Sentences with phrase «so less characters»

Some people seem to be upset at the 20 or so less characters MVC3 has compared to MVC2 and I'm going to address this point quickly: Stop bitching.

Not exact matches

McDormand, Rockwell, and Woody Harrelson are so good in Three Billboards that I think a lot of voters have totally forgotten the less successful aspects of the movie: How every white character is immensely colorful but every black one is a cipher, that whole thing about Woody Harrelson's big dick (stop!

1) Paul's advocacy of celibacy, politically innocuous to us, would have been rather less so to his contemporaries, given the character of imperial ideology.

So, of old, as the Hebrews elevated their idea of the character and omnipotence of God, they found the apparent inequities of life not less but more bewildering.

Here, the advantage of using a fictional approach is that we become quite close to the characters affected by the «Problem of Evil» and so we are less inclined to resort to our theological expertise in explaining it away.

Now we all know that his favorite position is being the Number 10, but instead of moaning about not being deployed there like so many players we've seen in the past, he is simply doing the job he's asked to do and is giving it nothing less than his full commitment, and I believe that speaks volumes of his character.

There's something so appealing about being able to express yourself in 140 characters or less.

Here in Britain, however, Tough's central tenet appears less radical; our Public School system is founded on the importance of character, so much so that rounded individuals are fast becoming a key national export, as foreign students flock here and schools open satellite campuses overseas.

«Leaves are less consistent in their character, and so supercapacitors made from them would be variable in their character, I would anticipate,» he says.

The director of the ratings board of the Motion Picture Association of America (MPAA) told the Associated Press that violence by comic - book characters represents «a less realistic kind of violence that's neither graphic nor brutal,» and so, by implication, is less harmful to children than R - rated movie violence.

Titles should be less than 65 characters long so they fit perfectly onto search engine results pages.

So why not try proposing a date in 140 characters or less?

For some reason, I found the constant use of the word «sticker» to be very rapidly aggravating, and given it's said by almost every character in the game world, it was intolerable in less than 15 minutes or so.

What's more, the choice to largely wipe from existence characters who are more or less vital to the future of the Marvel Cinematic Universe as a going concern (especially Star - Lord, Spider - Man, and freakin» Black Panther) so dramatically inflates the stakes that it becomes all but certain the next movie will reverse most of these deaths.

This wonderful film could have so easily been made into a silly comedy but is fortunately instead a bittersweet drama that relies on a captivating performance by the always talented Ryan Gosling, who gives life to a sensitive character that never seems less than real.

Ritter is so charismatic, and so good at toggling between sarcasm and outright pain, that a lot of this is more watchable than it should be, given the glacial pace at which the plot moves and the amount of time spent on lesser characters and filler stories.

I can appreciate women had less options in that era and it was a different time and so would be interested to read the book and see if the character is more likeable there!

The original was already pretty repetitive so to do the same thing over with less interesting characters, randomised dungeons and less gameplay distractions is a big ask.

This game is solid, decent storyline, well crafted environments, good graphics, good characters, western thru and thru, shooting mechanics are good, showdowns are good fun and sometimes challenging, concentration modes are fun, is a fairly average length, around 15 hours, multiplayer is less than inspiring however and the game really does everything GOOD but not GREAT, so a good solid shooter for a western fan, otherwise a good game to rent if no better options exist, really nothing special but still good fun for the short while it lasts.

So unevenly collected, that audiences feel as if they are watching several different sit - coms, mangled together into one episode; it's an amalgamation that becomes more tedious — keeping its storylines and characters straight — and less enjoyable to watch, as the characters are simply not all that interesting.

It's easy to make The Meyerowitz Stories sound tortured, and less so to convey the immense but not blinding affection with which Baumbach treats his characters.

But neither are they given material which demonstrates a genuine fusing (or are they able to conjure and fake the same), and so Tom and Violet's plight feels both less real and less funny than that of Vince Vaughn and Jennifer Aniston's characters in «The Break - Up,» another movie which «The Five - Year Engagement» clearly wishes to emulate.

Critics Consensus: Vacancy's restraint with gore is commendable, the thin characters and B - movie cliches less so.

There's so much to appreciate in that film — from its portrayal of a kickass female lead character who just so happens to have a physical disability (though is never depicted as being a person who matters less because of it) to its impressive number of real - time stunts and action sequences to its feminist message.

The only weak link is Mel Rodriguez's sexually ambiguous Patsy De La Serda, whose character is so annoying (even if that's kind of the point) that the show becomes infinitely less entertaining whenever he appears on screen.

Captain America: Civil War was smart enough to act as a soft origin story for Black Panther, using a handful of well - placed scenes to introduce the character among the melee of the rest of the film, so that when Black Panther proper came out, we were already more or less up to speed.

