Sentences with phrase «social nature of work»

This recorded twenty minute dialogue between Elizabeth Lupfer and David Zinger discusses the social nature of work and engagement.

Supporting the social nature of work is not easy.

Not exact matches

Given the global nature of the Berrys» businesses, conventional work hours don't exist, so having a cut - off time for answering emails and addressing social media notifications has been an important step toward finding a healthy level of use.

I guess I've started to see political, religious, economic, and social aspects of our world in very evolutionary terms - it works, but nature is cruel.

The liberation theologian does not first work out questions of the nature of God and Christ and the church in one context, such as that of the academic community, and then apply these answers to the social situation.

When we say that a social activity, arrangement, or pattern is in accord with or contrary to human nature, we are saying that it works either with or against that grain of nature.

The primary social question in regard to occupation is whether work is determined by the requirements of a sovereign economic mechanism or by deliberate social planning guided by an integral concept of human nature.

F. Ability to participate in and help mobilize community structures for essential social change through a working knowledge of the nature of communities and community structures.

Yet within a framework of disparate biological inheritance fixed by nature and of disparate social inheritance which is the result of both biological and human forces, the democratic ideal requires that every person be given an opportunity to experience the «abundant life» and do the work for which he is best fitted.

Once the exceptional, but fundamentally biological, nature of the collective human complex is accepted, nothing prevents us (provided we take into account the modifications which have occurred in the dimensions in which we are working) from treating as authentic organs the diverse social organisms which have gradually evolved in the course of the history of the human race.

For Man, by the act of «noospherically» concentrating himself upon himself, not only becomes reflectively aware of the ontological current on which he is borne, but also gains control of certain of the springs of energy which dictate this advance: above all, collective springs, in so far as he consciously realizes the value, biological efficiency and creative nature of social organization; but also individual springs m as much as, through the collective work of science, he feels himself to be on the verge of acquiring the power of physicochemical control of the operations of heredity and morphogenesis in the depths of his own being.

Again, value - judgments are less directly involved in the details of work in the natural sciences than in many other fields; in the social sciences, for example, a scholar's work is more strongly affected by his views of the nature of man, his values and goals, and his perspective on society.

Some people work because of the force of social approval, letting both the nature and the amount of their work be determined by prevailing social patterns.

Niebuhr's realism required «recognizing that the imperfections of the world stemmed from fallen human nature, that the social implications of human selfishness had to be reckoned with, that to improve the world it would be necessary to work with human limitations and not dream of obliterating them.

The notions of «emergence» and «emergent properties» are used to develop an account of the structure - agency relationship that is consistent with Berger's concrete sociological work, whilst avoiding the shortcomings of his explicit reflections about the nature of the social world.

Most importantly, a book with this sub-title should have included arguments that confront the bishops» working presuppositions about poverty and wealth, the nature of the Christian duty to the poor, and such terms as «economic rights,» «redistribution,» and «social justice.»

To name just four academics sympathetic to sociobiology at work in the biology departments of American universities: Timothy Goldsmith of Yale teaches a course called «Biological Roots of Human Nature»; William Zimmerman of Amherst teaches the «Evolutionary Biology of Human Social Behavior»; David Sloan Wilson (Department of Biology, SUNY «Binghamton) researches the evolutionary basis of human behavior; and Randy Thornhill at the University of New Mexico coauthored the infamous book on the evolution of rape.

That's why I have an office in Crested Butte — if Nature isn't cooperating, I can get plenty of work done and still have time to get out for some solitude on a trail run or social time on a walk with my neighbor.

The only one who was part of my social circle worked part - time during the day (naps, swaps, a small nanny share) but mostly worked at night (worked well for the nature of his job anyway), which is why we never invited him to join us.

The teacher works with a team of educators to implement a multi-sensory, hands - on / minds - on, nature - based science curriculum; incorporating emergent language and math experiences along with creative arts, music, cooking and the development of social skills.

First published in 2013, A Healing Landscape: Environmental and Social History of the Site of Mass Audubon's Boston Nature Center by Scholar - in - Residence Steven Pavlos Holmes, PhD, tells the stories of the people who have lived and worked on the land over the past two centuries — including early farming families, a Revolutionary war soldier, pioneering birdwatchers, the residents and staff of the Boston State Hospital, and, of course, the Clark Cooper Community Gardens and Mass Audubon.

With insights from neuroscience, this theory argues that human nature is characterized by emotionality, amorality, and egoism, and that working for social cohesion and sustainable history requires careful consideration of the dignity needs of human beings.

Impersonal domination: linked to the very nature of work in nascent industrial capitalism, an unprecedented domination of work over time due to the fact that value, in the capitalist regime, is established on the basis of abstract social labour.

Being nice «The great complexity of human social interactions and the huge variation in what we find rewarding compared with other primates prompts questions about whether the anterior cingulate gyrus operates similarly in the human brain,» Matthew Apps and Narender Ramnani, who work on neuroimaging and human cognition at Royal Holloway, University of London, UK, told Nature in an email.

