Sentences with phrase «social cultural projects»
Since September 2016 he has been collaborating with Circus, in Milan, a reality born as a society for photographic services which now aims for the fusion between the profit world and social cultural projects.
https://www.artelagunaprize.com/ Not exact matches
ACC Accounting & Auditing, AFR Africa, AGE Economics of Ageing, AGR Agricultural Economics, ARA Arab World, BAN Banking, BEC Business Economics, CBA Central Banking, CBE Cognitive & Behavioural Economics, CDM Collective Decision - Making, CFN Corporate Finance, CIS Confederation of Independent States, CMP Computational Economics, CNA China, COM Industrial Competition, CSE Economics of Strategic Management, CTA Contract Theory & Applications, CUL Cultural Economics, CWA Central & Western Asia, DCM Discrete Choice Models, DEM Demographic Economics, DEV Development, DGE Dynamic General Equilibrium, ECM Econometrics, EDU Education, EEC European Economics, EFF Efficiency & Productivity, ENE Energy Economics, ENT Entrepreneurship, ENV Environmental Economics, ETS Econometric Time Series, EUR Microeconomics European Issues, EVO Evolutionary Economics, EXP Experimental Economics, FDG Financial Development & Growth, FIN Finance, FMK Financial Markets, FOR Forecasting, GEO Economic Geography, GRO Economic Growth, GTH Game Theory, HAP Economics of Happiness, HEA Health Economics, HIS Business, Economic & Financial History, HME Heterodox Microeconomics, HPE History & Philosophy of Economics, HRM Human Capital & Human Resource Management, IAS Insurance Economics, ICT Information & Communication Technologies, IFN International Finance, IND Industrial Organization, INO Innovation, INT International Trade, IPR Intellectual Property Rights, IUE Informal & Underground Economics, KNM Knowledge Management & Knowledge Economy, LAB Labour Economics, LAM Central & South America, LAW Law & Economics, LMA Labor Markets - Supply, Demand & Wages, LTV Unemployment, Inequality & Poverty, MAC Macroeconomics, MFD Microfinance, MIC Microeconomics, MIG Economics of Human Migration, MKT Marketing, MON Monetary Economics, MST Market Microstructure, NET Network Economics, NEU Neuroeconomics, OPM Open Macroeconomics, ORE Operations Research, PBE Public Economics, PKE Post Keynesian Economics, POL Positive Political Economics, PPM Project, Program & Portfolio Management, PUB Public Finance, REG Regulation, RES Resource Economics, RMG Risk Management, SBM Small Business Management, SEA South East Asia, SOC Social Norms & Social Capital, SOG Sociology of Economics, SPO Sports & Economics, TID Technology & Industrial Dynamics, TRA Transition Economics, TRE Transport Economics, TUR Tourism Economics, UPT Utility Models & Prospect Theory, URE Urban & Real Estate Economics.
ACC Accounting & Auditing, AFR Africa, AGE Economics of Ageing, AGR Agricultural Economics, ARA Arab World, BAN Banking, BEC Business Economics, CBA Central Banking, CBE Cognitive & Behavioural Economics, CDM Collective Decision - Making, CFN Corporate Finance, CIS Confederation of Independent States, CMP Computational Economics, CNA China, COM Industrial Competition, CSE Economics of Strategic Management, CTA Contract Theory & Applications, CUL Cultural Economics, CWA Central & Western Asia, DCM Discrete Choice Models, DEM Demographic Economics, DEV Development, DGE Dynamic General Equilibrium, ECM Econometrics, EDU Education, EEC European Economics, EFF Efficiency & Productivity, ENE Energy Economics, ENT Entrepreneurship, ENV Environmental Economics, ETS Econometric Time Series, EUR Microeconomic European Issues, EVO Evolutionary Economics, EXP Experimental Economics, FDG Financial Development & Growth, FIN Finance, FMK Financial Markets, FOR Forecasting, GEO Economic Geography, GRO Economic Growth, GTH Game Theory, HAP Economics of Happiness, HEA Health Economics, HIS Business, Economic & Financial History, HME Heterodox Microeconomics, HPE History & Philosophy of Economics, HRM Human Capital & Human Resource Management, IAS Insurance Economics, ICT Information & Communication Technologies, IFN International Finance, IND Industrial Organization, INO Innovation, INT International Trade, IPR Intellectual Property Rights, IUE Informal & Underground Economics, KNM Knowledge Management & Knowledge Economy, LAB Labour Economics, LAM Central & South America, LAW Law & Economics, LMA Labor Markets - Supply, Demand & Wages, LTV Unemployment, Inequality & Poverty, MAC Macroeconomics, MFD Microfinance, MIC Microeconomics, MIG Economics of Human Migration, MKT Marketing, MON Monetary Economics, MST Market Microstructure, NET Network Economics, NEU Neuroeconomics, OPM Open Macroeconomics, PBE Public Economics, PKE Post Keynesian Economics, POL Positive Political Economics, PPM Project, Program & Portfolio Management, PUB Public Finance, REG Regulation, RES Resource Economics, RMG Risk Management, SBM Small Business Management, SEA South East Asia, SOC Social Norms & Social Capital, SOG Sociology of Economics, SPO Sports & Economics, TID Technology & Industrial Dynamics, TRA Transition Economics, TRE Transport Economics, TUR Tourism Economics, UPT Utility Models & Prospect Theory, URE Urban & Real Estate Economics.
