Robert Smithson, an artist associated with the Land Art and Post-Minimalist movements, used natural objects in both his large - scale land installations, such as Spiral Jetty (1970), and
his smaller museum installations made of stones and dirt removed from specific locations.
Not exact matches
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a
small world... (
installation on view from the permanent collection), The Jewish
Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
For her first solo
museum exhibition, B. Ingrid Olson has taken over the Albright - Knox's Gallery for
Small Sculpture with a site - specific
installation.
There are currently several
small one - person and group exhibitions of women artists and
installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the
museum is currently engaged in.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts
Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney
Museum Art Party Benefit Auction, Whitney
Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a
Small,
Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher
Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky
Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler,
Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton
Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
Installation view of 86
small drawings (1989 - 2006) in the exhibition IL LEE: Ballpoint Drawings at the Queens
Museum of Art, New York, 2007.
The
Museum's
small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling
installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.
1997 New Concepts in Printmaking I,
Museum of Modern Art, New York (
installation) The Peter Halley Project, University at Buffalo Art Gallery, Research Center in Art & Culture, State University of New York, Buffalo, NY (
installation, booklet) Peter Halley, Three
Small New Paintings, Galerie Thaddaeus Ropac, Salzburg, Austria Galleria Massimo Minini, Brescia, Italy (catalogue) Galleria Gian Enzo Sperone, Rome
1998 Peter Halley, Paintings of the 90s,
Museum Folkwang, Essen, Germany (
installation, catalogue) Peter Halley:
Small Paintings, Galerie Bruno Bischofberger, Zurich Peter Halley: New Paintings, Jablonka Galerie, Cologne, Germany Mario Diacono Gallery, Boston, MA (booklet) Peter Halley: Painting as Sociogram 1981 — 1997, Kitakyushu Municipal
Museum of Art, Kitakyushu, Japan (catalogue) Exploding Cell, Soap Gallery, Kitakyushu, Japan (
installation) Paintings and Drawings, Tomio Koyama Gallery, Tokyo Módulo Gallery, Lisbon Ace Gallery, Los Angeles Peter Halley, Recent Prints, Numark Gallery, Washington, DC
The
Museum's
small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling
installation of twenty large - scale oil paintings that fill the exhibition space.
Tacked onto a
small gallery with a handful of paintings by Heade, John Singer Sargent and Dove, whose Sea and Moon II is hauntingly ravishing, the corridor is mostly devoted to neon and fluorescent sculptures by Dale Chihuly and Dan Flavin, respectively; theatrically lit works by Larry Bell and Robert Irwin, both loans from the Norton Simon
Museum; and light works by Jim Campbell and Turrell, who lent Sloan Red (1968), a walk - in light
installation.
A collaboration between the
museum's assistant curator of Asian art, Melody N. Rod - ari, and its conservator, John Griswold, this
small installation explores how the place of origin and date of an object can be determined by the rendering of drapery pleats, hairstyles and ornaments of iconic statuary from South and Southeast Asia dating from the 3rd through 13th centuries.
No matter where you are, there's plenty to keep you busy until the end of the year: All around the world, from Alcatraz to Beijing,
museums, galleries and other arts institutions are giving us good reason to fill our social calendars — even on the
smaller scale (take the first ever showcase of all of artist Louise Bourgeois's famous hanging artworks, for example, or the limited - time, roving
installation «You Belong Here,» currently afloat in neon on the Mississippi River in New Orleans).
Installation view On view thru May 2011 Regi Müller transforms the
museum's Vradenburg Café by installing hundreds of
small, sculptural pieces mounted on the windows and walls.
Photography from the Collections, Wadsworth Atheneum
Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova
Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney
Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The
Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney
Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart
Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich
Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and
Small - Scale Art, 1964 - 1996, Johnson
Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica
Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco
Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art
Museum, Milwaukee, USA (catalogue) Inaugural
installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
Featured in this exhibition, Untitled 2005 (The Air Between the Chain - Link Fence and the Broken Bicycle Wheel) was an
installation in which the artist addressed governmental control of popular media by installing a low - tech pirate television station within the
museum, using a simple metal antenna and cables as broadcasting equipment, accompanied by a
small wooden structure housing a television set and chairs.
