Sentences with phrase «smaller studios without»

For smaller studios without the payroll to hire a plethora of beta testers, the first few weeks of a product's life can be nerve wracking - with developing rushing to fix the myriad of things that can go wrong with computer code.

For smaller studios without the payroll to hire...

The fact that it was developed by a small studio without a long history, published by a company not a lot of people know, and put it on a console that doesn't get much attention, you find a recipe for a game that is bound to go unnoticed.

Not exact matches

Most of these boutique classes are held in smaller studios and offer a more relaxed environment (without skimping on the body benefits!).

Furthermore, in a summer filled with overblown and script - weak blockbuster fare, it's nice to see a relatively small «independent movie» (I put that in quotes because the film is from Fox Searchlight Pictures, which is, after all, a subset of a major studio), which delivers its goods without a single explosion or special effect (none visible, anyway).

Inertial motion capture technology affords smaller studios the luxury of capturing anywhere they want without having to rent out a stage.

Unlike many other studios in the Ukraine, Frogwares was able to survive the harsh circumstances of the recent financial crash and maintain their status as an independent developer without any need for extra income from jobs in outsourcing, something that has been one of the main sources of income for many smaller studios in this country.

There were other small studios that were trying their best to develop games, but without proper funding they reached the same limitations as we did.

Today, would - be indie developers have the tools to go head - to - head with even the biggest studios, albeit typically on a smaller scale, as well as explore more cost - effective options like pixel art and procedural 3D, while services like Kickstarter and Fig offer a way of seeking funding without immediately selling out.

I've helped studios get $ 500k + in funding, I've designed and built my own successful titles, and I've helped many small studios develop as true businesses without prior experience or education.

Recent research from MiDIA indicates that the superstar games are slowing down, while many smaller studios are making great games and learning how to monetize effectively without overspending on user acquisition.

Many small studios will struggle to keep going without these skills, so I think an increasing number will do work for hire while working on their own projects on the side.

With being a part of a larger corporate entity, they have access to a lot of internal metrics and testers that smaller studios don't, which helps in launching without getting too many outside eyes on the game.

With a successful kickstarter, Handyman Studios is able to transition into its real purpose - becoming a game studio dedicated to creating the best gameplay experience possible without fear to evolve or innovate in small and large ways.

In 2015, Radio Free Gowanus focused on a commercial building in Gowanus that housed many artists and small businesses until it recently changed hands, leaving many artists without a studio space just before the Gowanus Open Studios in October of 2015.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MarfWithout Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfwithout a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The smallest room contains studies of clouds by Johann Georg Von Dillis (1759 - 1841) and John Constable (1776 - 1837), illustrating the impulse among artists at this time to capture the ephemeral aspects of nature without concern for the rigorous, studio - based practices that had gone before.

A small, independent studio is working on a film — A World Without Bees — they hope will help put an end to CCD through education and a strong call to action.