Not exact matches
BuzzFeed,
whose content generates 7 billion views each month, will collaborate with NBCUniversal on
production and
social distribution for NBCUniversal's Content Studio, the companies said on Monday.
But there is also a new middle class, based on the
production and distribution of symbolic knowledge,
whose members are the increasingly large number of people occupied with education, the media of mass communication; therapy in all its forms, the advocacy and administration of well - being,
social justice and personal lifestyles.
It is a nonprofit
whose mission is to expand the
production, marketing, and distribution of locally grown and responsibly produced food in order to enhance the
social, economic and environmental health of our communities.
The term «birthmother» was invented to limit our role in our children's lives to 1) being
production units («breeders» as
social workers also called us)
whose sole purpose was to serve a genital function, and 2) to having only been parents at the time of birth, but not afterwards.
Get Out will also receive the Stanley Kramer Award, given each year to the
production or producer «
whose achievement or contribution illuminates and raises public awareness of important
social issues.»
The PGA also handed out its annual honors: the Norman Lear Achievement Award in Television went to Ryan Murphy, Ava DuVernay was recognized with the Visionary Award, and Universal Pictures» «Get Out» earned the Stanley Kramer Award, given to «a
production, producer, or other individuals
whose achievement or contribution illuminates and raises public awareness of important
social issues.»
I could give endless examples of how media
production companies in North America, Europe, and Japan have responded to fan demands for more female representation in video games, but I'd like to emphasize that the active and creative fans who thrive in
social mediascapes do have voices that are heard not just by their peers but also by the senior producers
whose positions they will one day inherit.
Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945),
whose unconventional artistic methods challenged cultural
production within the context of political and
social unrest in France during the late 1960s.
It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those
whose politics are anti-capitalist, anti-imperialist, and decolonial — and
whose artistic
production is shaped by
social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.
The Bruce High Quality Foundation: Ode to Joy, 2001 — 2013 is a retrospective of over fifty works by The Bruce High Quality Foundation, a Brooklyn - based artist group
whose production includes subversive and often humorous installation art, live performance, film, and
social sculpture.
«Greatest pressure to establish grounds for the highest possible budget came from those countries
whose national economy, political power and
social stability depend on sustaining the asset value and
production revenue derived from exploitation of their resources of fossil energy.