What stuck, though, was once exhibited in one - man shows at the Whitney and the Tate, but now it is seldom seen, except in
smaller exhibitions like a recent one in Edinburgh - paintings done on surfboards - which received uniformly murderous reviews.
I plan to make
this small exhibition like that.
Not exact matches
NOW WE CLEARLY UNDERSTAND THE EXTENT OF DEMENTIA IN AMERICA Dale Benjamin Drakeford 8-31-12 When Clint Eastwood, a self - proclaimed «conservative» (who has lived more
like a Joseph Smith liberal spurning nine children with four different women, sporting a clinch fisted personae in his private exenterates over public
exhibitions) talks vulgar to an empty chair, Marco Rubio (a
small government advocate who loss his roots somewhere between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government» in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in America.
We are also constantly making new contacts with people who can help us and our students at events
like BEX (Business Enterprise Xchange), an
exhibition and conference aimed at
small businesses and start - ups.
Many events or programs
like art
exhibition,
small business conference, movement or dance therapy and yoga retreat are held in this studio all year round.
I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a
small world around that photo... I really
like that idea of something that you can enter
like a box or an
exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»
Award for
Smaller Museums, Libraries, Collections, and
Exhibitions Carmella Padilla and Barbara Anderson, eds., A Red
Like No Other: How Cochineal Colored the World, Skira Rizzoli, in association with the Museum of International Folk Art
Smaller exhibitions have focused similarly on a work from the collection,
like recent shows of Jan van Eyck and a portrait of Benjamin Franklin.
The American Tour of Roads of Arabia contains around 200 objects, but there is a vast difference between
exhibitions of 200 photographs or
small paintings and a show
like «Roads» with 200 objects, many of which are large stone sculptures and stele.
Using these works as a starting point, Herrera's
exhibition at the Pace Foundation reads
like a
small - scale retrospective, cycling around the space in punctuated bursts of color and form.
Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in
exhibitions at
small make - shift art collective show spaces, artist studios and some more clearly identified art galleries
like the Fuchs Project and Robert Henry Contemporary.
The Joyce W. Pope Gallery provides the perfect space for
smaller traveling
exhibitions like Leonardo da Vinci's Codex Leicester and the Creative Mind, Edvard Munch: Symbolism in Print, and Object of Devotion: Medieval English Alabaster Sculpture from the Victoria and Albert Museum.
I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making
small paintings and big paintings
like the ones that I had in this year's Summer
Exhibition [Across the Wadi, pictured below].
In this
exhibition of
small oil on board works, she paints the familiar surroundings of her home in Maine, depicting ordinary things
like snow on a windowpane, laundry on the clothesline, or a puff of Queen Anne's lace.
Guisset opened her own studio in 2009 and the objects on view in the recent
exhibition showcased her poetic, yet sophisticated work for a range of producers, from
small French companies
like Petite Friture, which produced her award - winning light fixture, Vertigo, and Moustache to major firms such as Molteni and Louis Vuitton.
Explore the
exhibition with New Museum educators through
small group conversations and learn how Burden has investigated ideas of limits, speed, and play through artworks
like Ghost Ship, The Big Wheel, A Tale of Two Cities, and All the Submarines of the United States of America.
The Lynden Gallery
exhibition of artist Robin Jebavy includes just eight works, but they are big, often about the size of a door, so it doesn't feel
like a
small show.
Although some of her most iconic large - scale works aren't in this
exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some
smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged
like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.
Few artists are as versatile or bring to their works such a sense of questioning playfulness as McLean and the
exhibition at Bernard Jacobson is a masterclass of painterly light, colour and irreverence by the artist who
likes to make «big art out of
small details» Louisa Buck, 2012.
As we continue to highlight Edgar Degas «multiple interests and subjects we'd
like to draw your attention to a
small exhibition now on view at the Morgan Library and Museum.
Such is the expansion and the growth of both the London art market and parallel
exhibition gallery activity that a
smaller institution such as the Serpentine Gallery, offering many free - access public
exhibitions (as a registered charity), has to rely,
like major galleries, on the profit element in the provision of restaurant facilities of a high order.
He added that while the public appetite for temporary
exhibitions has grown, the audience for serious art has shrunk, and that the financially interested people
like collectors and dealers are a very
small group.
In order to view the
exhibition in full,
like the dancers in the video I have to pass through the hole in the wall, moving from the main space into a series of three
smaller sections.
This
exhibition features five of her recent animations and numerous paintings, both
small and large scale, along with a jewel box -
like installation of drawings.
With one of its editors exhibiting and its founding editor reviewing one of our frequent contributor's
exhibitions it felt
like the little island, that is the art world in South Africa, got a little
smaller.
While
smaller and mid-sized commercial galleries struggle to find the elusive «new models» for renting and exhibiting, London's studio project spaces
like ASC, Assembly Point, Cell, Cubitt and Kingsgate Workshops are taking up the slack in providing the ambitious and experimental
exhibitions the city needs.
