One of the most powerful sculptures in the exhibition is a small textile work by Louise Bourgeois: a sickly salmon - pink hand sewn crudely, its gnarled fingers outstretched, sits on a worm - eaten piece of wood.
Last fall on a visit to the Museum of Contemporary Art in Chicago, I saw remarkably intense visual cross-fire between a compact, rosy - fingered late Philip Guston and a small Baer diptych with hot pink lining its black edges.