His recent work includes Storming Times Square, screened on 47 of the LED billboards in Times Square, New York; «
Small Data», a solo exhibition at bitforms, New York, and Max Estrella Gallery in Madrid; «Quadratura», a solo exhibition at Espacio Fundación Telefónica in Lima; «Vórtices», an exhibition exploring issues of water and sustainability at the Fundación Canal Isabel II in Madrid; Synaptic Passage, an
installation commissioned for the exhibition «Brain: The Inside Story» at the American
Museum of Natural History in New York and two
installations at the Sundance Film Festival 2011 in Park City, Utah.
Stretching across the organisation's main premises on Golden Square and its
smaller townhouse off Soho Square, the untitled show feels set up to be a triumphant return to the gallery world after a few years focused on large - scale
installations for the British Library, St Pancras station and New York's Metropolitan
Museum of Art.
The
small gallery will display works from The Same series, which are akin to
installations concurrently on view at the Asia Society
Museum.
Nelson's
installations are so successful at making people forget they're in a
museum, and so full of
small objects, that he occasionally has a problem with theft.
The Nasher
Museum presented a
small installation of works by Ansel Adams in the Incubator, part of The New Galleries.
With 81 artists, this is the
smallest Biennial in a while, and feels that way, even as it fills three floors and more of the
museum, and continues at the Park Avenue Armory (at 67th Street), with a program of
installation and performance art.
Boys» Quarters Project Space is made up of two
small gallery spaces, a reading room and Ken Saro - Wiwa's actual office which is now a miniature
museum site hosting projected photographic and video
installation works relating to Ken's personal life and international legacy.
2006 «You call this Sculptcha» Compass, Carol Elliot, 10/06/06 «KInetic / Asthetic sculpture» Eu Jacksonville, Carol Elliot, 10/5/06 «Brothers Tummy» Folio weekly, Adam Diamond, 10/10/06 «Charming Combination of quality and quantity» Atlanta Journal - Constitution, Jerry Cullum, april 2006 «Lines of Descent» Paper City Magazine, Johnathan Lerner, 11/30/06 «Long Overdue» Folio Weekly, Shelton Hull, 1/3/06 «Going with the Flow» Home Magazine, Jill Kirchner Simpson, 10 2005 «Cabin Fervor» Atlanta Homes And Lifestyles, Tara n. Wilfong, june 2005 «Art in Freedom Park», Editor Evan Levy, 2005 «Activating Space» catalog Jacksonville
Museum of Modern Art, 2005 «Cutting Edge Scuptural
Installation» Arbus Magazine, May / june 2005 «Artist Creations Inspired by Grandmothers Quilts» Roswell Neighbor, Joan Durbin, 6/22/05 «Amerikanishes Gansemannlein» Nurnberg Plus, Julia Lehner, june, 17,2005 «Neus Lebensgefuhl im Alten Schloss» Nurnberg Extra, Bridgett Ruf, june, 24 2005 «Man Spurt Die Liebe Dahinter» Pegnitz Zeitung, Wilfred Appelt, June 24, 2005 «Activating Space» † Folio Weekly, Shelton Hull, april 2005 «Large Vision
Small Works» Atlanta Journal - Constitution, Jerry Cullum, 11/30/03 «Birds of many Feathers» Atlanta Journal - Constitution, Catherine Fox, 09/23/03 «Art Goes Postal» Atlanta Journal - Constitution, Catherine Fox, 10/23/03 «Talk of The Town» Creative Loafing, Andisheh Nourraee, 6/24/03 «Our Place» Interview HGTV nov..
Lubaina had brought with her twenty four of the hundred
small works on raw linen that had formed her site specific
installation at the St. Jorgen's
Museum, a former leprosy hospital in Bergen, Norway.
The nature of his art is fairly well known, although it is generally seen in
small, refined doses, and its visibility comes and goes: But for an ongoing
installation of paintings at Dia: Beacon, the work is shown sporadically in galleries and
museums and otherwise can be hard to find.
