Sentences with phrase «so with other actors»

Mark Wahlberg has been joking that sharing a screen with a teddy bear has been easier than doing so with other actors, the star referring to his role...

Not exact matches

Few have acknowledged an alternate understanding (Fareed Zakaria being one exception) which argues that Iran is acting rationally, calculating costs and benefits, but not necessarily doing so with the same goals or values as other actors.

This is especially so in the case of Syria, with multiple non-state armed groups interacting with each other, multiple foreign state actors, and no legitimate government.

Like the directors that so clearly inspired Affleck (William Friedkin, Sidney Lumet, among others) so often did with true stories turned into captivating entertainment, the actor / director has made such a fine - tuned, well - oiled machine of a film.

The actors put it all across with flair — especially Bateman and McAdams, who complete each other's thoughts so gracefully that they really do seem as if they've been married forever, and Plemons, who steals every scene he's in through deft underplaying.

It's a lot of fun to see all these characters interacting with each other, and there's a tremendous amount of meta - humor involved (actors recurring in different roles, people casting embarrassed glances at the fourth wall, and so on).

Even as characters are tweaked and actors bring a slightly different energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.

The lead actors are typecast, with Ferrell being goofy SNL - style, Vince Vaughn doing the loudmouth jackass thing he did so well in Swingers and Made and Luke Wilson acting as the straight man like in Bottle Rocket or Legally Blonde, but the refreshing thing is how the three play off each other.

So while White, Kristen Bell, Jamie Lee Curtis, Sigourney Weaver, Victor Garber, Kristin Chenoweth, and other reliable actors do their best with You Again, they can't do much beyond shining some bright spots on a dull surface.

Yet unlike so many of the director's previous cinematic puzzle games, Redbelt cares far less about tricking its audience than about plumbing its protagonist's psyche in a way both viscerally exciting and intensely analytical, a nifty trick that's aided by a host of uniformly sturdy but tonally divergent supporting actors (dainty Emily Mortimer, chilly Rebecca Pidgeon, hammy Rodrigo Santoro, goofy Tim Allen) who don't, at first glance, seem well - suited to coexist with each other.

In fact, there aren't any other actors with the necessary talent in so many different spheres.

There's not much in the way of character for anyone to work with, save our torturer, and so the other actors need only fix one pained expression on their faces and wait to die, disappear, or be rescued.

I sat down with the real - life heroes, now actors, to discuss the fascinating concept of them playing themselves, what they learned about themselves and each other after doing so, and what the film says about bringing a community together to conquer despair.

So by the time we got ready to shoot Lincoln, and I had spent the time with the other actors, most of my work was with everybody else, with Tommy Lee Jones, with Joseph Gordon - Levitt, with Sally Field, with David Strathairn, who plays Secretary of State Seward, because we hadn't spent that time discussing this together.

Adams» response was so deeply - felt as to be difficult to watch, but it speaks to the depth of the connection that Philip Seymour Hoffman created with other actors.

Lara Croft does not emerge as a person with a personality, and the other actors are also ciphers, but the movie wisely confuses us with a plot so impenetrable that we never think about their personalities at all.

All of the other actors do their best with the material they are given (particularly Shaye, who has never been more fun), but they can only do so much with Dekker's script, which unfortunately does them no favors.

Padukone has chemistry with pretty much every other actor besides Diesel, but this is his show, so we're supposed to be invested in the romantic sparks that he fails to generate.

If Owen is the standard to which all other performances must rise Foster proves to be the bare minimum you can get away with, playing a character so deeply rooted in some ethical and moral grey area you're not sure if she's being intentionally vague or if the actor ever believed in the part.

With two other projects in play this year as well, 2015 is quite possibly going to be the year of Gyllenhaal, so he's my early pick right now to take home Best Actor.

I would say that I was pretty blessed that my first day had Ed Begley Jr. and Harry Dean together, so I was in really good and seasoned hands with people who were not only great actors but who knew each other really, really well and knew the material really, really well.

