Sentences with phrase «social documentary work»

Seis del Sur: BARRIOS is a photographic group exhibition featuring both the vintage and contemporary photojournalistic and social documentary work of the six members of the Seis del Sur photo collective: Joe Conzo, Ricky Flores, Ángel Franco, David González, Edwin Pagán, and Francisco Molina -LSB-...]

Not exact matches

For my next project, Dispossession: The Great Social Housing Swindle, I'm working with another director, Lee Skelly, on a documentary which will examine the failures and deception behind the social housing cSocial Housing Swindle, I'm working with another director, Lee Skelly, on a documentary which will examine the failures and deception behind the social housing csocial housing crisis.

I chased The Other Side Of Hope with a film whose existential metaphors and appreciation for the drudgery and social habits of working stiffs couldn't be more different from Kaurismäki's droll, Capra-esque humanism: Good Luck (Grade: B), a striking documentary mood - piece by the American experimental director Ben Russell (Let Each One Go Where He May, A Spell To Ward Off The Darkness).

Composer J. Ralph has cut an interesting path for himself, working simultaneously as an artist and social activist while writing and producing the music for seven of the Oscar - winning or nominated documentaries over the past eight years.

: Take off that confining work blazer and put on a soft sweater to watch this documentary about Fred Rogers, the social activist, ordained minister and preschooler's best TV friend.

NOW FROM EDUTOPIA The best documentaries from The George Lucas Educational Foundation on the most pressing topics in education: project - based learning, technology integration, math and science, social and emotional learning, assessment, school - to - career, integrated studies, teacher development, community involvement, and schools that work.

Examining authentic intellectual work with a social studies digital documentary inquiry project in a mandated state - testing environment.

Neal: Making documentary films; working with social entrepreneurs on projects to improve the world; solving the New York Times crossword puzzle, particularly on Fridays and Saturdays.

Ron Levine, Prisoners of Age >> Specializing in documentary photography spanning decades, Ron Levine's work is internationally known for spurring introspection as well as inspection of relevant social issues.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

As his friend and mentor Ralph Ellison stated, «Adelman has moved beyond the familiar clichés of most documentary photography into that rare sphere wherein technical ability and social vision combine to create a work of art.»

PEET's work — whether painting, sculpture, drawing, video, or performance — actively engages with the social and political realities of our time and fluctuates between documentary and subjective approaches.

Pairs have been chosen for the dynamic interplay between the two selected works, and based on similar or contrasting themes, formal motifs, or geographic interests, as well as topics endemic to photography's discretely defined history: social documentary, performative, and formal modes will be explored within the expanded discourse of film and video.

Looking to forbears such as Walker Evans, Robert Frank and Dorothea Lange, Opie's work continues in the lineage of social documentary but with a profound emphasis on community.

In his early video works from the late 1990s, Sala used documentary strategies to examine life after communism in his native Albania, observing the role of language and memory in narrating social and political histories.

LATOYA RUBY FRAZIER A social documentary photographer and video artist, LaToya Ruby Frazier «s family and hometown of Braddock, Pa., a decimated steel town near Pittsburgh, have been central to her work.

Intimate documentary 16 June Danny Lyon, known for his work in the style of photographic New Journalism, has always taken an interest in tackling social and political issues, whether he's taking a picture, making a film or writing a piece.

Collage, documentary photography, poetic text, painting, needlepoint, crochet, textile work and animation are all methods enlisted by these artists to create works that deal with various social issues.

They will explore the ways these recent bodies of work both extend and depart from Opie's longstanding interests in documentary photography, community and identity, the built and social American landscape, as well as the capacity of photography to bear witness to what might otherwise remain unseen.

Last year he worked on social reportages and documentaries in London.

Based on documentary and photographic evidence of the time, it reconstructs the spatial, temporal, social, and political contexts in which the works of art were created and exhibited, and the way in which they were interpreted and received by the public of the time.

Social documentary photographers Radcliffe «Ruddy» Roye and Jamel Shabazz recently joined author and curator Dr. Sarah Lewis on Pratt Institute's Brooklyn campus for a lively and thought - provoking discussion that revolved around their work and themes...

«Works like Aerospace Folktales altered the way in which documentary photography was conceptualized and used in contemporary art, and the work continues to be an urgent model for representing the political and social realities of our world.»

The works include personal social documentary that I photographed in Israel in the 80's, staged tableaux, self portraits, still life and portrait photography of icons in different social fields throughout the years.

A German documentary - style photographer, Wolfgang Tillmans creates work that addresses his own life, the world around him, his political and social concerns, but also the entire history of the medium of photography.

