Sentences with phrase «smaller gallery experience»

Not exact matches

Within comfortable walking distance of dozens of art galleries, restaurants and small shops selling beautiful souvenirs and curios Experience the exciting hubbub and activity of one of Bali's most important market towns, beautiful temples, with fascinating ceremonies.

Artisans of Leisure tours in Australia are designed for the most discerning of travelers, featuring uniquely Australian experiences such as remote Outback and wildlife safaris, private visits to Aboriginal art galleries and small wineries, tours of urban food and craft markets, dining at Australia's most acclaimed restaurants, chartered sailing excursions in the Whitsunday Islands, and swimming through billabongs (water holes) into caves filled with ancient Aboriginal rock art.

With so many small VR «experiences» and gallery shooters coming out for all VR platforms, it's hard at times to ween out the good from the bad.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 small works exhibit, Muhlenberg College, pp. 9 - 10.

For those hosting smaller groups and seeking an unforgettable experience, the lounge can be reserved after Gallery hours for private receptions and dinners.

Whether looking over her shoulder to the more intimate Tefaf Spring, or forward to the much smaller first edition of Frieze Los Angeles 2019, her idea was to create interacting isles of visual stimulus informed by a cluster of new material (Frame), younger galleries (Focus) and underappreciated artists (Spotlight), so as to energize and broaden the experience of art.

2009 Moyniham, Miriam, St Louis artist's imagery is intense, The Post-Dispatch, 11 June Rosenberg, Karen, More Over, Humble Doily: Paper Does a Star Turn, The New York Times, 19 October 2008 Applin, Jo, Bric - a-Brac: The Everyday Work of Tom Friedman, Art Journal, Spring, pp.69 - 81 Artner, Alan G, Beautiful art books published on 2008, Chicago Tribune, 13 December Cullinan, Nicholas, Tom Friedman, London, The Burlington Magazine, September, pp. 627 - 629 Jenkins, Amy, The Independent (Review of show at Gagosian Gallery, London), 5 July Johnson, Ken, Hunting a Tribe of Minimalists on the Streets of the Upper East Side, The New York Times, 5 January Johnson, Ken, Unwrapping the Secrets of Ordinary Objects, The New York Times, 17 May Lack, Jessica and Clark, Robert, The Guardian (Review of show at Gagosian Gallery, London), 31 May - 6 June Degen, Natasha, Frieze, June Wilk, Deborah, The Complexity of the Simple, Time Out New York, 17 - 23 January Wallpaper.com, Tom Friedman exhibition, London, 4 June 2006 Otten, Liam, Tom Friedman at Kemper Art Museum, Washington University Record, 26 October Tom Friedman at Gagosian Gallery Beverly Hills, The Week, 24 November Vogel, Carol, Why Small is Big, The New York Times, 17 November Knight, Christopher, Art as a shared experience, Los Angeles Times, 3 November Kastner, Jeffrey, Tom Friedman Feature Inc., Artforum, January, p. 220 Tom Friedman at Gagosian Gallery, Artdaily.com, 26 October

Paine's recent solo show, at the Marianne Boesky Gallery in New York, introduced an uncanny, forced - perspective diorama of an airport security checkpoint supported by four smaller but equally elaborate works, all meticulously crafted from stripped wood, and addressing a human experience devoid of humans and frozen in time.

The Gallery was Awarded a Fodor's star for a «must see art experience» and hailed «best small art gallery for exuberant creativity» by The European Magazine, Steve Martin Studio offers an outstanding collection of contemporary fiGallery was Awarded a Fodor's star for a «must see art experience» and hailed «best small art gallery for exuberant creativity» by The European Magazine, Steve Martin Studio offers an outstanding collection of contemporary figallery for exuberant creativity» by The European Magazine, Steve Martin Studio offers an outstanding collection of contemporary fine art.

The result is an increasingly rich experience on the Museum's ground floor, where visitors can peek into the racks of painting storage to see a growing number of framed works of art, large and small, to complement the works on view in the galleries upstairs.

2017 [Collective] BASH, Farnsworth Art Museum at 449 Main St., Rockland, Maine 2016 Belfast Poetry Festival, Barbara Kramer Gallery, Belfast, Maine From A to B (solo exhibition), Perimeter Gallery, Belfast, Maine Cranbrook + / -25 years (traveling group exhibition)- 2016 NCECA 50th Annual Conference, Kansas City, Missouri - University Art Gallery, New Mexico State University, Las Cruces, New Mexico - Ceramic Research and Brickyard Gallery, Arizona State University, Tempe, Arizona Winter Windows, fourTWELVE, Rockland, Maine 2015 Panels, Perimeter Gallery, Belfast, Maine 2014 Vessels, The Qube, Detroit, Michigan Small Favors IX, The Clay Studio, Philadelphia, Pennsylvania 2014 Graduate Degree Exhibition, Cranbrook Art Museum, Bloomfield Hills, Michigan 2013 The Balance, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, Michigan Art Y ’ All, Nasher Sculpture Center, Dallas, Texas A New Interior, Forum Gallery, Cranbrook Academy of Art, Bloomfield Hills, Michigan Experiencing Perspectives 2013 - 14, Mercedes Benz Financial Services, Farmington Hills, Michigan CERAMICA: Contemporary Clay, Galleries of Contemporary Art, UCCS, Colorado Springs, Colorado 2011 1:1, Ice Cube Gallery, Denver, Colorado HIVE, Galleries of Contemporary Art, UCCS, Colorado Springs, Colorado 2010 2010 Visions In Clay, National Juried Exhibition, LH Horton Jr..

Findlay, the director of Acquavella Gallery, is experienced in selling eight - figure art but reels off a host of «cheap» works he found when he was researching his upcoming book on collecting art, including «small paper sculptures by Isama Noguchi and Polaroids by Tina Barney for under $ 100; sculpture by Rebecca Warren and good prints by Max Ernst, Jean Dubuffet, and John Baldessari in the $ 250 - $ 1,000 range.»

From gallery director to emerging artists, here's a small portrait of individualized EAST experiences from those who reside behind the curtain the public so eagerly pulls back each November.

With more than 200 galleries from around the world exhibiting at this year's The Armory Show, there was a plethora of works large and small to consider, and simply finding one's way through the morass of booths, gallerists, fairgoers, collectors, performance artists and photographers felt like an immersive theater experience.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

Presented as one exhibition across several venues, including locations beyond the Castle grounds, The Persistence of Objects creates a new way of experiencing Lismore through some compelling artworks, sited in the gallery and locations ranging from the imposing surroundings of St. Carthage Cathedral to small, disused shop units.

Presented as one exhibition across several venues, including locations beyond the Castle grounds, «The Persistence of Objects» creates a new way of experiencing Lismore through some compelling artworks, sited in the gallery and locations ranging from the imposing surroundings of St. Carthage Cathedral to a small, disused shop unit.

The gallery is also experienced in creating electronic management systems for entire collections no matter how large or small.

Opened its doors in 1973, Minini Gallery has built up a wealth of experience that allows them to create exhibitions based on their collection, as if they were a small museum.