He is currently employed on the Electronic Culture Research Project, a special initiative of the Uniting Church's Commission in Victoria to explore the impact of electronic media on global cultures and the implications of this cultural change on religious institutions and on the social experience and expression of religious faith.
We stopped tending to what holds us together — the nation as a social, cultural, and even moral project.
The fear of «a Catholic parochialism, in which Catholic culture... simply projects its theoretically naïve biographical perspective onto the social and cultural map of the present» (page 76) seems to weigh more with the authors of On the Way to Life than a confidence in what we have to offer.
This could be through culinary innovation, a commitment to social responsibility, sustainability or the economic development of their community; involvement in health or environmental campaigns, the promotion of pioneering cultural projects, or works that benefit society through their positive impact on the food industry.
These projects can also be anchored around the implementation of sporting fiestas, cultural and social events and vocational trainings to keep the younger persons busy and creatively productive.
The company, with offices in HongKong and Dubai, specialises in financial engineering and projects geared towards socio - economic transformation, with a principled work ethic guided by environmental stewardship, cultural diversity and social responsibility.
The Tribunal also counselled Socio - Economic Rights and Accountability Project (SERAP) to research the issues «to see how best we can reconcile our social and cultural values viz - a-viz the entire war against corruption and advise our policymakers accordingly.»
On the issue of pork barrel spending, the Reform Party would like to keep legislators from using federal funding to support projects that have little economic, social or cultural effect.
The nation's defense agencies spend hundreds of millions of dollars each year funding cognitive neuroscience research, Moreno noted, citing research projects to better understand and model «human behavior in social and cultural contexts» and explore systems for «direct neural interfacing to receive and react to operationally relevant environmental, physiological and neural information.»
In 1996, SHRP and the Human Rights Information and Documentation Systems International (HURIDOCS)- a global network of organizations concerned with information handling and documentation of human rights violations, began a three - year project to develop a «violations approach» to monitoring economic, social, and cultural rights (ESCR) as enumerated in the International Covenant on Economic, Social, and Cultural Rights (ICsocial, and cultural rights (ESCR) as enumerated in the International Covenant on Economic, Social, and Cultural Rights (cultural rights (ESCR) as enumerated in the International Covenant on Economic, Social, and Cultural Rights (ICSocial, and Cultural Rights (Cultural Rights (ICESCR).
As the guide warns, «[w] ith research involving international collaborators, legal, social, and cultural differences may lead to disputes over whether someone has acted irresponsibly» in the course of a project.
The 193 signatories to the convention agreed to outlaw such geoengineering projects «until there is an adequate scientific basis on which to justify such activities and appropriate consideration of the associated risks for the environment and biodiversity and associated social, economic and cultural impacts».
A subsequent project involved the development, dissemination and analysis of a preliminary global questionnaire to elicit the views of scientists, engineers and health professionals as to the meaning of the right; and organization of a briefing for the United Nations Committee on Economic, Social and Cultural Rights to inform its development of a General Comment on the right.
So he is trying to organize a Human Behaviorome Project that will quantify the things we do when we put our genes into action: every personal, social, and cultural behavior that makes us human.
Dr. Kirsten Isensee, Project Specialist — Ocean Carbon Intergovernmental Oceanographic Commission of the United Nations Educational, Social, and Cultural Organization www.iocunesco.org
Through a variety of media, recipients from different locales around the world exchange social and cultural information, and share ideas and progress related to respective projects.
Abstract: The article intitled the solidarity and participative reinvention of the university: another world is possible discusses the economic, social and cultural transformations that have occurred worldwide in recent decades and how it has made possible the construction of a participatory, solidarity and collaborative ethics in project management within the university and community.