The Social Medium features work spanning from the mid-twentieth century to the present, and includes multiple photographic genres such as social documentary, street, society / celebrity, and portrait photogSocial Medium features work spanning from the mid-twentieth century to the present, and includes multiple photographic genres such as social documentary, street, society / celebrity, and portrait photogsocial documentary, street, society / celebrity, and portrait photography.

LaToya Ruby Frazier: A Haunted Capital features approximately 40 photographic works that intimately connect the artist's family and hometown, Braddock, Pennsylvania through portraiture and social documentary.

Social documentary photographers Radcliffe «Ruddy» Roye and Jamel Shabazz recently joined author and curator Dr. Sarah Lewis on Pratt Institute's Brooklyn campus for a lively and thought - provoking discussion that revolved around their work and themes of representation, community, and social juSocial documentary photographers Radcliffe «Ruddy» Roye and Jamel Shabazz recently joined author and curator Dr. Sarah Lewis on Pratt Institute's Brooklyn campus for a lively and thought - provoking discussion that revolved around their work and themes of representation, community, and social jusocial justice.

Today, the photographer and artist describes her work as social documentary photography.

Toward the latter period of his documentary work, Siskind's growing interest in the poignancy of less referential images began to reveal; the repeat of windows perforating abandoned brownstone façades in Harlem translate more as an exploration of pattern and texture than as social commentary.

Frazier's credo — that photography is only documentary when it does not replace, outdo, or determine social activism — suggests that her work should always be seen as a performative political event.

A leading documentary photographer who was active in the New York Photo League in the 1930s, Siskind moved beyond the social realism of his early work as he increasingly came to view photography as a visual language of signs, metaphors, and symbols — the equivalent of poetry and music.

Located in SoHo, NY's historic photo building at 100 Crosby Street, the gallery represents a wide range of emerging and established photographers whose practices include landscape and architectural installation, abstract and concrete photography, experimental mixed media works, and social documentary.

Whether recreating miraculous glass objects pictured in Renaissance paintings or modernized versions of non-extant glassware from documentary photographs, McElheny's work takes as its subject the object, idea, and social nexus of glass.

Cara Romero's work conflates fine art and a documentary style that is often tongue in cheek with complex cultural interactions and social commentary.

His work, which includes documentary, fiction and experimental narratives, takes a critical stance on modern - day social, political and cultural phenomena to suggest a reading of our society from its margins.

Its photojournalism and social documentary photography, especially the work of Gordon Parks and Jim Goldberg, greatly expands the Gallery's holdings in these areas.

Her documentary - based work examines the social and cultural factors that shape an environment.

5 pm Panel discussion with Andrea Luka Zimmerman, Alia Syed and Seamus Harahan on documentary, personal work, social space and locality.

From social documentary and street photography to portraiture and architectural photography, «strange and familiar» includes works by Tina Barney, Gian Butturini, Henri Cartier - Bresson, Bruce Davidson, Raymond Depardon, Rineke Dijkstra, Jim Dow, Hans Eijkelboom, Robert Frank, Bruce Gilden, Frank Habicht, Candida Höfer, Evelyn Hofer, Axel Hütte, Sergio Larrain, Shinro Ohtake, Akihiko Okamura, Cas Oorthuys, Gilles Peress, Paul Strand, Edith Tudor - Hart, Hans van der Meer, and Garry Winogrand.

Tushikur Rahman (b. 1987) is a documentary photographer who prefers to work with social issues both urban and rural.

Her unique form of social documentary photography has led her to create work about subjects ranging from lesbian families and San Francisco's S&M community to high school football players and surfers.

Informed by documentary practices from the turn of the last century, Frazier explores identities of place, race, and family in work that is a hybrid of self - portraiture and social narrative.

Working in London in the 1970s and 1980s as a community - based activist using photography and text as tools for social change, Spence contested the formalist preoccupations of mainstream photographic practice and emphasized a return to documentary.

Since the early 1970s his work bridged the gap between conceptual art and documentary practices, focusing on economic and social themes ranging from family life, work and unemployment, to schooling and the military industrial complex.

Several of the two dozen works are documentary photographs of acts of social disobedience, public demonstrations and political counteraction, among them now - famous images by Richard Avedon, Gordon Parks, Larry Fink, Gilles Peress and Garry Winogrand.

A 2000 graduate of the Whitney Museum Independent Study Program, Geyer works with photography, video and performance, using both fiction and documentary strategies in order to address larger concepts such as national identity, gender, and class in the context of the ongoing re-adjustment of cultural meanings and social memories.

Embracing and melding abstraction, surrealism, social documentary and street photography, Walker's work challenges the myth of a singular African - American aesthetic.

A social documentary photographer, Frazier is recognized for a major body of work exploring how the decline of the steel industry has impacted her hometown of Braddock, Pa., her family and its health.

Jim McKeever is a social documentary photographer working in an exhibition / gallery context.