Sentences with phrase «social architecture of the space»

Not exact matches

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Höfer specializes in large - format photographs of empty interiors and social spaces that capture the «psychology of social architecture».

As architecture critic, Kimmelman has written on issues of public housing, public space, infrastructure, community development, and social responsibility.

Both his artwork and his architecture are based on the social interactions between people and the blurring of public and private space.

Public / private, institutional space and social control are explored in the work of Renata Lucas whilst Carlos Bunga creates site specific installations in response to the history, atmosphere and architecture of the gallery.

Collaborators since 1995, Elmgreen & Dragset create unusual installations and performance pieces that draw connections between art and architecture, public and private space, and a myriad of social issues.

Stockholder has long broken down the boundaries between painting, sculpture, and architecture to explore the body in social and cultural space — using found objects intertwined with profusions of vivid colors.

Of note are works like Monument for Living in Defeat (2016), which plays with the staging of sculpture, painting, and pedestals, and Ornamental Composition for Social Spaces 1 (2016), which relates pre-modern architecture to Suprematist paintinOf note are works like Monument for Living in Defeat (2016), which plays with the staging of sculpture, painting, and pedestals, and Ornamental Composition for Social Spaces 1 (2016), which relates pre-modern architecture to Suprematist paintinof sculpture, painting, and pedestals, and Ornamental Composition for Social Spaces 1 (2016), which relates pre-modern architecture to Suprematist painting.

In This Hello America... engages both the physical and social architecture of Bard College by re-envisioning the cultural space produced by Sasson Soffer's public art sculpture Hello America (1980), located near the campus center.

According to the curators of this year's show, the work of Nathan Coley, who was born in Glasgow in 1967, «explores the ways in which architecture and public space can symbolise systems of social and political value, as well as religious belief».

Austen Brown considers the inherent social and economic implications of space and architecture by excavating the modern history and current legacy of two Chicago sites: Marina Towers and the Raymond Hilliard Tenement Homes.

The Irish artist imagines a speculative live / work environment drawing influence from Modernist architecture and science fiction, both of which imagine the future as a utopian space of fantastic social and political potential.

Francis Alÿs is a Belgian artist whose work emerges in the interdisciplinary space of art, architecture, and social practice.

Marcin Dudek's second solo exhibition at Edel Assanti, we stumbled as we clambered, is an exploration of the politics of identity and space, conflating hooliganism, memory and the architecture of social experience.

His work emphasizes the exhibition space as an intermediary between the social architecture of communities and the mainstream art world.

When we look back into the university, we consider what influence the rhythms of SFU's architecture, pedagogy, politics and community have had on artistic practice and how artists inform the social space of the university.

Jessica Stockholder has long broken down the boundaries between painting, sculpture, and architecture to explore the body in social and cultural space - using found objects intertwined with profusions of vivid colours.

Their installations bridge architecture and art, examine the social, economic and political consequence of exile and displacement, and delve into public and private impermanent spaces.

He is the author of many books on social policy, landscape and architecture and was a member of the UK government's Urban Green Spaces Task Force, and adviser to the Commission for Architecture and the Built Environment (CABE).

The work of New York — based artist Sarah Oppenheimer (born 1972) spans the boundaries between sculpture and architecture, exploring how space is animated and experienced in order to provide a deeper understanding of architecture as a constructed social environment.

From the transformation of New York City's Bohen Foundation into a 13th Street Subway Station in 2004, to the siting of a Prada boutique in a Texan desert in 2005, and the insertion of institutional spaces within the architecture of a public gallery, as in the Serpentine Gallery's critically acclaimed The Welfare Show in 2006, their work raises issues around social models and social spaces, and prompts a re-thinking of the status quo.

By appropriating technologies of representation from the sciences, architecture, and the commercial arts and combining the dimensional properties of video, photography, sculpture, and drawing, Sarah Dornner investigates the ways in which cultural and social constructs inform individual perceptions of space.

With shifting modes of presentation and the structural logic of collage, he considers the social ramifications of rigidly planned urban spaces and modernist architecture, which became prominent in Europe in the 60s and 70s.

Looking back at the university, the exhibition considers the influence of SFU's architecture, pedagogy and politics on artistic practice, and how artists have informed the social space of the university.

Instead, united by a methodical, often distanced perspective on architecture and landscape as a form of documentary evidence, his images summon the personal experience of public space and the social aspirations encoded in concrete, rebar, clay and dust.

His work has also been selected for group exhibitions Small Scale, Big Change: New Architectures of Social Engagement, Museum of Modern Art, New York (2010) and Sensing Spaces, Royal Academy, London (2014).

More than any other social space, cyberspace would be controlled or not depending upon the architecture, or «code,» of that space.