Sentences with phrase «social practices whose»

We can elaborate our thesis now: A theological school is a group of people who engage in a set of social practices whose overarching end is to understand God more truly.

Not exact matches

Robert Wakulat is a business lawyer and facilitator whose practice focuses on supporting social innovators and entrepreneurs.

This is especially true of his practice of table fellowship with sinners and social outcasts, a habit for which he was severely criticized by those whose religious heroism was implicitly put in question by such inclusive praxis.

But a body of newer work on the apostle — including, perhaps, as Hurtado notes, Wright's own new books (which I haven't had the chance to finish reading yet)-- reveals that Paul may, after all, look less like a liberal Westerner than the New Perspective has taught us to think and more like a Christ - haunted figure whose radical social practices arose directly from his pioneering, innovative thinking about the identity and achievement of Jesus Christ.

By its recent appointment of Switzer, NWNA, whose brand portfolio includes 12 popular U.S. bottled waters, is looking to continue to shape environmental and social best practices of the industry for years to come.

He is convinced that there exists an obvious instrument for putting social democracy into practice - the central national state, whose strength has been underestimated, he argues, in a rush of market fundamentalism on both left and right.

The major thrust of the initiative will be to disseminate the ideas and practices pioneered by James P. Comer, the Yale University child psychiatrist whose beliefs about the inseparability of social and academic development have been embraced by a growing number of schools.

Now that it has entered the national consciousness — perhaps even its conscience — the term has become a slippery, contentious phrase that is used to refer to a variety of unsavory social practices and attitudes and whose meaning is open to many interpretations, especially as to who is the perpetrator, who the victim.

«Stephanie Jones is a gifted researcher whose work on the effects of poverty and violence on social and emotional development has already influenced policy and practice around bullying prevention and comprehensive school - based interventions,» Dean Kathleen McCartney said.

«It is a great opportunity to honor the dedication and work of Joe Zins, and to join such an illustrious group of scholars whose efforts are so central to supporting the highest quality research, practice, and policymaking in social - emotional learning.»

Their roots lie also in the caring practices of the social reformer Jane Addams, whose 19th - and early 20th - century settlement houses were designed to help immigrants and the poor gain solid footing so they could contribute to the country's prosperity.

For the past 15 years she has served as the Founding Director of The Inner Resilience Program (IRP) whose mission is to cultivate the inner lives of students, teachers and schools by integrating social and emotional learning with contemplative practice.

The New York Times this week published an investigative report about the financial practices of a sizable group of Texas charter schools being operated by the followers of Fethullah Gulen, a Turkish Islamic religious leader «whose devotees have built a worldwide religious, social and nationalistic movement in his name.»

That portfolio uses ETFs that hold companies whose business practices are in line with social causes and exclude companies with poor records on social issues.

A hard - to - define creative whose cultural development projects bridge art, social justice and urban planning, the success and unexpected direction of Gates's practice exemplifies the sentiments expressed in the remarks of Lowe.

In that spirit, this exhibition explores the work of 35 dynamic Brazilian artists — many of whom have never been widely exhibited in the US — whose practices and influences are as varied as the social, racial, and geographical composition of the country itself.

The work on view focuses on artists in the collection whose practices respond to issues of identity, gender, class, power, and the values that contribute to our social fabric.

One might make similar arguments about the photographs of Louise Lawler, a contemporary of Levine's, whose practice, beginning in the late 1970s, has kept a close watch on the social lives of artworks, catching them both in corporate offices and collector's homes.

Likewise, there's nary an art fair nor biennial free of performance offerings — even from artists whose practices aren't focused on the medium, like conceptual practitioner Rashid Johnson's recent restaging of the grandfather of midcentury performance art Allan Kaprow's 1970 Sweet Wall, or even social - practice popularizer Theaster Gates's recent in - situ pottery presentation at the Istanbul Biennial.

For the first edition of Amsterdam Art Fair Dürst Britt & Mayhew presents a solo presentation by Dutch artist Pieter Paul Pothoven, whose artistic practice concerns itself with the historic and social connotations of various valuable objects, ranging from lapis lazuli to ancient Egyptian mirrors.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The episode, «explores art created amid social upheaval, including: the social practice of Andrea Bowers and Noe Gaytan, whose work engages with the struggle for wage equity and unionization».

Dylan Gauthier is a Brooklyn - based artist whose research - based and collaborative practice is centered on experiences of nature, architecture, landscape, and social change in a time of ecological crisis.

VIA is proud to support the 2016 - 2017 season at The Artist's Institute dedicated to renowned artist Sharon Lockhart, a Los Angeles - based photographer and filmmaker whose practice is rooted in rigorous social research, based on her immersion in various communities around the world.

