The very early ones and
smallest paintings served as a starting point.
Not exact matches
Sweet Turkey Dessert Centerpiece Supplies: 3 boxes of Little Debbie Fall Party Cakes (any flavors) 3 empty Little Debbie Fall Party Cake boxes 1 bag of standard size marshmallows Orange, red and yellow food coloring Clean, food safe
paint brush Gold food coloring spray (optional available at craft store) 3 bags of dried beans or rice (act as weights for the empty boxes) Hot glue gun with glue sticks
Small to medium size Styrofoam pumpkin (from a dollar store or craft store) Bamboo skewers Candy corn Fruit leather (4
serving rolls) Candy eyes Plastic pilgrim hat (optional from craft store)...
There were children running and playing along the highway in their bare feet; locals bicycling through the village; thin and sad - looking dogs roaming around and laying in the middle of the road; lots of garbage and litter scattered along the side of the road; abandoned buildings with jungle growth creeping inside them and graffiti on the exterior; open - air handicraft markets selling typical Mexican souvenirs and blankets in a variety of vibrant colours; empty bus stops covered in graffiti;
small, open - air and simple restaurants with red Coca Cola signs on the exterior, and matching tables and chairs
serving authentic cuisine; locals cooking and
serving fresh meat on a barbeque along the road; a
small park and square; narrow gravel roads stemming off of the highway to the remainder of the village; and tiny one - room houses with either thatched roofs and wooden panels on the sides or square white
painted houses with a flat roof, barred windows and always a satellite dish on top.
In his second series,
small, quirky yet contemplative assemblages of reclaimed pieces of wood, glue, paper and
paint serve as artifacts of sorts from an idealized place -LSB-...]
The Amon Carter Museum of American Art typically strikes a nice balance by including a few works by Texans as part of the national story it tells of 19th — and early 20th - century
painting and sculpture in its main collection galleries — Julian Onderdonk hangs with fellow American Impressionists; Jerry Bywaters and Everett Spruce
serve as Texan exemplars of Depression - era regionalism — and mounting annual exhibitions of about a half - dozen works in a
small gallery set aside for Texas art.
Smaller paintings will
serve as «keys» to a larger, mythological puzzle.
These works, although
painted with
small brushes using ink and gouache, mirror the aesthetic of etchings and
serve as a sort of re-written history.
A second
small building across the street
serves as the «gouacherie,» a
painting studio.
It's a massive
painting, but the accompanying works on paper
serve as a reminder that Diebenkorn was equally engaging in
smaller formats.
Rebecca Klundt's «Reformation» (2016, acrylic on wood), an assemblage of
small pieces of
painted wood put together in intricate patterns,
served as an excellent example of how modifications within a strong artistic style can render each work unique.
On the one - hand, there's a real emphasis on the gritty «one - off» nature of the tiny, stretched and stapled oil
paintings that
serve as the work's covers, and the even
smaller Frank Sherlock poem that is secreted away in the back of each
painting, tightly folded into a rectangle like spy data and tucked behind a hatch.
Recently rediscovered in a studio drawer, Grassi's collection of
small, turn - of - the - century hand -
painted photo cards from National Parks depict waterfalls, lakes and mountains and
serve as fresh inspiration for this body of work.
The
small sketches depict various figures on the New York subway and often
served as studies for his
paintings.
On a
smaller scale, Lennon, Weinberg, Inc.'s recent gallery showing of a group of Joan Mitchell
paintings from the 1950s, including some
small - format canvases that have only lately come to market for the first time, also
served as a reminder of the powerful punch the best abstract
painting still packs, as did numerous works in Michael Rosenfeld Gallery's recent exhibition, Abstract Expressionism: Reloading the Canon.
I would try some of that hi - def
paint in a fun color & get the materials to make a
small structure for a lemonade stand & leave a spot for a removable curtain so it could also
serve as an outdoor summer puppet theater for my 7 yr old daughter.
Simply gather some big and
small pine cones, and a couple of twigs to
serve as their stems, and
paint them with your favorite hues.