Sentences with phrase «snow sculptures of»

I used to live in Boston as a child and every year, my dad would take us outside after the first snow storm and he would make these giant snow sculptures of Snoopy on his doghouse.

With a tip of his hat to Eric Miller, who brought the story to his attention, Volokh Conspiracy blogfather Eugene Volokh takes on the story of two Laramie, Wyo., men who are «facing obscenity charges for allegedly building a snow sculpture of a phallus in their front yard.»

Not exact matches

«I'd like to congratulate all of the snow sculpture participants, many of the entries were exceptional in their creativity and attention to detail.

Erie County Legislator Edward A. Rath III, R - Williamsville, was honored to serve as judge of the 2011 Williamsville Winterfest Snow Sculpture Contest at Glen Park on Sunday, Feb. 13.

The first place winner of the Snow Sculpture Contest was Amber Lynn Hejza, 14, and her creation of a polar bear.

«Snow Miku» is the ice sculpture version of the virtual idol that appears at the Sapporo Snow Festival in Hokkaido, Japan.

Discover Japan in winter, exploring its stunning temples iconic cities, the world - renowned Sapporo Snow Festival, where imposing ice sculptures loom, and the mischievous snow monkeys that inhabit the «Land of the Rising Sun.&raSnow Festival, where imposing ice sculptures loom, and the mischievous snow monkeys that inhabit the «Land of the Rising Sun.&rasnow monkeys that inhabit the «Land of the Rising Sun.»

The ice bar and guest rooms are decorated with hand - carved ice sculptures and packed snow art crafted by local artists; though the hotel and its art might melt in the spring, the memory of your trip will be one that lasts for a lifetime.

In the coldest province in China, the International Ice and Snow Sculpture Festival is celebrated each year with elaborate ice sculptures (think: three - story castles and life - sized replicas of the Great Sphinx) illuminated by fluorescent, multi-colored lights.

Officially the Harbin International Ice & Snow Sculpture Festival, this month - long celebration of all that is cold and wonderful is the largest gathering of its kind in the entire world.

Officially the Harbin International Ice & Snow Sculpture Festival, this month - long celebration of all that is cold and wonderful is the largest gathering of its ki... Read More

Explore the celebrated snow and ice sculptures created for this amazing event (held yearly since 1950), visit a light festival in the coastal town of Ota... Read More

Explore the celebrated snow and ice sculptures created for this amazing event (held yearly since 1950), visit a light festival in the coastal town of Otaru, hike to see the geysers in Jigokudani, and opt to enjoy hot springs with a stay in Noboribetsu.

Located at Odori Park, with a great view of Sapporo TV Tower and Mt Okurayama Ski Jump Stadium at both ends, the Snow Festival is an exhibition of snow and ice sculptuSnow Festival is an exhibition of snow and ice sculptusnow and ice sculptures.

Sand dunes and hills • Shoot interesting rock sculptures • Trees in a field • Snow - capped mountains • Creeks or brooks • Covered bridges • Freeway rush - hour traffic • Fields of flowers • A unique - looking plant, such as a desert cactus • Look for long, winding roads.

Whilst here you can admire the dramatic sight of the surrounding snow - covered mountain peaks, and take in the superb carvings and ice sculptures inside the glacier.

Located in Da Nang, New Blue Snow Hotel is convenient to Museum of Cham Sculpture and Chi Lang Stadium.

Perhaps the most impressive piece of marketing however, at least in scale, is the massive snow sculpture that is currently being built.

In 1997 he made a snow work as part of MIAD's «Different Site Installations,» curated by Mark Lawson and Jill Sebastian (last year, when there was still such a thing as snow and the pond at the Lynden Sculpture Garden could be relied upon to freeze, he made another).

Working in multi-media, New York - based artist Erin Shirreff's work encourages the viewer to see objects in new ways: unsettling spacial and sensory experience by creating sculptural works specifically for the camera that confuse perception; layering still photographs in video to present a new experience of the Moon or James Turrell's great unfinished Roden Crater work (2009); exploring myriad interferences of glare and shadow at play on a computer screen; and presenting only one façade of a familiar Tony Smith work in an outdoor commission, Sculpture for Snow.

2016 Pure Fiction, Marian Goodman Gallery, Paris Suspended Animation, Hirschhorn Museum and sculpture garden, Washington, DC Fire Under Snow, Louisiana Museum of Modern Art, Copenhagen, Denmark

Michael Snow: De La (installation view), 1971; aluminum and steel mechanical sculpture with electronic controls, television camera, and four monitors; 6» x 12»; lent by the National Gallery of Canada, Ottawa.

In celebration of his winning of the Gershon Iskowitz Prize in 2011, Michael Snow's work was featured in an exhibition at the Art Gallery of Ontario titled Objects of Vision, comprising abstract sculptures from the 1950s, the late 1960s and 1982.

The most original was Michael Snow, who began his career as a painter but soon moved into a wide range of media — sculpture, photography and film.

This is also the room where you'll find Agathe Snow's Coucou, a dangling sculpture made from a tree trunk, found bicycle parts, and stress balls made of latex and sand and manipulated to resemble animals.

2004 Weapons of Mass Dissemination: The Propaganda of War, Wolfsonian - FIU, Miami Beach, FL Contemporary American Sculpture: Collection of the FIA, Marshall M. Fredericks Sculpture Museum, Saginaw State University, University Center, MI Peter Clark: Snow Falling on Snow, Collaborative Concepts, Beacon, NY From Abstraction to Minimalism, Bradbury Gallery, Arkansas State University, Jonesboro, AK Celebrating the Jewish Contribution to 20th Century American Art, Rhode Island School of Design, Providence, RI

Diverse artistic practices, concerns, and themes are presented ranging from the minimalist sculpture of Sol LeWitt and Carl Andre, abstract painting and drawing of Helen Frankenthaler and Gego, to films by Walter de Maria and Michael Snow, and politically charged works of the Art Workers Coalition and Martha Rosler.

