Not exact matches
But new was the
artist's
social justice embrace
of the Black
Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details
of the singer's apparent marital strife.
But it can be tough to
live up to the reputation
of being a «better» Facebook — just ask Todd Berger, the CEO
of Ello, a
social networking site for
artists, designers, and other «creatives.»
If you choose, for example, to be an educator or a
social worker or an
artist, realism demands that you prepare for the possibility that a shrunken job market or the impossibility
of making a decent
living will force you to abandon your career aspirations in favor
of something more «practical.»
It's no secret that JAY - Z has been one
of the most influential
artists in the hip - hop industry for over a decade, but Jay has really been making moves for
social justice lately, especially for the Black
Lives Matter movement.
Most tell
of their past
lives and some reflect on how special programs such as «Drawing On Memories» created by Tulsa, Oklahoma
artist Mel Lee with use
of social dancing helped them in their problems
of feeling alone, a desire for a bed
of their own, and loss
of memory.
I can't tell you how many times I've sat down with other wellness professionals,
social entrepreneurs, and
artists of all sorts who appear to be
living their dream
life.
The 20 personality types are:
Artist, Bar Game Buff, Cultured Urbanite, Curious George, Eternal Optimist, Family First, Fast and Furious, Happy - Go - Lucky, Health Buff, Intellectual,
Live Event Fan, Mainly Mainstream, Pinteresters, Romantic, Salt
of the Earth,
Social Butterfly, Sports Fanatic, Weekend Warrior, Well - Rounded, and Outdoor Adventurer.
Sundance Institute was founded on the notion that by awakening new ideas, pushing creative boundaries, and creating a space for independent
artists to share their work, we could make
social change a part
of our everyday
life.
Set against the
social, political and cultural landscape
of the times, Chasing Trane brings John Coltrane to
life as a fully dimensional being, inviting the audience to engage with Coltrane the man, Coltrane the
artist.
Such a
life serves more than work, as
artists are often control freaks riven with anxiety and
social awkwardness that must be put to rest by the calming waves
of routine.
Maro: «Átiko13 are five
social workers, and there are also community organizers; there are monitors
of leisure time; a recent addition
of a degree in geography has also long been
living in Mexico and has many ideas in music; there are musicians; we have psychologists; a
social educator, designer, and
artist... Apart from that, everyone then has a master's degree in Journalism, a master's degree in Human Rights, a more or less promising career in music and art in general... Right now, we are 11, with two recent additions.
With a focus on Ludwig's younger years, Tezuka depicts what
life was like for a young, struggling
artist in a time when those in a higher
social class used and abused those
of lower class.
Beatrice de Clerval is not based on a single real
artist, but in developing her I was inspired by the
life of Berthe Morisot, one
of the six original exhibiting Impressionists, a dedicated and very gifted painter who also protected the conventions
of her
social and family
life.
The period between the two World Wars was one
of thriving creativity for many
artists, and Paris with its bohemian lifestyle, its recognition
of artists, and vibrant
social life offered plenty
of enticements to American writers.
I'm finding I'm tough thinking
of what to write in
social media posts etc. as I just don't feel that my
life will be that interesting to other people (although other
artists blog posts and newsletters fascinate me).
Lisa Call is an example
of an
artist with a great day job who still has a day job and an active
social life.
Behind the most sophisticated investigations
of great
artists — more specifically, the art - historical monograph, which accepts the notion
of the Great
Artist as primary, and the
social and institutional structures within which he
lived and worked as mere secondary «influences» or «background» — lurks the golden - nugget theory
of genius and the free - enterprise conception
of individual achievement.
Often, making art is a solitary effort, so dA's amount
of social interaction is a great way to meet other
artists and art lovers, discuss art, technique, hell, just
life in general.
15:14 — Stephen's story
of transforming a condemned building into a workspace for
artists by aligning the interests
of the city with the interests
of the
artists, and how Stephen's commitment to
social justice became part
of his creative
life.
Working with
artist Jenny Moore, participants used Pascale Marthine Tayou's sculptures as the starting point for a playful investigation
of the
social life of objects.
Featuring works by Emma Amos, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Loïs Mailou Jones, Barbara Jones - Hogu, Samella Lewis, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, Lorna Simpson, and Carrie Mae Weems, among many others, the show presents a diverse group
of artists who
lived and worked at the intersection
of art production, political activism and
social change.
A critic
of institutions and a believer that the
artist should act as what he termed an «incidental person» — one who operates in a non-art context, inserting oneself into political and
social life — Latham created an oeuvre that paved the way for much socially engaged and politically charged art practice that we see today.
Through this large - scale apocalyptic installation, the
artist proposes what
life would look like following the current trajectory
of destructive environmental, political, and
social policies and behaviors.
Imitation
of Life considers the context
of racial politics over the last fifteen years in the US and Europe, focusing on
artists whose work uses (melo) drama as a form
of social, political and institutional critique.
