The smaller number of galleries, exclusively contemporary focus and U.S. emphasis distinguish Texas Contemporary from the September fair, which presented 80 galleries that included sizeable Latin American and European contingents as well as dealers with a mid-20th-century emphasis.
This exhibition reflects just
a small number of the gallery relationships that have contributed to this collection.
Not exact matches
Prehistorians say the find is exceptional not just because
of the
number and variety
of animal images, but for the sheer size
of its four main halls and
smaller interconnecting
galleries, and the care the cavers took to leave the floor undisturbed.
We began thinking about the task with a museum metaphor: a relatively large
number of works would be collected and stored in the basement, with a
small subset
of them selected for public exhibit in various
galleries, by various curators, organized by grade level, core content, media type, etc..
As well as content from 30 ocean and river cruise lines, CLIA has curated a
number of galleries designed to help agents switch - sell onto cruise by explaining the benefits
of different types
of cruise holidays including ocean, river, luxury and
small ship cruising.
Longtime dealer Michael Findlay, a director
of Acquavella Galleries, recalls a recent appointment with an established artist who's not represented by his
gallery: «She had selected a
small number of paintings and gave me a piece
of paper with the titles.
Also on show: a
number of small works on paper by Steven Parrino, whom Nagy was the first to show when he operated his
gallery out
of New York.
«Thus, the art lover who visits Crested Butte will be amazed by the
number of opportunities to meet artists, take classes and visit
galleries in this
small mountain town.»
Fortunately, a
number of galleries offered «Kabinetts» -
small shows
of a single artist within a larger booth, and a very
small minority devoted their booth exclusively (or nearly so) to the work
of a single artist.
site specific installation directly on the
gallery walls; a further three large scale works and a
number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.
In a report on exhibitors at the upcoming Art Basel Miami Beach, Lindsay Pollock reports that a
number of galleries have dropped out
of the fair but the defections have been
smallest in the fairs top tier «art
galleries» section where only 30
of 186
galleries have decided not to come to the 2009 edition.
The most curious and unusual sculpture
of the fair was found at Dublin - based Kerlin
Gallery's booth: a tiny, stunningly lifelike rendering
of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a
small white plinth no more than two feet high (I'm not great with
numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).
[2]: 64 - 65 He brought his deep connections with downtown artists with him to his new enterprise, which joined a
small number of uptown
galleries focused on new American art.
The
small number and size
of the works amplify the large and open space
of that
gallery and stand in stark contrast to the monumentally scaled works by Clyfford Still on view in adjacent
galleries.
Considered in terms
of the social history
of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a
small number of African - American painters in the nation working abstractly at the time, and he was among the few artists
of color who were represented by a mainstream
gallery in New York.»
Now in its third year, the fair has bumped its
number of exhibitors from last year's 125 to 137 international
galleries, including 115 in the main section
of the fair and 22 younger exhibitors displayed in the Exposure section, in slightly
smaller single or two - artist booths.
The Lower East Side in particular boasts a multitude
of great, younger
galleries that tend to be on the
smaller side — which means that as the
number of attendees rises, so does the temperature.
In addition, the
gallery provides a
small number of art related children's books and activities.
For Hirst's first exhibition in Los Angeles, the Regens Project
gallery presented a collection
of «Visual Candy» paintings, with a
number of small «Natural History» pieces.
Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any
small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours
of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale
of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of Two Egos» also did very well because
of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject
of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution
of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit
of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3
of reporting about how Gagosian
Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the
number and enthusiasm
of my Facebook friends» comments for «Should we trust anyone under 3
of my Facebook friends» comments for «Should we trust anyone under 30?
For «Recent British Painting», I began with a
small number of artists I'd worked with before at the Hayward
Gallery and elsewhere (Phoebe Unwin, Milena Dragicevic, Cullinan Richards, Edwin Burdis, Alexis Teplin) and built the show around them until it made sense, at least to me.
In this essay Judd surveys a
number of New York's most significant museums («The exceedingly impressive Frick Collection is
small enough to be seen in a few hours»; «It is The Museum
of Modern Art which has shown the power and quality
of American Art»), as well as an assessment
of notable
galleries, singling out Green
Gallery, an uptown gallery that showed work by downtown a
Gallery, an uptown
gallery that showed work by downtown a
gallery that showed work by downtown artists.
In Total Dismay, Gillette will transformed Gregorio Escalante
Gallery into a literal «art landfill,» where patrons will have to traipse through piles
of Gillette's signed and
numbered prints in order to view never - before - seen, large - scale paintings and
smaller works.
Mending Cup, an installation that has been shown in a
number of Ono's retrospectives, will reinforce the idea
of healing and will be shown in the
smaller rooms at both
galleries.
