploring the development of the reductive process as seen through the eyes of a small group of leading European and American artists from the latter half of the 20th century.
The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.
An epic installation of Luis Romero's small paper and cardboard works is on view in the exhibition Day Job, opening Thursday, December 9 at the Drawing Center.
Sophia Vari: Recent Works August 17 - September 20, 1998 As part of the celebration of the dedication of Wichita State University's Plaza of Heroines, the Ulrich Museum has brought together an exhibition of maquettes, or small models, and drawings by Sophia Vari, the artist whose sculpture, Danseuse Espagnole, is the centerpiece of the plaza.
In additional ephemera from the «God with Fangs» exhibition, Judd uses the checklist to make notes and small drawings in the margins.
A small publication will be available in coordination with the exhibition, including a selection of photos of Bresson's collaborators, as well as series of Prata's charcoal drawings.
With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.
This exhibition, Fraser's first solo museum show, introduces a selection of large and small - scale paintings, drawings, and «cut - outs.»
This exhibition features a large selection of paintings, drawings, small prints, and sketchbook reproductions by Harvey Breverman, Bruce Jackson's photographs, and the entire Federman Series created by Terri - Katz Kasimov.
The space is divided into two conjoined galleries, one of which hosts the third solo exhibition of Ryan Travis Christian — whose drawings and paintings are clearly influenced by early Disney animation, George Condo, and the Chicago Imagists — while the smaller gallery hosts text - heavy prints by Steve Reinke.
1972 Small Works, Museum of Modern Art, New York, NY Acquisitions, Museum of Modern Art, New York, NY Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN Group Show, Reese Palley Gallery, New York, NY Edwards, Gilliam, Williams: Interconnections, Wabash Transit Gallery, Art Institute of Chicago, Chicago, IL Drawings by New York Artists, Utah Museum of Fine Art, University of Utah, Salt Lake City, UT; Henry Gallery, University of Washington, Seattle, WA; University Art Collections, Arizona State University, Tempe, AZ; Georgia Museum of Art, University of Georgia, Athens, GA; Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA 1972 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, NY
Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LondoExhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londoexhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
The exhibition features nearly 80 works — large - scale paintings, smaller paintings made on cigar box lids, mixed - media drawings on paper, monotypes, and prints — brought together for the first time to offer a full exploration of the series through the varied media in which Diebenkorn worked.
A reception will be held on Sunday, November 2, during which this large collaborative drawing will be cut up into smaller pieces and transformed into an art exhibition.
Drawn from the Detroit Institute of Arts» superb collection of Dutch art — considered one of the finest and deepest collections outside the Netherlands — this exhibition presents more than 70 paintings by great Dutch masters including Frans Hals, Rembrandt, Jakob van Ruisdael, Pieter de Hooch and Jan Steen, as well as a small selection of related decorative art objects.
, BWAC, Brooklyn, NY 2012 Appearances, Provincetown Green Arts Festival, Shore Gallery, Provincetown, MA 2011 UCM Faculty Show, UCM Gallery of Art and Design - Main Gallery, Warrensburg, MO 2011 RMRE: 29th Annual River Market Regional Exhibition, Kansas City Artist Coalition, Kansas City, MO 2011 Cosmic Bodies, Hamilton Hall, Philadelphia, PA 2011 W.I.P, Hamilton Gallery, Philadelphia, PA2011 Art Unleashed, Hamilton Hall Gallery, Philadelphia, PA 2010 UCM Faculty Show, UCM Gallery of Art and Design - Main Gallery, Warrensburg, MO 2010 W.I.P Show, Hamilton Gallery, Philadelphia, PA 2010 Drawing Studio, Rosenwald Wolf Gallery, Philadelphia, PA 2010 Small Works, N.A.W.A, New York, NY 2010 Small Works, The Richeson Gallery, Kimberly, WI 2008 The Aftermath, Target Gallery, Torpedo Factory, Alexandria, VA 2008 Are We There Yet?
In the work of the German artist Kerstin Ergenzinger's Wanderer, small thermal printers dynamically generate a drawing in the exhibition space.
Bruce Nauman's recent exhibition at Sperone Westwater was introduced by Untitled (Study for Slow Angle Walk [Beckett Walk]-RRB-, 1968 - 69, a small, diagrammatic pencil drawing in which lines and arcs of various densities are interspersed with arrows, circles,...
As we continue to highlight Edgar Degas «multiple interests and subjects we'd like to draw your attention to a small exhibition now on view at the Morgan Library and Museum.
Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among others.
The exhibition featured Walker's handsome, large - scale figure paintings, interspersed with smaller drawings and still life sketches.
Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books... «The title of the exhibition refers to a theory that there may be a small percentage of people — for genetic reasons, only women — who have a fourth type of colour receptor on their retinas.
«Collectible» is a high - profile launch exhibition that will be featuring small works by 67 promising, mid-career and established International Zeitgeist artists from across all discipline; including painting, drawing, photography, sculpture, and print.
Bruce Nauman's recent exhibition at Sperone Westwater was introduced by Untitled (Study for Slow Angle Walk [Beckett Walk]-RRB-, 1968 - 69, a small, diagrammatic pencil drawing in which lines and arcs of various densities are interspersed with arrows, circles, and x's.