This inquiry stands at the core of the work of Canadian artist Kapwani Kiwanga whose practice interweaves a research - based investigation influenced by her earlier training in social sciences, with a more subjective and fictional observation of culture.

Mary Anna Pomonis is a Los Angeles Based Teaching Artist whose projects have encompassed varying forms, including performance, painting, writing, curating, and social practice.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Nontsikelelo Mutiti is an interdisciplinary artist and educator whose work encompasses fine art, design, and social practice.

Francis Alÿs is a Belgian artist whose work emerges in the interdisciplinary space of art, architecture, and social practice.

A fearless pioneer whose performances were fueled by feminist indignation of the vulnerable position of women in American society, her work has been a harbinger of experiments in social practice, new media, interactive and net - based art decades before technology and digital culture would re-shape our experience of reality.

Since 2006, he has organized or curated over 30 exhibitions, with a focus on artists whose practices involve social or politically engaged themes.

Located in SoHo, NY's historic photo building at 100 Crosby Street, the gallery represents a wide range of emerging and established photographers whose practices include landscape and architectural installation, abstract and concrete photography, experimental mixed media works, and social documentary.

Maia Chao, 2018 Van Lier Visual Arts Practice Fellow, is an interdisciplinary artist from Providence, RI whose work — often playful and absurd — uses existing institutions and their systems as sites of social intervention and critique.

Estefaní Mercedes is an Argentinian / American Artist whose practice moves between Performance, Social Practice, and Social Scpractice moves between Performance, Social Practice, and Social ScPractice, and Social Sculpture.

Andi Sutton is an artist whose practice explores the ways that performance art methodology can create new models for community building and social engagement.

María Alejandrina Coates Maria Alejandrina Coates is a Uruguayan - born, Toronto - based curator and writer whose interests include art practices grounded in feminist, social, and collaborative frameworks.

Preceding her tenure at the Studio Museum, Beckwith was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia, where she worked on numerous exhibitions including Locally Localized Gravity (2007), an exhibition and program of events presented by more than 100 artists whose practices are social, participatory, and communal.

«Force and Form» brings together a group of artists whose practices recognize a shift in visual culture as it addresses issues of identity, gender, class, power, and the values that contribute to our social fabric.

Further information for Editors: SEAMUS NOLAN Seamus Nolan is a Dublin based artist whose work practice explores the legitimacy of its own appropriation, interrogating the fabric of our social and cultural make up, to reveal the narrative of identity formation within common materials and activities.

Daniela Lieja Quintanar is a Los Angeles - based curator whose research interests include contemporary art and curatorial practices that explore the politics and social issues of everyday life.

SOM: To celebrate a broader sense of Feminism and the definition of what makes up a feminist practice, we invited artists whose practices re-envision a change in current social structures.

Representing a generation of artists active since the late 1990s, Body Talk foregrounds six African women artists whose artistic practice is concerned with past and current iconography of social protest and resistance.

Holly Ward is a Vancouver - based artist whose interdisciplinary practice examines representations of social progress and the utopian imaginary.

Mennour juxtaposes Morellet, a pioneering minimalist who passed away in 2016 at the age of 90, with Mohamed Bourouissa, a young Algerian - born Parisian artist whose multimedia practice explores contemporary social tensions and cultural idiosyncrasies, especially in urban environments.

ABOUT ART & SOCIAL CHANGE STUDENT COMMITTEE: The Art & Social Change Student Committee is a group of OCAD U students and alumni whose goal is to unify social justice and its integration into artistic praSOCIAL CHANGE STUDENT COMMITTEE: The Art & Social Change Student Committee is a group of OCAD U students and alumni whose goal is to unify social justice and its integration into artistic praSOCIAL CHANGE STUDENT COMMITTEE: The Art & Social Change Student Committee is a group of OCAD U students and alumni whose goal is to unify social justice and its integration into artistic praSocial Change Student Committee is a group of OCAD U students and alumni whose goal is to unify social justice and its integration into artistic praSocial Change Student Committee is a group of OCAD U students and alumni whose goal is to unify social justice and its integration into artistic prasocial justice and its integration into artistic prasocial justice and its integration into artistic practice.

They are not the only artistic - types whose practice is based in social activism and regeneration - the American conceptual artist Theaster Gates is a prime mover in this sphere - but they are going about their business with impressive verve and dedication.

Named after Jochen Zeitz, the former CEO of sportswear brand PUMA SE, whose art collection is on a twenty - year loan, the museum's eleven inaugural exhibitions survey a broad range of contemporary artistic practices, many inventively using the camera to assert black identity and record performative engagements with social issues.

Formally educated as a potter and urban planner, Chicago - based Gates is an artist and curator whose practice is a hybrid of community development, social engagement, object making and performance.

The coffee table volume is described as «the first major survey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.»