The first two acts of The Maze Runner play out exactly as you'd expect them to, with all of the various details and requisite dynamics sketched in through the thin characterizations of the group's leader Alby (Aml Ameen, who along with Sangster are the only actors who manage to escape this unscathed), the rote and relentlessly irritating (for no reason other than drama) group villain Gally (Will Poulter, whose acclaim and popularity continues to baffle me as he turns in another dreadful performance), the trite cliche of the young innocent Chuck (Blake Cooper) and so on.

While none of Tilda Swinton, Bill Murray, Saoirse Ronan, F. Murray Abraham, Willem Dafoe, Jeff Goldblum or any of the other names in the film has the drawing power that Roberts did in 2000, the fact that so many recognizable actors were assembled for the same film made them a type of collective draw — a fact which the film's marketers seized upon with highly colorful promotional posters highlighting the above names and many more.

But I loved working with a cast of such a high caliber: Helen Mirren, Alfred Molina, Chris Cooper, and so many other great actors.

And the deaths of actors like Shepard, Della Reese, Jerry Lewis, Martin Landau, Harry Dean Stanton, and so many others, all of them legends, were especially poignant for me in a year that was also rife with fresh discoveries, the faces I hope to see carrying Hollywood's legacy forward.

I can't think of any other actor of his stature so generous with his costars, so content to cede center stage.

We've seen plenty of other trailers for Dunkirk so far, but it's cool that they're promoting this with a discussion among the actors talking about making this film.

In the other major categories, John Hawkes won best actor in the deeply moving The Sessions for his brilliant and sensitive portrayal of a severely disabled man who, as a virgin, decides to hire a sex surrogate so he can experience the joys of intimacy with a woman.

But The Death Cure actor who is done the biggest disservice by sharing the screen with so many others is Goggins, who gives a brief but truly memorable performance as Lawrence.

I wish every other director except Sergio Leone who ever worked with Steiger had been able to so constructively get the actor to dial it down.

So we were able to draw from the experiences of each other as actors and the time that Pen, Paul, or any of us spent with the people, or talking with J.C., or meeting J.C.'s dad, who was on set with us for a couple of days.

There are times when I laughed at a random line here or there so it's not one of the year's worst, but audiences deserve better than a movie that simply replicates clichés from other movies, ties them in a neat package with a few solid actors and then says it's something new.

Some shots will never be rid of their overexposed softness, but others look as good as any classic western, with detail so fine you can see the contrast of real dirt caked over fake blood, or the excessive bronzer applied to white actors playing Native Americans (a sadly ubiquitous sight in the genre and a compromise to standards in the otherwise full - throated subversion of racist Hollywood tradition).

What we know so far is that the film is led by Christian Bale, Cate Blanchett, and Natalie Portman, with a whole bunch of other name and character actors in supporting parts that may or may not have been cut via Malick's notoriously ruthless editing process, in the tale of an insecure womanizer who tries to find himself.

The director and his DP, Harris Savides, shot the movie largely on digital, but the film so often favours steady, patiently held compositions that allow its actors to move around within the frame and interact with each other, showing spatial relations in much the same way that Fincher is drawing connections between the facts of the case.

It seemed that the voice actors delivered all of their lines individually without having the benefit of working with the other voice actors so that conversations seemed more organic.

Sure, we'd focus on trying to match actors and directors up with the correct films to snag that award, but when it came to every other award we both had amazing casts, so most of the time the winner came down to luck.

You other so called «MGS Fans» that are okay with a new voice actor, can just deal it.

I've done voice set mods for a lot of RPGs now over the years and a few other kinds of games in my spare time (all the Baldur's Gate and Icewind Dale games, Neverwinter Nights, Temple of Elemental Evil, and several more), and I've spent a lot of time with other audio files (mostly getting other games» audio files so that I can use them for custom voice sets; I like to use my favorite voice actors, Nolan North and Roger Craig Smith, as player voice sets in RPGs).

We're making use of techniques like performance capturing - so we get really good physical performances from actors along with their facial expressions and voices and their interaction with other actors - to build a game that has a really strong narrative component that isn't just a highly replayable shooter.