Sentences with phrase «social object thinking»

This simple change illustrates the shift from social network thinking to social object thinking.

Not exact matches

I attend to my perceiving, feeling, imaging, thinking and deciding, rather than to myself as acting in the world or as a social object.

There is also a chiasm between thought and its object: «Being is the «place» where the «modes of consciousness» are inscribed as structurations of Being (a way of thinking oneself within a society is implied in its social structure), and where the structurations of Being are modes of consciousness» (VIV 253).

A policy and research think tank, VIAM Africa Centre for Education and Social Policy, has pooh - poohed the Ministry of Education's response to the brouhaha over the textbook that depicted the human head as a part of the human body used for carrying objects.

The understanding of the human condition in the world requires a break with the positivism thinking of the nineteenth and twentieth centuries, which reduces and separates the subject from the object, and that confuses social development with economic growth.

There were a range of social effects as well: children were seen to be negotiating items with other children, which is quite a higher order thinking skill; they were modelling behaviour on others, so they could actually see how children were playing with some of the equipment and then being able to join in (so it was a lot more inclusive, they were able to see how some of the children used some of the equipment); and they were really working together, using teamwork skills and creating these different objects and structures and stations to play around in the school playground.

Critical pedagogue Ira Shor defines critical pedagogy as: «Habits of thought, reading, writing, and speaking which go beneath surface meaning, first impressions, dominant myths, official pronouncements, traditional clichés, received wisdom, and mere opinions, to understand the deep meaning, root causes, social context, ideology, and personal consequences of any action, event, object, process, organization, experience, text, subject matter, policy, mass media, or discourse.»

-LSB-...] more, social networks tend to work when communities come together around content (the fabled social object — think photos in Facebook).

[UPDATE:] In order to help me order my thoughts, I decided to put all my favorite social object posts onto a single blog page below.

I'd suggest there's also a variable here about positive v negative that you should think about before quitting that job [Bonus Link] US News & World Report: «Selling in a Post-Meatball Era - The quest for «social objects» that create their own Web buzz.»

And as you two share a late - night cab back to her place, you're thinking about how Saul Bellow is the Social Object here.

Ideally, the curated items become social objects (think: McLeod and Engstrom), topics of conversation, the seeds of connections that ripple -LSB-...]

A business card is not just a social object; it's a form of schwag, if you think about it.

Tom Hopkins - My only thought on the Jesus Christ is yes «he / it» is a social object, merely a social object I don't think so.

Chris Schroeder riffs on my whole «Social Object» marketing schtick with this very salient thought:

And if you think about it like this, it becomes OBVIOUS that we need social objects for relationships to other people, because if we have no social objects, we just have nothing to talk about.

Essentially, our brand as defined by our views, opinions, thoughts, observations, and actions, becomes a social object that requires dynamic cultivation and placement.

Serving as conversational hubs, these social objects are personified by the pictures we publish to Flickr, the videos we upload on YouTube, the events posted in Upcoming.org, the wall posts shared in Facebook, the tweets that fly across Twitter, the links bookmarked in Delicious, the votes cast in Digg, the places we check into on Foursquare, the documents published in Docstoc, reviews posted in Yelp, communities built around themes in Ning, a thought shared in a blog post or a blog comment, etc..

Instead of first focusing on traffic, think about how you can create value and get my attention through social objects.

Ward re-contextualizes these found objects in thought - provoking juxtapositions that create complex, metaphorical meanings to confront social and political issues surrounding race, poverty, and consumer culture.

The boundary of a contemporary art object or project is no longer thought of solely in physical terms but rather in relation to the specific social field it creates.

These hundreds of objects that looked like framed, matted, fields of painted blackness, worked as neutral, «generic signs» that might inspire the viewer to think about the social expectations that constructed the «idea» of a painting,» more than the actual painting itself.

Based on that thinking I placed a digital urn as an social object in the middle of a family.

The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.

Social Objects and Homeless People So I've been thinking some more about Jyri's Five Principles of Social Objects, especially how they apply to gapingvoid:

I remember thinking that creating social objects (or indeed object ideas) would be a struggle if you had an uncool mass market brand, but I reckon this interview shows how Costco managed it with a hotdog (about 2/3 of the way down the page):

-LSB-...] profoundly impacted the way I thought about viral loops, engagement loops, social objects, retention — the whole works, in the early days of my first startup, -LSB-...]

Two things I'd add: i) I think it's oversimplifying marketing to say it always worked through the intermediary of a social object.

I think that context (the authority of the person who seeds the social object, the culture, the time, the people who participate in the conversation, etc) influences the conversation and implicitly its effects.

The history of performance art as a manifestation of radical shifts in social thought and artistic practice is well documented in publications like Out of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to the Present.

[4] Inspired by the concept / model of Joseph Beuys social sculpture, that have the potential to transform society, ART / MEDIA was an extended artwork that included human interactions, creating structures and systems within society using language, thought, objects, events and actions.

Santiago Muñoz's work arises out of long periods of observation and documentation, in which the camera is present as an object with social implications and as an instrument mediating aesthetic thought.

His exploration of the communal role of art and everyday actions as art recalls Joseph Beuys's notion of social sculpture (art's potential to transform society through human activity with language, thought, action, and objects).

So many artists are in some way playing with the way in which people find value in objects and how objects give value to social relations: Rirkrit Tiravanija, Meschac Gaba, Urs Fischer, Isa Genzken, Jeremy Deller, Rosemary Trockel, David Hammons, Thomas Hirschhorn, Doris Salcedo, Jimmie Durham, Gabriel Orozco, Mark Manders, Robert Gober, Kara Walker in her last show... I think the question is, who doesn't?

With this subtle and deeply evocative work, she has bravely challenged us to consider more fully the deep connections between place, history, and objects that carry the weight of collective memory, suggesting avenues of thinking that tie together object - making and potent social action.

Continuing his investigation into what he terms «social geometry» — the intersection of physical space with human thought and behavior — Lionni trains his eye on seemingly banal images, objects, and substances, filtering them through a variety of meticulous processes in order to focus our attention on their oft - overlooked

The exhibition brings together artworks, design objects, and architectural proposals to trace how computers transformed aesthetics and hierarchies, revealing how these thinking machines reshaped art making, working life, and social connections.

He goes on to talk about engaging your customers by thinking of your wine as a social object, i.e. something that brings people together and allows them to interact.

Learn how to think of marketing as «social objects» that talk to and through people, shifting from a world of impressions to expressions.

When selecting keywords for your social objects, it's important to remember that the keywords used by customers and influencers are not always what you think they'd be.