The project was a model where gender prospective approach enabled in understanding substantial women role in the public life of Darfur encouraging creating social relation where women and men joined together discussed the factors barriers women to play its role in public life especially cultural and socio - political barriers.
Follow the social media hashtag #GlobalEd to pick up collaborative projects that promote cultural awareness and connections through technology.
One of the best ways to develop cultural literacy and help our students understand these goals is through social justice processes and projects, activities that develop a mindset of concern for our society's inequity in wealth, education, and privilege.
Author Bio: Larry Kearns, a principal at Wheeler Kearns Architects in Chicago, focuses on educational and cultural projects with ambitious social, economic, and environmental goals.
2003 — CEI - PEA launched Project BOOST to provide academic, social and cultural enrichment to under - achieving fourth through eighth - grade students with the ultimate goal of helping them gain admission to quality high schools.
Mrs. Lamour: We want to incorporate project - based learning with an eye towards social justice and cultural relevance.
Aguas's students participate in project - based learning that promotes self - discovery, cultural understanding, and an appreciation of social justice.
The Global Oneness Project brings the world to the classroom through free multicultural stories and accompanying lesson plans to explore cultural, social, and environmental issues through a humanistic lens.
This is a highly controversial and unpopular stance, especially on the left, which ascribes disadvantaged children's poverty and academic troubles to oppressive social structures and defective institutions and is suspicious of projects that blame disadvantage on dysfunctional cultural norms.
The Philadelphia Cultural Participation Benchmark Project, funded by the John S. and James L. Knight Foundation, was a collaboration of the University of Pennsylvania's Social Impact of the Arts Project (SIAP), RFA, and Audience Insight...
I'm already preparing myself for a ration of Social Justice Ninnies whining about cultural appropriation when I finish one of my next book projects — a small South Texas town full of interestingly eccentric characters, about half of whom are Hispanic.
The mission of the Media Awareness Project is to empower youth to use media for community engagement, cultural expression & social change.
Our mission is to demonstrate the social, cultural, and educational potentials of videogames by initiating new game development projects, coordinating interdisciplinary research efforts, and informing public conversations about the broader and sometimes unexpected uses of this emerging art form in education.
Maria calls the Show de Bola exhibit a «social - cultural project» and notes that artists of all ages, backgrounds and styles can participate.
A hard - to - define creative whose cultural development projects bridge art, social justice and urban planning, the success and unexpected direction of Gates's practice exemplifies the sentiments expressed in the remarks of Lowe.
The buildings and projects produced during this time are a clear reflection of the social and cultural context of the socialist period in this area.
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.
Nicola Vassell is Founder of Concept NV, an art ideation lab specialized in the development of fine art exhibitions and art - integrated projects that articulate cultural and social phenomena.
Nicola Vassell is Founder of Concept NV, an art ideation lab specialized in the development of fine art exhibitions and art - integrated projects that articulate cultural and social phenomena.
As far as social practice goes, the project seems to have been done in the best possible spirit — mobilizing the resources of a major cultural institution in collaboration with the community to create some genuine benefit for the people who live in the neighborhood.
It was the social spaces and cultural structures constituted around this regular gathering that facilitated the beginnings of our project.
Marco Antonini of New York - based NURTUREart wrote that ``... Beyond fine art, Gilewicz» projects can be considered a form of context - driven creative labor split between cultural criticism, institutional critique and genuine social involvement...»
Art Southampton runs from 7 to 11 July at the height of the summer social and cultural season and takes place at the Art Southampton Pavilion, Nova «s Ark Project, 60 Millstone Road, Bridgehampton, NY 11976.
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
The dehierarchising rhetoric of artists whose projects seek to facilitate creativity ends up sounding identical to government cultural policy geared towards the twin mantras of social inclusion and creative cities.
His intense engagement with cultural and social issues led him to organize the Rauschenberg Overseas Culture Interchange from 1984 to 1991, an unprecedented project that took him to countries such as Tibet, Cuba, and China and sought to create social connections and bridge political differences.
He works as an artist, curator, urbanist and facilitator, and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change.
The project connects 18th Street Arts Center and our surrounding Pico Neighborhood with other Los Angeles institutions and community histories to develop a living and breathing archive that thrives off of collaborations with various individuals who come from multiple social, cultural, geographical, and artistic perspectives.
Physically present in Beijing, I: project space offers a hybrid practice in creating a new network of art practice and discourse, challenging preexisting notions of social, cultural and political forces in art.