Sentences with phrase «social objects which»

One approach that came into my mind is to clearly establish the context first and then to surface social objects which are already producing results for the people who share that specific context.

You get social objects which act as ice breakers, you get automated updates on people's activites and a lot more.

The centre point of a triad is the social object which serves as a catalyst for connecting two people.

Not exact matches

«The social object of skilled investment should be to defeat the dark forces of time and ignorance which envelop our future,» Keynes warned.

What Marx was objecting to, however, was not religion as such, but an other - worldly formulation of religion which withdrew people from their task of social transformation.35

Jürgen Moltmann objects to the «monarchical monotheism» of Christianity, which supports hierarchalism and individualism, and insists instead that a social, Trinitarian doctrine of God is needed.

We who live in a world which it can truly be said to have revolutionized acknowledge its social significance — and sometimes even make it the object of a cult.

Can you imagine a world in which the definition of every object or point of discussion had to be clarified before moving forward with social intercourse?

Subject - object, or I - It, knowledge is ultimately nothing other than the socially objectivized and elaborated product of the real meeting which takes place between man and his Thou in the realms of nature, social relations, and art.

Hence in social terms the disorderly turmoil of individuals pursuing conflicting and egotistical aims; and, on the national scale, the chaos of armed conflict in which, for want of a better object, the excess of accumulated energy is destructively released... «Idleness, mother of all vices.»

[7] Many theological students, especially women, African Americans, and Hispanics, regularly and vigorously object that their «theological education» is in important respects inappropriate to the faith communities to which they belong and to the social and cultural worlds in which they expect to live and work in the future.

Yet, as Giddens remarks, they have intensified, in the social sciences, the subject / object dualisms which have dogged most areas of social analysis (CPST 96 - 130).

Hence the second sense in which this habit of justice is «social»: its object, as well as its form, primarily involves the good of others.

I am a passionate Darwinian in explaining why we exist,... but if we lived our lives in a Darwinian way, that would be a very unpleasant society in which to live... One of the reasons for learning about Darwinian evolution is as an object lesson in how not to set up our values and our social lives».

In this essay, I have referred only to the book of Genesis and thus have chosen not to mention the prohibitions against homosexuality included in Leviticus, for it seems to me that what is at stake now is not homosexuality, which is a fact, a reality, whatever my view of it as a rabbi might be, but the risk of irreversibly scrambling genealogies, questions of legal and social status (the child - as - subject becoming child - as - object), and identities — a confusion that would be harmful to society as a whole and that would lose sight of the general interest in seeking the advantage of a tiny minority.

It was passed through the parliament with only three no votes, which implies that the lead opposition the Social Democrats — PES — either don't object or don't care.

In many socialist and Marxist systems, personal property is any object intended for personal use, but private property is a social relationship in which the owner deprives another person or class from using, accessing, or benefiting from that property.

A similar defence cooperation agreement between the Kenyan Government and the British Government which has gone viral on social media has deepened our woes, and Ghana, a country used to be the trailblazer and shining example for other African countries is now becoming an object of ridicule on the continent.»

Boys often treat girls as sexual objects, which contributes to the higher rates of digital sexual coercion, as boys may feel entitled to have sexual power over girls, said study co-author Richard Tolman, U-M professor of social work.

The daily lives of toddlers are filled with social contexts in which objects are handled, such as mealtime, toy play and getting dressed.

The cognitive abilities that are tested for this diagnosis are complex attention, language, executive function (which are skills that enable people to plan, organize, remember things, prioritize, or pay attention to tasks, for example), visuospatial function (the visual perception of spatial relationships among objects), memory, and social cognition.

The understanding of the human condition in the world requires a break with the positivism thinking of the nineteenth and twentieth centuries, which reduces and separates the subject from the object, and that confuses social development with economic growth.

Some have objected to its cover, which makes compelling use of the iconic Grant Wood painting, American Gothic, to highlight the spread of the social reality that concerned Moynihan by displaying an African American mother and child with a ghosted, absent father.

There were a range of social effects as well: children were seen to be negotiating items with other children, which is quite a higher order thinking skill; they were modelling behaviour on others, so they could actually see how children were playing with some of the equipment and then being able to join in (so it was a lot more inclusive, they were able to see how some of the children used some of the equipment); and they were really working together, using teamwork skills and creating these different objects and structures and stations to play around in the school playground.

