Sentences with phrase «social center of the island»

Rincón became the vibrant, social center of the island and its rich heritage is still alive today.

Not exact matches

The center is the first of its kind on Staten Island, following the lead of every other borough in the city, each of which already has such a center dedicated to providing comprehensive civil legal, criminal justice, and social services free of charge to victims of domestic abuse, sex trafficking, and elderly abuse.

But several social - studies experts on Long Island explained that one recent debate in their field centered on the question of whether the exam's coverage should start with the Age of Enlightenment, which began around 1650, or the Industrial Age, which started around 1760.

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Rosiris also worked as the editorial coordinator in Prensa Comunitaria - a nonprofit organization centered in the practice of social journalism — where she was able to assign and cover news about some of most disadvantage communities in the island.

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Ackland Art Museum, The University of North Carolina, Chapel Hill, NC Albright - Knox Art Gallery, Buffalo, NY Arkansas Art Center, Little Rock, AR Art Gallery of Ontario, Toronto, Canada Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Bradbury Gallery, Arkansas State University, Jonesboro, AK Brooklyn Museum of Art, Brooklyn, NY Cantor Art Center, Stanford University, Palo Alto, CA Cleveland Museum of Art, Cleveland, OH Columbia University, New York, NY Columbus Museum of Art, Columbus, OH Corcoran Museum of Art, Washington, DC Crystal Bridges Museum of Art, Bentonville, AR University of Delaware, Newark, DE Dallas Museum of Art, Dallas, TX Delaware Art Museum, Wilmington, DE Denver Art Museum, Denver, CO Des Moines Art Center, Des Moines, IA The Detroit Institute of Arts, Detroit, MI Didrichsen Museum, Helsinki, Finland Elvehjem Museum of Art, Madison, WI Figge Art Museum, Davenport, IA Flint Institute of Art, Flint, MI Frederick R Weisman Art Museum, University of Minnesota, Minneapolis, MN Greenville County Museum of Art, Greenville, SC Grey Art Gallery, New York University, New York, NY Hammer Art Museum, Los Angeles, CA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Hillwood Art Museum, Long Island University, Brookville, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Hunter Museum of American Art, Chattanooga, TN Huntington Museum of Art, Huntington, WV Iowa State University, Ames, IA The Jewish Museum, New York, NY The John & Mable Ringling Museum of Art, Sarasota, FL Martin Art Gallery, Muhlenberg College, Muhlenberg, PA Mead Art Museum, Amherst College, Amherst, MA The Metropolitan Museum of Art, New York, NY The Mint Museum of Art, Charlotte, NC Mobile Museum of Art, Mobile, AL Mulhenberg College, Allentown, PA Munson - Williams - Proctor Institute Museum of Art, Utica, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA The Museum of Modern Art, New York, NY The Nelson - Atkins Museum of Art, Kansas City, MO National Gallery of Art, Washington, DC Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY New Britain Museum of Art, New Britain, CT New Orleans Museum of Art, New Orleans, LA New School for Social Research, New York, NY Newark Museum, Newark, NJ Oklahoma City Museum of Art, Oklahoma City, OK Palmer Art Museum, Pennsylvania State University, University Park, PA Pennsylvania Academy of Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Phoenix Art Museum, Phoenix, AZ Portland Art Museum, Portland, OR San Diego Museum of Art, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA San José Museum of Art, San José, CA Santa Barbara Museum, Santa Barbara, CA São Paulo Museum, São Paulo, Brazil Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smith College Museum of Art, Smith College, Northampton, MA Smithsonian American Art Museum, Washington, DC Spencer Museum of Art, University of Kansas, Lawrence, KS Tamayo Museum, Mexico City, Mexico Tel Aviv Museum, Tel Aviv, Israel Tucson Museum of Art, Tucson, AZ Ulrich Museum of Art, Wichita State University, Wichita, KS University of Tucson, Tucson, AZ University Gallery, University of Massachusetts, Amherst, MA The University of Michigan Museum of Art, Ann Arbor, MI Vanderbilt University Fine Arts Gallery, Vanderbilt University, Nashville, TN Virginia Museum of Fine Art, Richmond, VA Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY Wichita Art Museum, Wichita, KS Williams College Museum of Art, Williams College, Williamstown, MA Yale University Art Gallery, Yale University, New Haven, CT

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Morris has organized several exhibitions that explored issues related to feminism and its impact as a social, political, and intellectual construct on the development of visual culture — among them Decoys, Complexes and Triggers: Feminism and Land Art in the 1970s at the Sculpture Center, Long Island City, New York, and Gloria and Regarding Gloria at White Columns, New York.

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