At Apollo, we also
like to celebrate focused
exhibitions that enlighten us with the exceptional intelligence of their curation on a
smaller scale: «Piero della Francesca in America» at the Frick Collection brought together most of the panels of the Sant» Agostino altarpiece, while the Ashmolean Museum's «Francis Bacon / Henry Moore: Flesh and Bone» tuned into a conversation between two artists that few had previously heard with such clarity.
For his most recent
exhibition, which ended last month at David Kordansky Gallery in Los Angeles, he presented found images,
like a set of early headshots of the actor Anthony Perkins smiling while holding an armful of milk and juice cartons, as well as a set of charcoal drawings presented alongside
small sculptures that looked
like bed frames.
Exhibition openings were
small and ardent,
like early - Christian prayer meetings.
In his last
exhibition, at Trans Hudson Gallery in Greenwich Village, he showed curious
small paintings depicting scenes
like «The Death of Irene Silverman» and «David Cone's No - Hitter.»
His new
exhibition of monochromatic paintings that look
like stage flats and
small, odd - shaped
small pictures of weird things — blobby heads, transsexual pornography, frog portraits — feels somewhat stretched, but it's also of a piece.
I've done
small projects here and there,
like I've performed solo, but to exhibit different pieces in one
exhibition, this is the first time.
A warning to those who
like their
exhibitions to focus on a
small area in massive detail: this is not one of those.
The
exhibition also present a wall with different works in various materials, such as: textiles, drawing, watercolor, relief and
smaller jewelry -
like objects in silver, which are all connected to «Slottet».
«We're roughly doubling the
exhibition space, but I think to visitors it will feel
like we've quadrupled the total campus,» said Thompson, referring to Building 6 and other recently opened
smaller structures.
Last month's letter concerning the state of abstraction in England makes Jonathan Lasker's
small paintings on paper at Timothy Taylor and Hauser and Wirth's
exhibition of Joan Mitchell's paintings from 1961 - 62 seem
like standout shows of the summer.
Visitors can expect to see a selection of
smaller, almost jewel -
like still life paintings in a new solo
exhibition at Sarah Wiseman Gallery.
With each artist given the chance to display a portfolio of work it was
like 20
small exhibitions held together with a coherent narrative.
Jason Jägel, a SF - based artist who we have championed for years on this site and in our print edition, just opened «From the Sky, Rivers Look
Like Snakes» at Gallery 16 in San Francisco.The
exhibition contains three bodies of work; large oil paintings, works on paper and
smaller mixed media peices.
In 1967 while Gottlieb was preparing for the Whitney and Guggenheim Museum
exhibition he began to make
small models for sculptures out of cut and painted cardboard that, he said, made him feel
like «a young sculptor, just beginning».
The centerpiece in Swedish artist Jacob Dahlgren's latest
exhibition is «Subject of Art,» 2012, a series of fifteen
small, building block —
like wall reliefs, each made out of hundreds of yellow pencils.
After a decade, at the end of the seventies, Thek changed direction, moved back to New York, and turned to the making of
small, sketch -
like paintings on canvas, although he continued to create environments in key international
exhibitions.
At first sight this
exhibition of 40 identically sized paintings — selected from the 42 works that comprise the series — looks almost
like a group show of a
small school of painters.
Carefully selected artists are featured
like a constellation of
small solo
exhibitions, the participating artists include: Ai Weiwei, Olafur Eliasson and Maurizio Cattelan, as well as Wael Shawky, who is introduced to Japan in full - scale for the first time.
Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a
small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together
like the roof of a church, buttressed by separate
exhibition spaces, a bar, a café, and office space.
Included in this
exhibition is a series of
small notebook - size drawings in ink and wash, as well as wall drawings, that explore the artist's process of visually consuming his surroundings
like a predatory carnivore.
Smaller in scale than those paintings of her 2014 debut
exhibition, the new work matches in surreal ebullience their predecessors, praised by Roberta Smith as «big, boisterous semi-abstract canvases (that) exude an impressive confidence...
like close - ups of billboards or a tour through some outsize undergrowth in which nature has merged with several brands of abstraction, from early American Modernism to Color Field painting... (Silva) is already is tackling a lot with an astuteness and aplomb that make her a painter to watch.»
At first glance, the Triennale may appear
like an aggregation of
small solo
exhibitions by a tightly selected group of artists, with many showing multiple works to give visitors a deeper understanding of individual artists» creative worlds, yet upon closer inspection, a common thread can be identified throughout the entire presentation on issues surrounding connectivity and isolation.
The
exhibition covers the main floor of the Nickle Galleries with
small, whimsical works
like Box (2012), large installations
like Magpie (2), a 2015 piece created with fellow Alberta artists DaveandJenn, and some gems
like the Working Class Pictures in between.
More than even his last
exhibition, Mills's work reads
like transcriptions of consciousness, reactions to emerging visual structures in each painting, a result of their being based on
smaller drawings.