Leaders of
social movements often carefully calculate the social effect of their language.
Modern
social movements often fizzle after their moment in the national news (Occupy Wall Street and to a lesser extent the Tea Party come to mind).
Not exact matches
Social Justice Warrior (SJW) A term for a person involved in the new
movement, though it is
often used pejoratively by critics.
It is no paradox that we use the term «modern» to refer both to the external material and
social forces that transformed the world, and to the internal intellectual and expressive
movements that wrestled with, and
often deplored, the human costs of that same transformation.
It is necessary to remember that such a paradigm shift does not occur overnight - paradigm shifts generally occur over a long period of time, with pockets of thought frequently unaffected by the new for a long period, and
often with
movement taking place back and forth between paradigms until the new paradigm becomes «settled» and existing
social systems are reintegrated.
So
often Jews either focus exclusively on Jewish issues or ignore their own Jewishness as they lead
social movements on behalf of other people.
Many
movements for
social change, while seeking to halt violence or injustice, too
often simply recast who is right and who is wrong, who is «us» and who is «them,» without challenging the paradigmatic assumption of duality.
Movements which foster noble moral causes and which therefore should have the support of the churches have been embraced by them so wholeheartedly that they
often appear to be primarily agencies of
social reform.
In fact, the power of the sermon to initiate and sustain
movements for
social change has
often been overlooked because sermons were «words, words, words.»
In his thought there was none of the utopian thought or «evolutionary optimism»
often attributed to liberal theology and the
social gospel
movement by its critics.
In spite of this, we catch a glimpse of women and men, responding to what they sensed was a new
movement inaugurated by a man from Galilee, a man who tried to break so many of the
social conventions of his time, a response informed by the possibility of change and transformation, even though what he «actually taught
often became a matter of bitter dispute....»
This is beginning to happen, but, paradoxically, the interfaith
movement which draws together people of all faiths in the search for justice and peace at the same time
often makes its members very critical of the compromises that many faith communities have made with the abuse of power and
social injustice.
Often, the genes of the new are present in the body of the old — they are the ideas, the
social movements, the fair food networks that start life on the innovative edge, the
social fringe, and move towards the middle where they give expression to the new systems that grows out of the old.
«The condition
often has a serious impact on patients» work and
social lives, causing people to have up to ten watery bowel
movements a day,
often for many months, with an urgent need to go to avoid accidental incontinence.»
Indeed, PeaceMaker is at the forefront of a
movement —
often called serious games or
social - issues games — in which educators use games to illustrate complex
social issues, from immigration to climate change.
However, if this
movement is stabilized by a descendant included third - a third of reduction instead of a third of coexistence — then the circular causality becomes degenerative for the
social systems, thus
often leading to wars.
Students schedules change daily and include math,
social studies, arts, literacy
often integrated with
movement (such as yoga, dance, running or chants).
Through assiduous research (the endnotes comprise almost a third of the book and are
often very interesting reading), Lepore unravels a hidden history, and in so doing links her subjects» lives to some of the most important
social movements of the era.
Dog parks are like many philosophical and
social movements: they sound great in theory, and even look good on paper, but the reality
often fails to measure up.
Early 20th - century art
movements like Constructivism, Futurism, and Dada sought an aesthetic,
social, and political break with the past,
often with utopian goals for the future.
Her installations and public projects
often employ the iconography of
social movements and their residual documents to inter - rogate contemporary political engagement and
social dialogue.
Often referencing political and artistic history, including
social resistance
movements and Dada, Minimalism, and Conceptualism, Pendleton siphons historical and aesthetic content from texts and visual culture to critically examine the resonance of ideas from varied cultural and
social perspectives.
It focuses on works by primarily African - American artists
often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights
movement, the 1965 Watts riots and the era's general
social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington.
While Bruguera's most recent work
often uses the strategies of
social movements and education platforms to address topical matters, this exhibition looks back to Untitled (Havana, 2000) as a crucial work at the turn of the millennium that symbolizes an important shift in Bruguera's oeuvre, as she moved from working primarily with her own body to considering active audience engagement.
Although
social progress moves in fits and starts (and
often retreats), the
movement towards inclusivity does coincide with a broader enthusiasm for women's voices and stories, visible in other cultural fields including television, film, literature, and music.
Glenn Ligon's intertextual works examine cultural and
social identity —
often through found sources such as literature, Afro - centric coloring books, and photographs — to reveal the ways in which slavery, the civil rights
movement, and identity politics inform our understanding of American society.
A contemporary artist hailing from Los Angeles, Arceneaux
often finds inspiration in history, science fiction,
social movements, philosophy, and architecture, for the creation of his immersive installations that artfully synthesize diverse media like video, sculpture, and painting.
Using a figurative style and imagery of African Americans in urban, suburban, and interior settings, Marshall's work has
often addressed
social issues stemming from the Civil Rights
movement, evoking the nostalgia and idealism of that era.
Antonio Berni was an Argentine figurative artist who is
often associated with the
movement known as Nuevo Realismo, a Latin American extension of
social realism.
Glennon Doyle Melton's hilarious and poignant reflections on our universal (yet
often secret) experiences have inspired a
social movement by reminding women that they're not alone.
They are driven, persistent, and
often don't seem to need sleep or food, just constant
social activities and play partners or
movement and just more, more more.