Top of list of beautiful carvings is Paul McCarthy's White Snow, Bambi (Working Title), a ten - foot high walnut sculpture from 2013 that greets attendees entering ABMB.

Through September 17, the latter is showing Paul McCarthy's «WS Spinoffs, Wood Statues, Brown Rothkos,» a continuation of the artist's ongoing dialogue with large - scale sculpture and fascination with Snow White.

McCarthy's wooden sculptures based on the story of Snow White are given psychological depth through distortion of figures and monumentality.

Glacial Specimens (flame worked glass with clay and acrylic paint) consists of several small mixed media glass sculptures which capture the ephemeral nature of snow and ice crystals.

The artist uses almost invisible gestures in his sculptures that are made of elements such as water, soil or snow.

We all sat on Katherine Bernhardt's series of imported «Moroccan Magic Carpets» below Agathe Snow's dangling sculpture Coucou, a «found tree - trunk gutted by natural elements» injected with stress - relieving soft sculptures built of memory foam that she had squeezed, twisted, and punched while building to allay anxieties.

Among the sculptures on view will be a ten - foot, shiny black mirror lying in what appears to be a bed of snow.

Michael Snow creates puns, paradoxes and unexpected perspectival shifts in a wide range of mediums including film, photography, sculpture and painting.

This exhibition, which includes paintings, photographs, video and sculpture, examines diverse approaches to portraiture through the work of over twenty contemporary Canadian and international artists including: Stephen Andrews, Shuvinai Ashoona, Barbara Astman, Greg Curnoe, Colin Muir Dorward, Wyn Geleynse, Sky Glabush, Kirtley Jarvis, Jim Kost, Richard Hamilton, Jason McLean, Shelley Niro, Dennis Oppenheim, Gillian Saward, Becky Singleton, Gerard Pas, Jamie Q, Angie Quick, Michael Snow, Jeff Thomas, Joanne Todd and Joyce Wieland.

Snow's most recent projects include Portal 1: A Rippling Space, an interactive sound and video installation presented at the 2015 New Interfaces for Musical Expression Conference; Wash: Awake, a generative installation for computer sound and projection mapping on a 40 «x20» hanging sculpture by artist Jamey Grimes; Arcanum: Memories Cryptic — a series of works for piano solo commissioned by Katalin Lukács; and Singing Sweetly from a Spider's Web — an interactive sound installation in which participants» voices are transformed and re-presented as harmonic content in a network of sound synthesis.

An essay by curator Sarah Suzuki uses an extended investigation of «Snow» (1964 — 1969), a complex book - sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists.

Last month, Schremko traveled to Harbin, China, to serve as a judge at the International Ice and Snow Sculpture Festival, where several previous years as a competitor gave her a true appreciation for the challenges of this most ephemeral medium.

Caribbean Pirates CP, marks the latest iteration of the White Snow series, while the Caribbean Pirates series features a monumental assemblage installation and new resin block sculptures.

In 2017, when the White House requested the loan of a Vincent Van Gogh painting, from the Guggenheim collection, Landscape With Snow, Spector suggested instead, America a sculpture of a gold toilet by Maurizio Cattelan.

Key works include Andrew Erdos's Texture of a Ghost (2011), a 6 x 8 foot room featuring hand - blown glass sculptures and a video installation; Josiah McElheny's Landscape Model for Total Reflective Abstraction (I)(2004); Luke Jerram's E. coli (2010), which explores the tension between scientific objectivity and cultural perceptions of viruses, diseases, and bacteria; twelve snow globes by Walter Martin and Paloma Muñoz from the Travelers series; three stained glass light boxes by Judith Schaechter; and a recent body of work by Czech Republic - based artist Karen LaMonte that highlights the role of the kimono in Japanese culture.

In this enclosed cosmos, Henrot presents what seems to be her very own universe, including found images, objects such as books, educational CDs, digital tablets, coloured feathers and a snow globe, some of her ink drawings and sculptures, as well as a polymorphous set of undulating aluminium shelves that run across the walls.

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE

With 82 of Snow's works housed at the AGO, including several of the Walking Woman Works, early drawings, sketchbooks, films, music, and sculpture, the artist and the institution share a unique history.

Installation view of Asta Groting Sculpture: 1987 - 2008, showing: Foreground: «Case» (2006, epoxy resin) Background: «Jein» (1996, Styrofoam, mechanical drive, artificial snow)

Forecast: Snow at The Renaissance Society presented a selection of paintings, drawings, sculptural studies, and crystal and marble snowflake sculptures, which showcased the artist's idea of snowflake patterns as blueprints for architectural spaces and psychological states.

Installation view of Asta Groting Sculpture: 1987 - 2008, showing (left - right): «Case» (2006, epoxy resin) «Roboter» («Robot»)(2006, polyester, aluminium, wood, mechanical driver and electronic controls) «Jein» (1996, Styrofoam, mechanical drive, artificial snow)

Installation view of Asta Groting Sculpture: 1987 - 2008, showing: Foreground: «Roboter» («Robot»)(2006, polyester, aluminium, wood, mechanical driver and electronic controls) Background: «Jein» (1996, Styrofoam, mechanical drive, artificial snow)

Like Looking for Snow Leopard at the Kunsthalle Bern presented Sone's personal assessment of landscape and displayed a new version of his large installation It Seems Like Snow Leopard Island (2002 - 2006), alongside related snowflake sculptures, paintings, drawings, and video work.