Sentences with phrase «social realism best»

Not exact matches

It is social realism as seen by Hieronymus Bosch, and if you are looking for a vision of absolute evil, the absolute repudiation of humanity, there are a couple of scenes here that will serve your purpose well.

Still, what works in Happy Times is what has worked in this director's best work (Shanghai Triad, Raise the Red Lantern, Red Sorghum): mordant social critique so far removed from realism that its status as political allegory is as subtle as a neon sign and a crack to the noggin.

This year's best screenplay award is a tie, with Nader Saeivar winning for her work on Jafar Panahi's 3 Faces, in which the director and actress Behnaz Jafari travel to the Iranian countryside in search of a distressed teenaged girl; and Alice Rohrwacher, for Happy as Lazzaro, the tale of a simpleton that blends magic realism and social drama.

Sun, sea and Sokurov... yes, it's nearly Cannes time again and in a couple of months some of the brightest and best of the movie world will be descending on the Croisette in a rampage of languid art house flicks and urgent social realism.

Jean - Pierre and Luc Dardenne have their own way with social realism and commentary, one that that doesn't have Loach's humor but is just as good at capturing the textures and rhythms of lives and often better as sketching the anxieties and conflicts within communities.

There's a wide range of genres in this year's best first novels, from fantasy and mystery to social realism, and many new writers open up the old formulas and break boundaries in form and subject.

But because Atta crafts them so vividly and writes social realism so well, and because she beautifully plumbs emotional and psychological as well as physical and situational details so well, I felt connected to Deola.

Best known for the incredible quality and consistency present in his work, Georg Baselitz was exposed to Social Realism and Abstract Expressionism before playing a major role in reviving the German Expressionism and ushering a path for Neo-Expressionism.

This well - paced exhibition illuminatingly connects a group of artists who chose to stand apart from the social realism prevalent in the Philippines at the time.

A painter of murals during the 1930s, Guston's brand of social realism was heavily influenced by the compositions of Renaissance masters as well as Cubism's treatment of space.

Modern and contemporary styles represented in the collection include precisionism, surrealism, abstract expressionism, geometric abstraction, pop and op art, Fluxus, photo realism, and minimalism, as well as works that explore social and political issues.

Specific painting movements included the Ashcan School (c.1900 - 1915); Precisionism (1920s) which celebrated the new American industrial landscape; the more socially aware urban style of Social Realism (1930s); American Scene Painting (c.1925 - 45) which embraced the work of Edward Hopper and Charles Burchfield, as well as midwestern Regionalism (1930s) championed by Grant Wood, Thomas Hart Benton and John Steuart Curry.

While Partisan offers global insights, the exhibition is anchored by the inclusion of politically - oriented works by American artists such Philip Evergood, who is known for practicing a brand of Social Realism in the 1930s and 1940s, as well as prolific artists Leon Golub and Nancy Spero, of whom works will be on view from the 1970s and 1980s.

Tom Johnson and Carrie Moyer: Better Social Realism and Chromafesto.

In addition to Filonov's oeuvre, the display includes works of art by the representatives of other trends in the Russian avant - garde, as well as examples of social realism.

It contains a large number of paintings of the American West as well as significant examples of works from the Ashcan School, early American modernism, Regionalism, Social Realism, Abstract Expressionism, Color Field, Pop, Minimalism, Post-Minimalism, and Conceptual and Performance art.

Ben Shahn was a Lithuanian artist best known for his works of social realism, left - wing political views, and series of lectures published as The Shape of Content.

His work took on a singular style, which defies categorization but shows the influences of the dominant movements of the 1950s, abstract expressionism and surrealism, as well as the dominant movements of the 1930s and early 1940s, social realism and the American Scene.

PP: Well the high point for social realism was 19th - century French painting.

In the current article, we suggest virtual reality (VR) as a novel integrating approach to elicit attachment behavioral system, as well as a powerful tool to bridge the gap among realism, dynamics of social interactions and experimental control.