Sentences with phrase «social critique through»

Since the 1960s, Brooklyn - based artist Martha Rosler has offered political and social critique through video, photography, installations, and performances.

The Scandinavian duo, Elmgreen & Dragset, who are well known for their subtle, aesthetic and ironical way of social critique through installation works, question the art institution's power positions.

While those authors have done a better job of this kind of social critique through fantasy, this should not demerit The Black Witch in and of itself either, as it speaks very much to the contemporary reality within which it was published.

Not exact matches

A justified process - rooted philosophical appreciation of social canons can be taught through a pedagogical strategy that begins with their critique, that expunges them from the natural given furnishings of the immediately real in order to rediscover them as the inherited cultural accretions by which we transform the immediately real into a world of enduring meanings and human significance.

Scroll through your social media feeds and you'll see biting comments and mean - spirited critiques.

But when you read through Ralph Koster's declaration of rights or James Miller's conflict - resolution proposal — and the hundreds of thoughtful critiques posted in response to each — the online world suddenly feels closer to 1776 in America or 1848 in France, when ordinary citizens struggled to make their revolutionary visions of social organization a reality.

As students learn to use technology tools to build representations of a social world's characteristics, they generate reflective critical thought through their analysis and critique of the identities, relationships, and values constructed by the cultural practices and discourses in that social world.

Then it became full - manuscript critiques, deeper friendships with writers, broader social reach with readers through publishing.

The use of social and political critique through his work allowed him to capture many people's attention.

From critical analysis to furthering and refining material knowledge, each student will engage in an intense studio experience, strengthening their skills and broadening their knowledge of historical, social, and critical issues through seminars, group critiques, and peer interactions.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

This is not surprising since Kienholz» passion for addressing difficult social issues through his art has taken the form of uncompromising critiques of American society.

During the intensive workshop participating artists discuss their practice with the guest tutors in tutorials and critiques, and extend their professional networks through attending professional practice seminars, gallery visits and socials.

Josh Kline's immersive installation, Freedom, addresses the sense of widespread disillusionment and upheaval in a climate of surveillance and builds a critique through samples of digitally archived political - media content and references to mass data tracking and social unrest.

Kendell Carter's newest works are multilayered paintings that critique and acknowledge the social constructs that exist within individuals and communities through the physical and aesthetic properties of painting.

The exhibition venue thus becomes the starting point for his works which on the one hand examine the institutional, social and structural framework of art in the tradition of Institutional Critique, and on the other go through a multitude of new, expansive narrations.

Through a combination of Socratic questioning and satire, this exhibition asserts a level of activism and critique on a collective social complacency.

This series presents an exploration of the expressive possibilities of fiber through the work of 27 contemporary artists, while engaging the viewer in broader considerations of the medium's emotional meanings, its connections with ordinary experiences, and its capacity for critique and social commentary.

And yet art persists in envisioning a different politics — repeatedly testing whether a revolution in perception, in how we see, might instigate a revolution in the world, in how we live, whether through history painting or Productivism, institutional critique or social practice.

BIOS: Through her performance art, Alicia Grullón critiques the politics of presence and argues for the inclusion of disenfranchised communities in political and social spheres.

Matthew Darbyshire's work explores notions of social and cultural critique through playful approaches to urban architecture and design.

He filters challenging, social subject matter through visual art tropes that seem to simultaneously critique and celebrate their subjects.

Maggie Puckett critiques environmental and social injustices through artist's books, maps, and sculptures crafted from handmade paper.

Through printmaking and installation, Sollisch creates emotional environments for self - reflection, social critique, and humor.

The Community Based Artist in Residence pilot program provides the artist with support and resources within the local Guttenberg community that the artist has proposed to work with, a small stipend, 24/7 access to studio space, group show, three visiting critiques, promote the work and exhibition through our social media platform and art world network.

Artists in this passage of «Revolution in the Making» engage space more aggressively in order to work through questions of structure and materials, drawing performance, social critique, and previously untried mediums into their sculpture.

Building on this critique, Speth goes on to conclude in his book that: (1) «today's system of political economy, referred to here as modern capitalism, is destructive of the environment, and not in a minor way but in a way that profoundly threatens the planet» (2) «the affluent societies have reached or soon will reach the point where, as Keynes put it, the economic problem has been solved... there is enough to go around» (3) «in the more affluent societies, modern capitalism is no longer enhancing human well - being» (4) «the international social movement for change — which refers to itself as «the irresistible rise of global anti-capitalism» — is stronger than many imagine and will grow stronger; there is a coalescing of forces: peace, social justice, community, ecology, feminism — a movement of movements» (5) «people and groups are busily planting the seeds of change through a host of alternative arrangements, and still other attractive directions for upgrading to a new operating system have been identified» (6) «the end of the Cold War... opens the door... for the questioning of today's capitalism.»