The film also has an extra layer of fun guesswork built in because its characters are constantly explaining how magic tricks and misdirection work, so it's essentially giving you the answers while daring you to figure it out («The closer you look, the less you see») before the movie's over.

But Clooney doesn't push the aesthetics of the film quite so far into hermetic beauty as the Coens, and he presents his characters with less distance and greater affection.

Not a movie so much as extended takes edited together (by no less than 3 credited editors) of improvised scenes from previous characters in another Judd Apatow movie.

Koro makes repeated reference to the heir that will bring his people «out of the darkness,» but Caro seems less concerned with evoking the economic or socio - political baggage bringing the film's characters down than she is with telling the same sappy tale of patriarchal perseverance we've seen so many times before.

Given so little to chew on, it says something for Emily Blunt's considerable screen charisma that she makes Victoria appear a less reactive character than has been written.

Some main characters also receive slightly less development, but not so much that would effect your understanding of the plot.

Those are your less than fantastic leads — but casting isn't the movies biggest problem — or problems: First of all — it takes so long for «Fantastic Four» to get to the point where the characters get their powers.

There's nothing less sexy than Beavis and Butthead jabber, so it comes as a shock when Reynolds steps up, rather than suppressing, his puerile banter when his character meets the story's love interest, Vanessa (Morena Baccarin), a former escort with a body to die for who happens to have the same mega-geeky comic - book tastes as Wade.

Both principal actors have a strong enough sense of their characters, even as they're pulled into increasingly harrowing places, to make the film a more successful one than Loach's last few, but it's still schematic and predictable, and it aggressively stacks the deck against Blake and Kattie in a way that makes it more effective as social activism, and less so as drama.

Sato was so particular in how he wanted each character to look that he would not resort to an easier and less polished method of capturing character facial animation through means of motion capture.

Wes Anderson has resorted to using a very calculated character arc for this fascinating creation so that he inevitably becomes a much less selfish person and more caring for his young assistant too.

Unfortunately but not unexpectedly, be it the because the characters are less likeable, the jokes not as well written, or simply because the very idea of a The Hangover Part II is just so implausible, this darker, dirtier, nastier follow up, although still generally funny, does not hold a candle to its predecessor.

But so long as he's still the vaguely defined and nebulous character that was seen in Dark World, nobody could possibly care any less.

Like the character in Quantum Leap he can also only travel more or less in his own lifetime so he never even gets to meet Hitler or Napoleon or anything like that.

It's a complicated tale — so much so that a character literally finds a journal that explains it in one of the more unique ways to convey exposition in a while — but I found myself less hooked on the twists and turns and more engaged in the imagery and the filmmaking.

While The Last Stand is perceived as a lesser film, it still has the biggest balls of any comic book adaptation to date, killing so many lead characters in one movie.

So even if Johnson wanted to venture from his action - adventure sandbox into something a bit more character - driven, something a little less fast and furious, his options are limited because Hollywood just isn't making many movies these days that don't allow for sequels, merchandising and expanded Cinematic Universes.

Well if she's cut, it's just one less character, so what's the point?

What sounds goofy and engaging coming from Kevin Hart or Dwayne Johnson is significantly less so coming from less experienced actors, and it's the scenes featuring the characters» original teenage selves that really highlight the try - hard nature of the script.

As India, the fatherless young woman who comes to suspect her «Uncle Charlie» is a murderer, Wasikowska deftly uses her delicate features as a counterbalance to her character's darker and more perverse proclivities — for the film is less a mystery about who Uncle Charlie is and more so who India really is.

But Doug (Justin Bartha), the good (slightly boring) one insists, so Stu, despite it being his special day, reluctantly extends an invitation to the obnoxious and progressively less funny Galifianakis character.

Bryan Singer's X-Men franchise has done slightly better, giving characters like Storm (Halle Berry), Dr. Jean Grey (Famke Janssen) and Mystique (Jennifer Lawrence) rounded stories and proper dramatic arcs, so that they seemed more like women, and less like blow - up dolls.

So often we see underdog narratives where the main objective is winning and that is the end all, be all for the character, the ultimate goal worth fighting for so it's refreshing to see Eddie aim for goals less involved with the limelight, making his notoriety all the most satisfying to beholSo often we see underdog narratives where the main objective is winning and that is the end all, be all for the character, the ultimate goal worth fighting for so it's refreshing to see Eddie aim for goals less involved with the limelight, making his notoriety all the most satisfying to beholso it's refreshing to see Eddie aim for goals less involved with the limelight, making his notoriety all the most satisfying to behold.

If its many action scenes weren't so exciting or its characters less charming, it might seem businesslike, just another part of Marvel's continuing attempts to build the film equivalent of its comic - book universe.