I believe the
artist has a
social responsibility to engage others in a thought process that ultimately brings the creative process into everyday
life thereby enhancing the quality
of our experience.»
Artist Dorit Cypis» FabLab (looking for patterns), is a
living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice
of exploring the psycho, physical,
social and political implications
of identity and
social relations.
A graduate
of Goldsmith's and University College in London with degrees in Media and Film Studies, Chinese
artist Hao has been drawing the attention
of curators from Beijing (where she
lives) to New York with her evocative, pseudo-documentary films that mine her country's
social history.
Drawing upon recent contemporary fiction, curators Tom Eccles and Amy Zion (both Bard College, New York) have invited writers, poets, and
artists to investigate the psychological, linguistic, physical and
social conditions that underpin the daily struggles
of individual
lives.
The layers
of ideas the
artist explored in his early performance art, conceived
of as existential explorations and
social commentaries, have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after
living and working for eight years in New York City.
Their
lives and careers, which often involved overcoming racial barriers, are portrayed against the backdrop
of artistic,
social, and political events; black Renaissance and Depression
artists receive the most attention.
British
artist Tom Hunter uses photography to comment on the contemporary
social realities
of specific sub-cultural groups, predominately in East London, such as squatters and travelers, among whom he
lives and works.
She is Editor and Arts & Culture writer for Morningsider, an on on - line publication covering Uptown
living, and a contributing writer to
Of Note Magazine, which features global
artists using the arts as tools for
social change.
Of course, as a black artist painting in acrylic, Whitten was always conscious of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his wor
Of course, as a black
artist painting in acrylic, Whitten was always conscious
of colour's social resonance, maintained that his lived history necessarily emerged in the texture of his wor
of colour's
social resonance, maintained that his
lived history necessarily emerged in the texture
of his wor
of his work.
The exhibition looks at the international exchange
of ideas opened up by early twentieth - century Russian
artists, suggesting how we might re-conceive spheres
of public and private
life to bring about
social change.
But with
social media full
of shocking images, is it worth today's
artists putting their
lives at risk?
The exhibition will explore the
artists» commentary on and challenge
of social values, expectations, and conventions that are a part
of everyday
life — raising questions about national and global issues including gender - specific violence and sociopolitical conflict.
A Rail Curatorial Project lead by Phong Bui
of the Brooklyn Rail, this exhibition focuses on
artists whose practice interrogates the contemporary
social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we
live.
Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui
of the Brooklyn Rail, this exhibition focuses on
artists whose practice interrogates the contemporary
social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we
live.
The
Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by
living artists from the U.S. and around the globe who are addressing a range
of social and political issues through their practice — including recent exhibitions
of South Asian
artists Naiza Khan, Imran Qureshi, and Mithu Sen.
The seven
artists here, who have created displays
of art and artefacts tracking British
social and cultural
life, provide a timely reminder
of the past's impact on the present.
Linn's staging
of the installation, which incorporates her own intimate portraits
of Mapplethorpe alongside publications relating to his work, encourages the visitor to reflect upon the
artist's
life in its larger
social and historical contexts.
These
artists all share in examining the content
of what they remember, with
social and familial
life acting as a lens through which they reexamine recollected moments.
In speaking about his art, Kenny Scharf commented to the museum: «I believe the
artist has a
social responsibility to engage others in a thought process that ultimately brings the creative process into everyday
life thereby enhancing the quality
of our experience.»
Since the early 2000s the
artist has explored the
social and cultural implications
of political acts through painting, sculpture, installation, and performance — both
live and filmed — using himself as protagonist, proxy, and test subject.
From renowned exhibitions, public debates and
artists» gatherings to stylish
social events and
life in the RA Schools, the artwork reveals the rich tapestry
of activity at the Academy.
Whether introspective and deeply personal or engaged with broader
social and cultural issues, each
artist demonstrates the importance
of art and culture in our everyday
lives, challenging our preconceptions and opening up new ways
of engaging with the world around us.
Painted between 1943 and 1978 in Neel's inimitable style — half
social realist, half wonky Expressionist — the paintings and drawings
of her uptown friends, neighbors, colleagues and fellow travelers form a remarkable montage
of the
artist's
life in a vibrant, multicultural 20th - century New York.
Publications by the
artist include a contribution to The
Social Life of the Book; castillo / corrales; Everybody's Pixelated, Printed Matter and Inventory Arousal, published by Bedford Press.
Future Shock is a large - scale exhibition
of works by international
artists that articulates the profound impact
of the acceleration
of technological,
social, and structural change upon contemporary
life.
The Service to the Arts Award is given to locally and nationally recognized arts advocates whose efforts have supported
artists and arts institutions and who have made contributions to the cultural and
social life of our country, representing the highest level
of leadership, integrity and vision.