, Brussels, Belgium 10 +1, U10 Art Space, Belgrade, Serbia Šta ja radim, Magacin MKM, Belgrade, Serbia, curated by Biljana Tomić 2011 METAmART, Künstlerhaus, Vienna, Austria TRANSART, National Academy of Arts, Sofia, Bulgaria 2010 ARTmART, Künstlerhaus, Vienna, Austria Exhibition of Awarded works of the Faculty of Fine Arts in Belgrade, FLU Gallery, Belgrade, Serbia STEPOUT, Magacin MKM, Belgrade, Serbia 2009 Zlatno Pero, International Illustration Biennial, Paviljon Cvijeta Zuzorić, Belgrade, Serbia FIST, Festival of International Student Film, Faculty of Drama, Belgrade, Serbia Drawing, class of Prof. Dejan Grba, SKC, Belgrade, Serbia Amsterdam Biennale, Mediamatic, Amsterdam Ecology, Nature and Empathy, Gallery of Contemporary Arts, Pančevo, Serbia Belo (White), Haos Gallery, Belgrade, Serbia Biennial of
Small Sculpture and Drawing, Paviljon Cvijeta Zuzorić, Belgrade, Serbia Night of the
Museums, Kuća Bore Stankovića, Site - specific
installation, Vranje, Serbia 2008 Real Presence 8 — Floating Site, Castello di Rivoli — Museo di Arte Contemporanea, Italy Urban Jealousy, 1st International Roaming Biennial of Tehran, Karakoy, Istanbul, Turkey Urban Jealousy, 1st International Roaming Biennial of Tehran, Kunstraum Bethanien, Berlin, Germany 37th Exhibition of Student Drawing and Sculpture, Dom Omladine, Belgrade, Serbia 2007 XIV Biennial of Student Drawing, DKSG, Belgrade, Serbia 36th Exhibition of Student Drawing and Sculpture, Dom Omladine, Belgrade, Serbia
In the center of this large room the
museum has constructed a
smaller gallery showing a 3 - monitor
installation of Drawing Restraint 7 (in which satyrs wrestle in the back of a limosine driving through the bridges and tunnels of New York City) and related photographs and sculpture.
In 2014, New York state's Storm King Art Center presented Zhang Huan: Evoking Tradition, showcasing the artist's large - scale
installations outdoors, including an exhibition of
smaller sculptures, drawings, and video from the last ten years in their
museum.
The Manager of Public Programs will oversee the application and selection process for the
Museum's Artist Studios Program (occurring twice a year), as well as organize
small exhibitions or
installations in the sixth - floor Education Center's Project Space.
His acclaimed five - screen
installation, WESTERN UNION:
small boats (2007) has been shown at Metro Pictures, New York; Galería Helga de Alvear, Madrid; and Centre for Contemporary Arts, Warsaw; and is in the
Museum Brandhorst collection in Munich.
His acclaimed 5 - screen
installation, WESTERN UNION:
small boats (2007) has been shown at Metro Pictures, New York; Galería Helga de Alvear, Madrid; Centre for Contemporary Arts, Warsaw; and also opened the new
Museum Brandhorst in Munich in 2009.
Daniel R.
Small, Excavation II, 2016,
installation view, Hammer
Museum, Los Angeles.
My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his
installation of a
smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie
Museum of Natural History (1991) along with a cooperative video work May I Help You?
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative
installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989
Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen
Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of
small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's
Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998
Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie
Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
The Jewish
Museum is presenting Sanford Biggers and Jennifer Zackin: a
small world..., a video
installation, from March 30 through August 26, 2012 in the
Museum's Barbara and E. Robert Goodkind Media Center.
(The Baxter St
installation is a
smaller iteration of Sadie's large - scale
installation, My Father FBI File, Project I, 2016, which is currently on view in the group exhibition, «All Power to the People: Black Panthers at 50» at the Oakland
Museum of California.)
Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of
installation shots from the solo exhibition at the Iowa
Museum of Art (1995), slides of
installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of
small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».
This interdisciplinary
installation resembles a
small museum gallery, with artifacts, archival materials in vitrines, and a faux - documentary video tracking the live (s) of the mystery woman.
Installed in the middle of the Yokohama
Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by
installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's
small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage
Museum through a single image accompanied by a voice track.
The Walters presents major exhibitions in the Centre Street Building and
smaller exhibitions and temporary
installations throughout the
museum.
Massachusetts artist Robert Cumming was featured in Boston this fall in three concurrent exhibitions: a major retrospective of photography, works on paper, sculpture, and painting at the
Museum of Fine Arts; a
small show of drawings and two sculptures at the Howard Yezerski Gallery; and an intriguing new
installation piece at MIT, entitled The Blackboard Brain, 1993.