A large work by Adebunmi Gbadebo, made with hair, is suspended slightly above the ground, while
smaller organic forms adorn the wall.
And that light is focused on two
small organic forms, about the size and shape of packing - case noodles, lying under a magnifying glass.
Not exact matches
In 1991, after experiencing growth in both the supply of and demand for
organic products, it became clear that a
smaller, more formalized
form of management was needed.
Note: The
small piece on the side of it that
forms the leg gusset of the soaker pad is not the same
organic cotton fabric as the surface and 8 layers.
The new - generation microporous material designed at Dartmouth is the result of chemically stitching
small organic molecules to
form a framework that scrubs the isotope from water.
Taking their cue from nature, where structurally well - defined biopolymers are the norm, e.g. in DNA and genes where slight variations to the order of a
small number of
organic molecules gives rise to the diverse spectrum of life, they have developed a self - sorting strategy that regulates the order molecules take when
forming long chain polymers.
Comets, asteroids, and
small planets
forming from the grains would sweep up lots of water and
organic material, illustrating how new worlds could acquire the building blocks for life.
At present, most instruments on astrobiology missions look for habitable conditions,
small organic molecules and other «biosignatures» that generally could not be
formed without life.
(Either way, the chance is very
small that a carbon atom in the ocean will be incorporated into
organic matter or chemically combined with a carbonate cation to
form calcium carbonate that will end up sequestered in sediments, where it might remain for hundreds of millions of years.)
I grew up with a mother who was an early adopter of the
organic movement, in a home where «medication» really meant «remedies,» in the
form of
small white homeopathic balls that dissolved under your tongue.
They include a
small painting simply titled «# 1» (2000), in which we see a phallic armature moving from gray into light blue; another titled «# 2» (1995), in which a blue crescent bends around to become titanium white; a third, «# 4» (2000 — 1), in which a rising, two - pronged black
organic shape ends in a touch of green and ultramarine at either end; and finally «# 5» (1991), in which a red finger - like
form passes from black to crimson red.
Left in the exhibition space, the
small sculpture is, in fact, submitted to the effects of the natural mutability of
organic components from which it is made, changing its
form and shape throughout the exhibition.
Small slivers and large
organic forms of exposed silver allow the viewer to catch glimpses of themselves as they move through the gallery.
New and existing large - scale installations as well as
smaller, more intimate works explore a variety of
organic and inorganic
forms, such as the life cycle of jellyfish or the routines of a shipping crew on a freighter.
The surviving photographs of these works were all found at that time to be dated 1942, but a
small concrete construction in the artist's collection, reminiscent in its more
organic form of Henry Moore's pre-war stringed pieces, is dated 1945 and the first Crypt Group exhibition catalogue lists a relief construction by Wells dated 1946.
This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including
small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and
organic form.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost language: Inga Dorosz» drawings track and map recognizable renditions of trees and other
organic forms, yet the tiny line work pixilates and separates the scenes like disappearing data; Léonie Guyer's
small works remove information further — little abstract shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.
She has an equally strong presence in IMMA's Collection, including the
small, delicate
organic work, Berry Dress (1994); the animated drawing, The Music of Things (2009); and the recent commission Cassandra's Necklace (2012) all of which
form part of the current exhibition.
Throughout the work, recurring circular patterns invoke sacred design as well as
forms and cycles of
organic growth; from solar systems to the
smallest particle.
His previous works contain themselves in
organic, bursting
forms and employ a similar palette, but on a much
smaller scale.
But do you agree we should therefore radically reduce our consumption immediately by about half, and appreciate this means a huge pay cut as well, and live in
small communities
organic farming and adopt some
form of socialised ownership?
3) But do you agree we should therefore radically reduce our consumption immediately by about half, and appreciate this means a huge pay cut as well, and live in
small communities
organic farming and adopt some
form of socialised ownership?
With regard to the actual content of the press release quoted, it isn't clear if the process they report on (aerosol particles, particularly
organic chemicals, getting
smaller over time) makes them better or worse at
forming clouds and their other atmosphere cooling functions.
But even beyond the
small but growing
organic cotton market, some brands are pioneering more sustainable
forms of cotton purchasing through the Better Cotton Initiative.