Not exact matches
Even though it's more like a
small chimichanga
than an eggroll, this appetizer is a fabulous creation with
monster flavor.
But he probably didn't consider tiny «
monsters,»
smaller than rice grains.
There are two different black hole scenarios proposed to explain these objects: (1) they contain very «big» black holes that could be more
than a thousand times more massive
than the Sun (Note 1), or (2) they are relatively
small black holes, «little
monsters» with masses no more
than a hundred times that of the Sun, that shine at luminosities exceeding theoretical limits for standard accretion (called «supercritical (or super-Eddington) accretion,» Note 2).
Lean protein to build muscle Complex carbs (brown rice) to keep insulin levels more even
Smaller amounts of spices
than the original recipe to keep the hot flash
monster at bay Antioxidents in the pineapple and salsa
It turns out that the lump in Duncan's colon is the titular
monster, a
small creature that periodically crawls out of Duncan's ass to devour anyone who makes his life more stressful
than it already is.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more
than a sensationalist exposé; the European Premiere of CLOSET
MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in
small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
Small additions to its capture system make catching those ever - elusive pocket
monsters much more intuitive and accessible
than its predecessor, and I really dig the game's simple, lighthearted attitude synonymous with spinoffs in the series.
People usually bemoan the lack of a strong human element in big blockbusters like this, but while «Godzilla» aims to remedy that by placing the focus more on them
than the giant
monsters doing battle, the characters are so bland and thinly written (with the exception of Bryan Cranston's scientist, who has a
smaller role
than is hinted at in the trailers) that it only makes things worse.
One of the things we mention in our review is how the game has a bit more of a bombastic, action - packed opening
than Monster Hunter fans might be used to — but that quickly gives way to more traditional monster hunts as the game sends you out tracking smaller beasts and then larger, more threatening cre
Monster Hunter fans might be used to — but that quickly gives way to more traditional
monster hunts as the game sends you out tracking smaller beasts and then larger, more threatening cre
monster hunts as the game sends you out tracking
smaller beasts and then larger, more threatening creatures.
Things will feel slightly different over different models, the
smaller cabs and 2x4 will feel more «nimble»
than the 4x4 crew cab, but the motors, both gas and diesel, have the power to lug these
monsters around sufficiently.
As
small dog owners, many of us create
monsters when we forget that our little sweetie pies are dogs rather
than adorable little babies or fuzzy kittens.
It was able to withstand better
than smaller islands due to higher elevation and more sturdy buildings however many people still lost their lives as well as families losing homes and businesses in the
monster wave.
The
monsters themselves don't fit well onto the bases either, secured with nothing more
than little pegs that are either too
small and therefore don't hold the model or are too big and won't fit.
Battling
monsters large and
small becomes more about mashing the attack button and spamming one or a few of your special moves
than it does dodging, balancing offense and defense or even putting much thought into the encounters at all.
Small additions to its capture system make catching those ever - elusive pocket
monsters much more intuitive and accessible
than its predecessor, and I really dig the game's simple, lighthearted attitude synonymous with spinoffs in the series.
And lurking within each of these them are massive
monsters who stand at the top of the food chain, leaving you with the unenviable position of having to face off against them with little more
than a
small — yet deadly — cat, known as a Palico, as back up.
Many of the enemies felt more annoying to deal with
than they were challenging, with the nod going to the new angel type
monsters which made the first hour of the DLC feel like a
small slice of hell.
Each era has its own reskinned enemy types, from
small light
monsters to huge, slow - moving beasts and nothing drove me crazier
than having to wait for the slow
monsters to come into view.
All of the
monsters are original designs (though with obvious influences) and the scale is much
smaller than what you expect from Godzilla (they're big
monsters here, not really «giant») but the gameplay is rock solid and fast - paced with lots of destructible elements in the stages.
This is also a
smaller phone
than all of the
monster phablets you see these days.