Critical pedagogue Ira Shor defines critical pedagogy as: «Habits of thought, reading, writing, and speaking which go beneath surface meaning, first impressions, dominant myths, official pronouncements, traditional clichés, received wisdom, and mere opinions, to understand the deep meaning, root causes, social context, ideology, and personal consequences of any action, event, object, process, organization, experience, text, subject matter, policy, mass media, or discourse.»

See also minutes of a 1970 meeting of the Woodside Housing Tenant Council, in which middle - class tenants objected to the declining social class of new residents, and unsuccessfully beseeched the Housing Authority to reinstitute home visits to applicants.

We will work on behaviors such as loose leash walking, social walking, crossing streets, seeing new objects, climbing up on objects, giving attention to handler, and other behaviors which make dog walking enjoyable for all.

The object of competition could vary: it could be the prey (hence the relation to prey drive); or it could be social rank, which works well with dominant dogs.

Boasting a unique combat system in which everyday objects become weapons, multiple story routes, a varied cast of characters based on common anime and video game tropes and a narrative dripping with social satire and subtle nods to Japanese pop culture, AKIBA»S TRIP is a present - day supernatural adventure for the gamer in all of us.

You simply need what my other great marketing friend, Mark Earls calls «The Purpose - Idea», which as a bona fide Social Object, is THE REASON why people are joining together in the first place.

Commenters engage each other, eskay's postings are the social object around which they congregate.

Which is indeed the social part of the blog object isn't it?

That concept has since been augmented by the idea that the «social object «is something around which people can readily congregate.

Which is why I invented Cube Grenades: social objects in cartoon form, designed to star real conversations between people.

Anyone who has heard me speak publicly lately will know that I'm currently very focused on the «Social Object» idea, which I was turned onto by Jaiku's Jyri Engestrom.

[October, 2007:] Anyone who has heard me speak publicly lately will know that I'm currently very focused on the «Social Object» idea, which I was turned onto by Jaiku's Jyri Engestrom.

As social becomes the axis for which all search is predicated, advanced SEO / SMO and a maturing human algorithm reinforced by the stature of one's social capital will ultimately contribute to the hierarchy, placement, and findability of the content and social objects we share online.

But once we introduce a social object, we must stand ready to handhold existing subjects throughout the social web as well as create a publishing calendar rich with relevant content, programmed specifically for each network in which we maintain a presence.

To that extent, McCollum «s works are often characterised by an extreme accumulation of individual parts — drawings or sculptural objects — with the aim of transcending such social categorizations as education and class which often divide audiences in their reception.

With attendance of more than 900,000 visitors throughout the year, 2017 saw such landmark presentations as No Place Like Home, which traced the artistic appropriation of domestic objects from the early 20th century through today; Ai Weiwei: Maybe, Maybe Not, examining notions of individuals» relationship to their social culture; as well as bodies of work by acclaimed Israeli photographers Ilit Azoulay and Micha Bar - Am.

His work focuses on political and social issues such as poverty, race, and consumer culture, examining the value, that which is inherent and that which we bestow, of the objects around us.

El - Sherbini's playful interdisciplinary practice often appropriates familiar objects and social events, which engages people into questioning social and political systems of power and influence.

The choreography of these sculptures is accompanied by a pulsating sound track and text statements, collaged from celebrated male authors, which collapse the distinctions between art objects and social history artefacts, and the strange and compulsive desires of consumerism.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

Donald Judd and Jorge Pardo's works adapt languages and (production) methodologies derived from architecture and design to create essentially «hybrid» objects, which, like those of Palermo, seek to conflate, and possibly confuse, the social and aesthetic possibilities of art.

His polychromatic creations, the Thai artist declares, are «social objects,» which he invites us to cut, fold and even wear — to experience and interact with what he describes as their healing, transformative energy.

He mostly works with found materials and objects which serve as a starting point for critical dialogue and explorations of social conditions.

But in the hands of curator Boris Groys the proposition turns ambiguous... «Specters,» as conceived by Groys, explores Russian «post-conceptual realism,» an artistic practice in which artists shift attention from isolated art objects and performances to their social and political context.

Contingencies considers the ways in which artists today similarly react to a world in turmoil by rejecting the autonomy of the art object in order to harness, engage, or interrupt systemic flows — whether those are organic, social, or technological — on a distinctly material level.