20 - year old lover of Yahweh (God) with a passion for life, dancing, Christian Ministry, natural beauty, modest fashion, social justice, learning and education, art, service work, travel, nature, business, and a good bargain or sale, and a preference to lead by example

But the nature of my work does not permit me more time to meet ladies in social settings.

They also praised Mr. Levine's unabashed use of poetry as a vehicle for radical social criticism, noting his frank explorations of the nature of masculinity and his cleareyed depictions of working - class lives and the immigrant Jewish experience.»

It's simply the nature of telling this story, in which, indeed, some of these journalists are killed in their home country — if they have decided to stay in order to photograph or record the vicious work and social devastation wrought by ISIS — and in Europe.

This is why I believe that all teachers who work with gifted kids should be required to complete a Nature and Needs type of course so they at least become familiar with the general characteristics and social - emotional issues of gifted children.

It embodies a social constructivist view of learning and involves students working in ways that are similar to those of scientists, thus developing some appreciation of the nature of scientific activity.

The book covers the nature of cooperative learning, the essential components that make it work, the teacher's role, the structuring of positive interdependence and individual accountability, teaching students social skills, group processing, and forming teacher colleagial support groups.

For example, they sometimes influence how school leaders do their work; the nature of classroom teaching and learning processes (through their effects on teachers» expectations); the financial resources available to districts and schools; and the nature of the «social capital» available to students.

It's a small step towards censorship when an author or content creator must apply for licensing and have his work approved prior to publication, and the ambiguous nature of this proposal means it can easily extend to books, blogs, social media posts, and other forms of digital publication.

has led us to the conclusion, so far, that art is not a free, autonomous activity of a super-endowed individual, «influenced» by previous artists, and, more vaguely and superficially, by «social forces,» but rather, that the total situation of art making, both in terms of the development of the art maker and in the nature and quality of the work of art itself, occur in a social situation, are integral elements of this social structure, and are mediated and determined by specific and definable social institutions, be they art academies, systems of patronage, mythologies of the divine creator, artist as he - man or social outcast.

The work is geometric in nature and takes its cues from Constructivism, Suprematism, and Latin American modernism — art movements that came to being in order to address the radical changes of the modern era, be they political, social, visual, or otherwise.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

The Linda Pace Foundation is pleased to present the Texas debut of Secondary Stories, a room - sized installation by Brazilian artist Rivane Neuenschwander, who has become widely regarded for her often ephemeral work that explores narratives about language, nature, social interactions and the passing of time.

Mediating between cultures, while setting man and nature in ambivalent relation to each other, his works are created in the knowledge that they are products of social, cultural, or political constructions.

The fact that the history of art is always a social history, never just a history of style, and the enormously complicated nature of personal identity that exists in each and every work of art.

Burton, an advocate for making art personal and social, once said of the experience he desired for the seated audiences of his Behavior Tableaux works, ``... what I want people to become aware of is the emotional nature of the number of inches between them.»

Drawing on everything from 18th - century rococo to 1970s punk, her recent work shows images of people surviving after civilizations collapse, though the nature of the cause is unclear, whether from climate change, social injustice or financial meltdown.

The works reveal a structured imprint of the everyday, in the exploration of the relationship of media to the psycho - geographical, social, and political nature of place.

A tribute to the technical nature of Albers» Bauhaus influence — in addition to Dávila's own architectural background — the work also comments on the hierarchical relationship between artist and artisan, canvas and craft, particularly considering the social and art historical importance of ceramic tile in Mexican culture.

KSThe fact that the history of art is always a social history, never just a history of style, and the enormously complicated nature of personal identity that exists in each and every work of art.

Chun compares his work to «the scars of our bodies, conflicts between society members, wars between nations, man's exploitation of nature and nature's suffering from it — all units and the natural, social groups they constitute are dynamically conflicting with each other,» and wants it to «document «the force and direction of their energy.

Featuring three works, the Israeli artist's first solo show in Berlin is relatively modest at first sight, yet each of these pieces is rich with historical references, social commentary, and is the result of formal contemplations about the nature of the reproduced image.

The works explore themes of political and social injustice, identity, and contemporary conflicts between man and nature.

The socially responsible and multidisciplinary nature of his work is part of an emerging movement among artists and designers channeling some of their energy into actively working to bring attention to pressing social issues such as poverty, famine and water resources.

Here, though, there are narrative interests evident in the Marcianos» collection, perhaps highlighted by the apocalyptic nature of the Jim Shaw show and the site - specific «behind - the - scenes» vibe of the Trecartin / Fitch collaboration — namely an interest in social tension or upheaval and works that reveal their process, respectively.

Although he achieved recognition as a painter of murals in the Social Realist style enforced by the then ruling Soviet regime he felt his work was unable to capture the tumultuous nature of life itself.