I've already expressed my admiration for «Sugar,» the wonderful new baseball - oriented
social drama from «Half Nelson» creators Ryan Fleck and Anna Boden.
David Fincher directs
this social drama from a script by Aaron Sorkin titled The Social Network, with Jesse Eisenberg starring as Facebook co-founder Mark Zuckerberg.
Not exact matches
A generation ago, kids would come home in the afternoon and have a break
from the
social drama at school.
But when you see a recurring narrative of bikini, one piece, bare shoulder
drama from every
social media channel, it'll get you off the couch (not to pick up that bagel, hey!)
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Steven Bochco interview and videos
from the Archive of American Television on producing, writing, and creating shows such as legal
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social, fun and simple.
Of course, objective
social and economic shocks and the intervention of socialist politics and political analysis play the decisive role, but an especially vivid sense of a society's ills, its psychic ills among them, and the human urgency of addressing them come
from visual images and
drama.
Pattinson, the British star of Twilight, tops the bill in David Cronenberg's Cosmopolis, tipped as one of the key titles to screen, while Efron takes the lead in Paperboy, the new film
from Lee Daniels, whose
social drama Precious was a sleeper hit two years ago.
Skipping
from a neo-noir adaptation (Out of Sight) to a biopic (Che),
social commentary (Traffic) to an Andrei Tarkovsky remake (Solaris), mainstream
drama (Erin Brockovich) to an experimental film about prostitution (The Girlfriend Experience), Soderbergh is a man who doesn't like repeating himself.
As might be expected
from a man known for detail - oriented TV
dramas, The Company Men has an insider feel when it comes to how corporate layoffs work and how they affect workers of differing ages and
social backgrounds.
Loveless A story about a broken marriage and a missing child becomes a withering snapshot of Russian
social malaise in this bleak and beautifully shot
drama from the gifted Andrey Zvyagintsev («Leviathan»).
A profoundly unsettling work
from the great American director Todd Haynes, Safe functions on multiple levels: as a prescient commentary on self - help culture, as a metaphor for the AIDS crisis, as a
drama about class and
social estrangement, and as a horror film about what you can not see.
The latest
drama from Jason Reitman (Juno, Up in the Air) focuses on the evil that our current fascination with texting,
social media and the Internets hath wrought,
from sexting moms and porn - addicted kids to Adam Sandler being able to order a high - priced call girl
from his laptop.
Coming
from the US, I take as much as I can
from films that depict a culture I am unfamiliar with, but having the opportunity to discuss the technique and story of a French
drama with someone who is more than familiar with the director's work and the
social commentary surrounding a film brings about a whole new understanding and experience
from what I initially left the theater with.
«THE
SOCIAL NETWORK» (2010) Timberlake's best live - action performance to date comes
from this Facebook origin
drama — as Napster founder Sean Parker.
And you have two movies about race relations, each starring Sidney Poitier, but coming at the issue
from different angles — the
social comedy -
drama «Guess Who's Coming to Dinner» and the crime
drama «In the Heat of the Night.»
Over the course of the three acts, the film's context evolves
from social satire (set in a public space) to emotional intimacy (confined to the private space of a single room and a single bed) to domestic
drama (set in the awkward private - public space of a family apartment).
The film is part
social -
drama, part boxing movie, and arrives in UK cinemas
from March 17th.
The torch - lit Rembrandt lighting of the first few episodes has, thanks to the profusion of oil lamps, given way to a more even, golden illumination, a visual analog for how
social and technological progress removes some of the darkness
from life, yet leaves the essential human
drama — the collision of individuals stumbling
from cradle to grave — untouched.
HONORABLE MENTIONS: ANIMATION «Kubo and the Two Strings» — Laika's most daring, innovative film yet «My Life as a Zucchini» — About little kids but not for little kids; a bold, 70 - minute feature
from Switzerland «Sing» — Delightful and triumphant, with terrific voice performances and song renditions «Trolls» — I can't stop the positive feelings I've had about this DreamWorks musical since I saw it 3 months ago «Zootopia» — Disney's live - action crime
drama /
social commentary disguised in animated form has one of the year's best screenplays
His talking - while - walking specialty (
from TV's West Wing to the movie The
Social Network) is considered masterly, but his shtick merely exemplifies the overexcited, sarcastic babbling that has come to define contemporary pop
drama.
He's not keen on the mounting reluctance
from studios to commit to character - driven
dramas with a
social conscience (like New Hollywood staple Network, for instance), instead favoring CGI - driven sure things.
Language: Korean Genre:
Drama / Romance MPAA rating: NR Director: Chang - dong Lee Actors: Kyung - gu Sol, So - ri Moon, Nae - sang Ahn Plot: A man with no
social mores is released
from prison.
Social dramas or «message films» expressed powerful lessons, such as the harsh conditions of Southern prison systems in Hell's Highway (1932) and I Am a Fugitive
From a Chain Gang (1932), the plight of wandering groups of young boys on freight cars during the Depression in William Wellman's Wild Boys of the Road (1933), or the lawlessness of mob rule in Fritz Lang's Fury (1936), or the resourcefulness of lifer prisoner and bird expert Robert Stroud (Burt Lancaster) in John Frankenheimer's Birdman of Alcatraz (1961), or the tale of a framed, unjustly imprisoned journalist (James Cagney) in Each Dawn I Die (1939).
GOD FRIENDED ME stars Brandon Micheal Hall in a humorous, uplifting
drama about Miles Finer (Hall), an outspoken atheist whose life is turned upside down when he receives a friend request on
social media
from God and unwittingly becomes an agent of change in the lives and destinies of others around him.
Covering everything
from action films,
social dramas, love stories and crime films, what they have in common is an African identity and cultural grounding that make them more popular than Hollywood films for Nigerian audiences.
Brandon Micheal Hall stars in a humorous, uplifting
drama about Miles Finer (Hall), an outspoken atheist whose life is turned upside down when he receives a friend request on
social media
from God and unwittingly becomes an agent of change in the lives and destinies of others around him.
Language: Italian Genre:
Drama / Historical MPAA rating: NR Director: Bernardo Bertolucci Actors: Robert De Niro, Gérard Depardieu, Dominique Sanda Plot: The lives of two Italian men - one a bastard born to a peasant, the other to a land - owner
from 1900 - 1945 - the rise of Fascism and Communism and how the two men are shaped by the
social and political times.
If I Want to Whistle, I Whistle (Unrated) Coming - of - age
drama about a juvenile delinquent (George Pistereanu) just a couple weeks
from being paroled after serving four years in a youth correctional facility who, against his better judgment, impulsively decides to hold hostage the cute
social worker (Ada Condeescu) he has a crush on.
Providing access to
social work support and integrating restorative justice practices into the school day, or offering high - quality after - school opportunities (like
drama or sports)
from primary through high school are not options that all students across Chicago are offered.
These artists» irreverent humor —
from parody to quasi-slapstick to dry — serves critical ends: serious
drama, art historical revisionism, politics of
social inclusion, etc..
From a
social media - based sci - fi
drama about a new global health epidemic, to a look at the «unpredictable nature of physical attraction» using statistical analysis, Neïl Beloufa's exhibition, Counting on People, will keep you guessing.
If the
drama arises primarily
from social, political, or economic impacts, then it is crucial that the associated risk be understood fully, and not discounted.»
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