Sentences with phrase «social critique into»

Colson's diagrams and maps speak to the detached, abstract quality of much human analysis, at the same time smuggling social critique into each work.
Despite minimal effort to throw thinly - veiled social critique into the mixer, Mom and Dad exists for one reason and one reason alone: to entertain.
No filmmaker has ever been as successful as Chaplin in tugging at our heartstrings while simultaneously leaving us helpless in laughter, and this gem finds him operating at the peak of his abilities, even throwing his usual social critique into the mix.

Not exact matches

A justified process - rooted philosophical appreciation of social canons can be taught through a pedagogical strategy that begins with their critique, that expunges them from the natural given furnishings of the immediately real in order to rediscover them as the inherited cultural accretions by which we transform the immediately real into a world of enduring meanings and human significance.
The Trivialization of God: The Dangerous Illusion of a Manageable Deity By Donald W. McCullough NavPress, 172 pages, $ 16 The president of San Francisco Theological Seminary offers a sprightly and at times disturbing critique of the many ways in which we try to domesticate God» fitting Him into our emotions, concepts, or social» political proclivities.
Spelled out in a lengthy lead editorial entitled «Evangelicals in the Social Struggle,» as well as in books such as Aspects of Christian Social Ethics, Henry's understanding of Christian social responsibility stressed (a) society's need for the spiritual regeneration of all men and women, (b) an interim social program of humanitarian care, ethical proclamation, and personal, structural application, and (c) a theory of limited government centering on certain «freedom rights,» e. g., the rights to public property, free speech, and so on.18 Though the shape of this social ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political sSocial Struggle,» as well as in books such as Aspects of Christian Social Ethics, Henry's understanding of Christian social responsibility stressed (a) society's need for the spiritual regeneration of all men and women, (b) an interim social program of humanitarian care, ethical proclamation, and personal, structural application, and (c) a theory of limited government centering on certain «freedom rights,» e. g., the rights to public property, free speech, and so on.18 Though the shape of this social ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political sSocial Ethics, Henry's understanding of Christian social responsibility stressed (a) society's need for the spiritual regeneration of all men and women, (b) an interim social program of humanitarian care, ethical proclamation, and personal, structural application, and (c) a theory of limited government centering on certain «freedom rights,» e. g., the rights to public property, free speech, and so on.18 Though the shape of this social ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political ssocial responsibility stressed (a) society's need for the spiritual regeneration of all men and women, (b) an interim social program of humanitarian care, ethical proclamation, and personal, structural application, and (c) a theory of limited government centering on certain «freedom rights,» e. g., the rights to public property, free speech, and so on.18 Though the shape of this social ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political ssocial program of humanitarian care, ethical proclamation, and personal, structural application, and (c) a theory of limited government centering on certain «freedom rights,» e. g., the rights to public property, free speech, and so on.18 Though the shape of this social ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political ssocial ethic thus closely parallels that of the present editorial position of Moody Monthly, it must be distinguished from its counterpart by the time period involved (it pushed others like Moody Monthly into a more active involvement in the social arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political ssocial arena), by the intensity of its commitment to social responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political ssocial responsibility, by the sophistication of its insight into political theory and practice, and by its willingness to offer structural critique on the American political system.
Using rock's intense energy and direct immediacy (be it expressing a personal or a social critique), Been stares anger and hurt in the face, confronts it and directs it into a more productive direction.
In transforming this topical expose into a more metaphorical critique of the nuclear family, consumer society, and the social (mis) education of children, the film resonates with ideological implications that still have the power to unsettle.
Frantz should patent its narrative style, a shape - shifting genre - bending dynamic that can morph a melodrama into a thriller into social critique and back again.
Like that earlier film, «Loveless» is a shatteringly bleak family drama that expands into a corrosive critique of its country's social, political and spiritual ills.
to critique injustice; as a teacher educator, Ladson - Billings had noticed prospective teachers» unwillingness to bring social inequities into the classroom and sought to reverse that trend.
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Reaching into the current social fabric of U.S. culture, the work investigates and excavates popular culture and places what is found on a stage for questioning and critique.
Pissing Match is a sharp social critique, which considers a range of issues and brings into focus the close relationships between fear, fun, and depravity.
Adrian Piper's work Mythic Being (1973) and the work of Sara Greenberger Rafferty, an artist whose critique of social roles in stand - up comedy Grabner also curated into the Biennial, appear to have directly influenced Scanlan's choices.The problem with his project is that it functions by exploiting rather than critiquing the severely limited representation of minority artists at the Whitney, and in the art world more broadly.
Bifurcated into the colors of white on the first floor and black on the second floor, the exhibition continues the artist's formal inquiry into painting, abstraction, and performance with a discomforting social critique of American histories, injustices, and structures of power.
Artist Rodney McMillian's exhibition Against a Civic Death continues the artist's formal inquiry into painting, abstraction, and performance with a discomforting social critique of American histories, injustices, and structures of power.
Artists like John Altoon, Wallace Berman, Bruce Conner, Jay DeFeo, George Herms, and Edward Kienholz were part of a «Beat» generation, whose social critiques would eventually be incorporated into the counterculture and social protest movements that shaped the second half of the 20th century.
Emerging from the dynamic arts program at Goldsmiths College, University of London, in the late 1980s, Gillick expanded into social sculpture, cultural critique, and «Relational Aesthetics,» the critic Nicolas Bourriaud's term for art within a context of relationships.
Kogelnik, well known for her distinctive style, bright color palette, and close relationship to second - wave feminism, employed a variety of media in her investigations into politics, social critique, the space age, and the human body.
Steadfast in her cultural, political and social critique for over 50 years, Bernstein surged into art world prominence in the early 1970s with her monumental charcoal drawings of penis - screw hybrids; early incarnations of which were exhibited at AIR Gallery; Brooks Jackson Iolas Gallery, New York; Brooklyn Museum; and MoMA P.S. 1, among other institutions.
Acting as artist - architect, Bronstein imagines and plans his structures with the specific intention of exploring not only the demarcation of private and public spaces but also quietly critiquing the social and political elements that play into realizing magnificent feats of civil engineering.
Artists in this passage of «Revolution in the Making» engage space more aggressively in order to work through questions of structure and materials, drawing performance, social critique, and previously untried mediums into their sculpture.
He is the author of For Love of the Automobile: Looking Back into the History of Our Desires, the editor of the immensely influential Development Dictionary: A Guide to Knowledge as Power, and the co-author of Greening the North: A Post-Industrial Blueprint for Ecology and Equity, which goes beyond critique to envisage concrete alternatives and feasible processes for social transition.
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