Sentences with phrase «smaller scale exhibitions»

The 288 - page hardback publication takes readers on a journey that outlines the meteoric rise of the New York - based British artist's career — from smaller scale exhibitions in his home country in 2007 to the significant solo and group exhibitions that have since been staged across the world.

The small scale exhibition features a dynamic installation of Rita Ackermann, Aaron Bobrow, Richard Prince, and Michael St. John, on view until August 12 at the Andrea Rosen Gallery, 525 West 24 Street, New York.

Not exact matches

The magazine «Country Life», in the 29 April 1899 takes up the story: «Some five - and - thirty years ago in fact, [i.e. about 1865], the small - sized or light - weight Bulldog was common in this country; so much so that dogs of the breed that scaled over 28 lbs were not encouraged at such shows as Birmingham, which was at that period the most important exhibition of its kind in England.

W5 also presents a changing programme of large and small scale temporary exhibitions and events and a daily programme of live science demonstrations and shows throughout the day.

I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.

The exhibition features 31 works including monumental and small - scale pieces installed throughout the sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated in stainless steel.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

For her solo exhibition at Ameringer McEnery Yohe in New York, the artist has created the large - scale painting Untitled (2014), alongside six smaller paintings comprising extracts of the first.

Simultaneous to the painting show at CMCA, Bowdoin is showing six large - scale drawings in a small but powerful exhibition, «John Walker: A Painter Draws.»

It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

Here, however, Jaray restricts herself to more modest scales; this exhibition is a collection of three triptychs and two small standalone pieces.

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that extended from floor to ceiling at the Serpentine Gallery.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

This exhibition consists of twenty - six watercolors and three small - scale oil paintings.

In addition to the artist's more refined, contemplative paintings, the exhibition devotes a space to his smaller - scale, sometimes fragmentary drawings.

The exhibition includes mixed - media painting as well as small - scale works on paper, collage, and a new piece of writing.

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

These projects include the Everything is Museum series (since 2000), in which he converted unexpected spaces in Italy, Japan, Taiwan, and Cuba into small - scale exhibition venues for rural communities and small towns.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Enrico David's recent exhibition comprised mostly figurative, small - scale sculptures.

The title of the exhibition, The Great Blue Mountain Range, in relation to these small studies of stones, alludes to yet another comparison of difference — scale.

Using these works as a starting point, Herrera's exhibition at the Pace Foundation reads like a small - scale retrospective, cycling around the space in punctuated bursts of color and form.

The work of Hodgkin's that was shown in the Turner shortlist exhibition - a perfunctory affair compared with the large - scale shows of today - was a painting called A Small Thing But My Own.

The exhibition also prominently features the six - part S.M.S. periodical — an art collection in a box from 1968 that was filled with small - scale prints and multiples available by subscription.

This exhibition features Charles Seliger's intensely detailed, small - scale organic abstractions, which continue a personal and obsessive vision of nature which began during the early 1940s.

«Small Three Legged Buddha» (2007), a highlight of the exhibition is a study for a large - scale installation commissioned for the courtyard of The Royal Academy in London.

This exhibition presents seven new and never before exhibited large scale prints including three new seascapes as well as a section of smaller works covering the chronological history of the series.

U.S. National Deadline: August 1, 2018 — The Sixth 12 Cubed: a national exhibition of small scale works of art is a juried exhibition composed of 2D or 3D works that do not exceed 12» x12» (x12»).

However, the adjacent project space also offers options for exhibitions of smaller scale.

The show of small and large scale works on paper is her first solo exhibition in five years.

Her latest exhibition at Jack Fischer Gallery's Minnesota Street Project location presented an assortment of the artist's stuffed fabric sculptures in small - to - medium scale, along with three works cast in bronze.

On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.

Those who doggedly continue to work small are less well - known because they don't get the same exhibition opportunities as artists who scale up.

Dramatically displayed in a 2nd century AD forum just steps from the Coliseum, the exhibition features a number of Atchugarry's sculptures on both a small and monumental scale.

Although Andre has been «officially retired since 2011» according to the gallery, the exhibition is mostly comprised of recent small - scale sculptures in a range of materials from Styrofoam to clay tile, plastic, and galvanized, painted and industrial metal.

2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA

Pace Prints, in cooperation with the Keith Haring Foundation, is pleased to present its first exhibition of prints and small - scale multiples by Keith Haring.

The online exhibition takes place at konstanet.com, complimenting its small and scaled (1:5) physical space located in the centre of Tallinn.

The Museum's small - format, highly - detailed painting, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale oil paintings that fill the exhibition space.

His latest self analytical exploits arrive in the wake of an extensive survey exhibition, at MoMA PS1 late last year, and revert back to a smaller scale extension in to his exploration of memory and skewed reality.

The Wrong Gallery is an edition of 1:6 scale reproductions of New York's smallest exhibition space.

«From the outset of this exhibition, I wanted to work on a relatively small scale, to focus on paintings completed in a single sitting, be that a plein - air landscape or a still life.

This exhibition focuses on the remarkable series of small - scale experimental sculptures known as the Mouvement de danse (Dance Movements), which were unknown outside of the artist's close circle.

In contrast to Miyajima's large scale public artworks, which give an idea of the immersive nature of his work but are not on display during the exhibition in Sydney, his exhibited Pile Up Life sculptures (2009) are small «stupas» moulded from dried earth and studded with blue or red LEDs.

Included in the exhibition are approximately seventy works, varying in scale from small drawings to room - sized photographic installations to sculptures weighing several tons.

In Fishman's hometown of Philadelphia, the Institute of Contemporary Art held a concurrent exhibition of her small - scale work, Paper Louise Tiny Fishman Rock, curated by Ingrid Schaffner.

Following his debut exhibition at the gallery earlier this year featuring small - scale paintings of his studio, this exhibition will introduce six new oils of the artist's studio that range in size from single panel paintings 5x4 feet to a nearly life - size triptych 7x12 feet.

Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring exhibition «Africa Remix «(2004 - 07) and many others.