«Recreation» includes portraits, self - portraits and
social documentary images that explore how we reveal ourselves when playing in pools or at the beach.
Not exact matches
In what was more pronounced in the
social media, Nigerians took turns to further query the federal government on how the
documentary meant to launder the
image of the president will end the fuel crisis.
«LATOYA RUBY FRAZIER: Performing
Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her
documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work,
images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).
While the pictures on view fall into a more conventional category of portraiture, carefully constructed
images of sitters who pose and allow themselves to be choreographed and photographed over time, Opie's portraits arguably extend
social documentary into the present moment.
Mr. Harris» most recent film, Through A Lens Darkly: Black Photographers and the Emergence of a People won the 2015 NAACP
Image Award for Outstanding
Documentary film, a Fund for Santa Barbara
Social Justice Award and an Africa Movie Academy Award among others.
Toward the latter period of his
documentary work, Siskind's growing interest in the poignancy of less referential
images began to reveal; the repeat of windows perforating abandoned brownstone façades in Harlem translate more as an exploration of pattern and texture than as
social commentary.
Several of the two dozen works are
documentary photographs of acts of
social disobedience, public demonstrations and political counteraction, among them now - famous
images by Richard Avedon, Gordon Parks, Larry Fink, Gilles Peress and Garry Winogrand.
Inspired by a blend of
social documentary, figurative portraiture, and family album - style snapshots, her
images explore visual expression and identity in black culture.
Because
social documentary photography requires distribution through
social channels, the exhibition also includes the published reports, journals, magazines, books, Instagram posts, and other documents that brought these
images to the public eye.
Though based in specific contexts — the home of a Cuban immigrant or the small - town landscape of the southeastern United States — her
documentary images allude to more general patterns of
social and economic exchange.
We welcome a wide range of photo - and
image - based approaches, including
documentary photography, conceptual photography, video art, video installation,
social practice, archival or aggregated projects, interactive and emerging media (including virtual and augmented reality), and information art (using photography and / or associated data).
Instead, united by a methodical, often distanced perspective on architecture and landscape as a form of
documentary evidence, his
images summon the personal experience of public space and the
social aspirations encoded in concrete, rebar, clay and dust.
Her
images of California's LGBT community — including a self - portrait wearing a bondage mask, her body punctured by needles and the word pervert razored into her chest — threw Catherine Opie onto the
social -
documentary scene of the early 1990s.