He showed a
number of small collages at a two - man exhibition, together with Marc Ratliff, at Judson
Gallery.
The result is an increasingly rich experience on the Museum's ground floor, where visitors can peek into the racks
of painting storage to see a growing
number of framed works
of art, large and
small, to complement the works on view in the
galleries upstairs.
«Liminal Squared» by Julie Mehretu at the Marian Goodman
Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman
Gallery on W 57 Street, she presents a
small number of huge, nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure abstraction.
Across the
galleries are a
number of small figures, standing watch over Gates» work.
Starting in the early 1970's, and into the early 1990's, Mr. Pretto opened a
number of small galleries in SoHo, TriBeCa and the West Village.
When Lew, who like Locks is Asian - American, led me to a
smaller gallery on the floor, it had already been hung with a
number of photographs by the same artist, Deana Lawson, 38, who carefully stages powerful scenes
of black domestic life.
A
number of small video projection screens will be integrated into the fabric
of the
gallery and the new spatial intervention.
By the third week in September, four or five
of the largest works will have left, to be shown» along with a
number of smaller works» at the new Michael Werner
Gallery in Mayfair, which opens on September 27.
At the same time, a
number of midsized dealers closed, squeezed between the big boys and the
smaller, slimmer emerging
galleries.
The selection this year was strong, with a
number of smaller galleries commanding much
of the attention for more unique and creative booth installations.
Gagosian
Gallery, New York, hosts the exhibition James Rosenquist: The Early Pictures 1961 — 1964, in which Rosenquist for the first time displays a
small number of his preparatory collages for paintings.
A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds
Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton
Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum
of Contemporary Art, New York, US Out
of Site, P.S. 1, Long Island City, New York, US
Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art
Gallery of Ontario, CA; McMaster University Art
Gallery, Hamilton, CA; Thunder Bay Art
Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout),
number 20, New York, US
Small Special Exhibitions
Gallery Forty - three South Asian miniature paintings representing a
number of different artistic traditions and spanning five centuries will...
The exhibition is organized by Michael Thibault, who runs an eponymous
gallery in Los Angeles and is the first
of a
number of small group shows that will be organized in spaces away from his
gallery.
(The
gallery has a
small number of stands which may be available for
small sculpture.
Instead,
galleries tended towards
smaller, subtler works that rewarded close looking, which was equally refreshing and frustrating; I saw any
number of things I wished I could return to in a more forgiving environment.
The Ferus
Gallery was a
small exhibition space in L.A. that played a crucial role in developing the careers
of a
number of contemporary artists.
Adrian Rosenfeld
Gallery will be lit almost exclusively with daylight and present a
small number of exhibitions in collaboration with art dealers from around the world.
The first being at Flowers
Gallery (NY) in the group exhibition The Independent Eye: Contemporary British Art from the Collection
of Samuel and Gabrielle Lurie which featured a
small number of works by Hoyland dating from the early 1980s through the early 2000s.
CES Contemporary was founded in 2012 by Carl E. Smith, who curated and produced a
number of smaller international
gallery exhibitions and other artistic events since the early 2000s.
When I came to Britain I found an extraordinary vitality
of artists, an amazing
number of artists doing a very wide range
of kinds
of work, a very
small number of contemporary
galleries, a tiny
number, half a dozen, with a very
small numbers of artists represented, and an even
smaller number of collectors who were British, and that most
of those
galleries survived by selling works by British artists to foreigners, either americans or Europeans.
There are roughly fifty seats in the Supreme Court's
gallery are available to the public, on a first - come, first - served basis, a
small number compared to the 137,000 people who tuned into the audio live stream
of the Ninth Circuit oral arguments.
>> > SOURCES << < wall colour: Red Earth, ceiling colour: Nancy's Blushes, alcove colour: Picture
Gallery Red, velvet curtains: AuDelaVintage, fabric for sheers: bettiecouture, curtain tassels: FabricsTrimsPillows, curtain hardware: Cozzy Coverings, 3 pink and purple signed and
numbered prints from Montreal's St. Michel flea market, vintage radio converted into a Bluetooth speaker by my husband: Daff Design, purple vase on radio & glass owl vase on dining table & most
of the vintage ceramics on buffet: Vanier Moderns, plate with semi-circle hanging on wall in alcove & bowl below it & 2
small bowls leaning against books: Le Lou Ula Atelier, plate with flower: L'Arbre et la Rivière, brass reed sculpture & brass plant stand: The Pale Blue Dot, wooden stool plant stand & purple vase on dining table: Highjinx, rug: eCarpetGallery, Hay Denmark blanket and Ferm Living orange pot: The Modern Shop, framed canvas abstract painting: Andrea @hunt.