Not exact matches
Jelly jars of
turpentine with brushes
soaking in them on the coffee table.
Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured
turpentine - thinned paint in watery washes onto the raw canvas so that it
soaked into the fabric weave, becoming one
with it.
He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of
soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made
with thinned black enamel paint).
While Newman's work reeled viewers into a color field, Swavely's paintings resist close inspection, for as one approaches, the brushstrokes that once felt voluminous fall flat, having been washed away by
turpentine -
soaked rags scrubbed across canvas heavy
with oil.
The city's first major exhibition of Frankenthaler's work in more than five decades, the exhibition explores her return to gestural improvisation after years spent developing her «
soak - stain» technique (
soaking her raw canvas
with turpentine - thinned paint).
Coming on Avery's heels, Frankenthaler developed her «
soak - stain» technique, in which paint thinned
with turpentine is poured directly onto an unprimed canvas.
Coming on Avery's heels, Frankenthaler developed her «
soak - stain» technique, in which paint thinned
with turpentine is
She had previously been using
turpentine - thinned oil paints to create her seminal
soak - stain paintings, but she became dissatisfied
with the way the oil paint interacted
with her unprimed canvases.
Brought together and exhibited for the first time since the mid»80s, these romantically melancholy, expressionist oil paintings feature isolated individuals that materialize out of dark, ill - defined backgrounds that Spero laboriously painted, repainted, and wiped down
with turpentine -
soaked rags.
She developed her famous «
soak stain'technique, in which she applied paint thinned out
with turpentine directly to raw, unprimed canvas.
She heavily diluted the oil paint
with turpentine so that the color would
soak into the canvas.
Perhaps most telling in all of Wool's repertoire of anti-gestural gestures is his propensity, since 2000, to paint by erasing — to wipe away
with a
turpentine -
soaked rag the marks he's already made.